{"id":10187,"date":"2022-07-13T01:04:59","date_gmt":"2022-07-13T01:04:59","guid":{"rendered":"http:\/\/hexagram.ca\/demo22-max-boutin-texturologies\/"},"modified":"2025-04-02T11:10:46","modified_gmt":"2025-04-02T16:10:46","slug":"demo22-max-boutin-texturologies","status":"publish","type":"post","link":"https:\/\/hexagram.ca\/en\/demo22-max-boutin-texturologies\/","title":{"rendered":"DEMO22 Max Boutin &#8211; <em>Texturologies<\/em>"},"content":{"rendered":"<p><em>June 2022<\/em><\/p>\n<p>This DEMO presents Max Boutin&#8217;s [student member, UQAM] doctoral exhibition, <em>Texturologies<\/em>, presented at the Agora Hydro-Qu\u00e9bec in Montreal, from April 22 to 26, 2022.<\/p>\n<p>In an experiential approach articulating research-creation and skateboarding, this doctoral exhibition proposes to experiment with the vibratory, visual and sound potential of Montreal&#8217;s ground texture. It presents skateboarding as a way of exploring the surface of urban space where the materials that make up the ground can generate a certain rhythm, a certain musicality and reveal the city&#8217;s vibratory identity <em>Texturologies<\/em> is an installative, mutlimedia and haptic exhibition offering a drifting, sliding and rubbing experience. It is a vibratory experience of the urban fabric through the subjectivity of skateboarding.<\/p>\n<p><em>Texturologies<\/em> is an installative exhibition developed in the context of a PhD in Art Studies and Practices, the first iteration of which was presented at the Agora Hydro-Qu\u00e9bec in April 2022.<\/p>\n<div style=\"text-align: center;\">\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" width=\"1056\" height=\"660\" src=\"https:\/\/player.vimeo.com\/video\/723128558\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe><\/p>\n<ul uk-accordion=\"collapsible: true; duration: 500; multiple: true;\">\n<li class=\"uk-open\">\n<p style=\"background-color:#575757;\" class=\"uk-accordion-title uk-card uk-card-secondary uk-card-hover uk-padding-small test-color uk-height-smaller uk-overflow-hidden uk-flex uk-flex-top\">TEXTUROLOGIES EXHIBITION &#8211; AGORA HYDRO QUEBEC &#8211; 2022<\/p>\n<div style=\"background-color:#151515;\" class=\"uk-section uk-padding-large uk-accordion-content\">\n<p style=\"color:#ffffff;\">\n<em>Texturologies<\/em> is an installative exhibition developed in the context of a PhD in Art Studies and Practices, the first iteration of which was presented at the Agora Hydro-Qu\u00e9bec in April 2022.<br \/>\nThe intention of this project is to question skateboarding as a sensory practice through which urban spaces and their architectural forms are reinterpreted in action, through a performative, tactile and sonic approach.<br \/>\nThe city is an environment to explore, it is a place of textures with an experiential potential, where the materials that make up the ground can generate, when skating, a certain rhythm and musicality. Each space reveals its own vibratory and acoustic identity.<\/p>\n<p style=\"color:#ffffff;\">\nThe exhibition proposes a texturological reading of various Montreal skateboard spots that were chosen for their textural richness, their materiality and their vibratory potential:<\/p>\n<ul>\n<li style=\"color: #ffffff;\">Stade Olympique<\/li>\n<li style=\"color: #ffffff;\">PLAF (Parc Lafontaine)<\/li>\n<li style=\"color: #ffffff;\">Peace Park (la Place de la Paix)<\/li>\n<li style=\"color: #ffffff;\">Place des Arts\n<ul>\n<li style=\"color: #ffffff;\">Parterre du quartier des spectacles<\/li>\n<li style=\"color: #ffffff;\">Place des arts<\/li>\n<li style=\"color: #ffffff;\">Place des festivals<\/li>\n<\/ul>\n<\/li>\n<li style=\"color: #ffffff;\">Peel Park (Square Dorchester)<\/li>\n<li style=\"color: #ffffff;\">Belv\u00e9d\u00e8re (Belv\u00e9d\u00e8re Kondiaronk)<\/li>\n<\/ul>\n<p style=\"color:#ffffff;\"><em>Texturologie vibratoire<\/em> is the main component of the exhibition. It is a haptic, video, and sound installation that explores different spots in Montreal through the subjective view of a skateboard. Its vibratory sensation are felt physically by the viewer&#8217;s body. The installation is made of a double channel video projection on a concrete screen, a wood panel screen, speakers and a haptic module equipped with tactile transducers. <em>Texturologie<\/em> (prints) is a series of performative embossings made by printing the texture of spots on paper, while skateboarding.<\/p>\n<p style=\"color:#ffffff;\">Although these are two projects that can be presented independently, the entire exhibition works in sync. The vibrations emanating from <em>Texturologie vibratoire<\/em> are transposed into light, as the texture of the spots is revealed on the paper by the luminous flicker of the skateboard&#8217;s sound in the same environment.<\/p>\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_001.png\"><img decoding=\"async\" class=\"wp-image-10064\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_001.png\" alt=\"\" \/><\/a><\/figure>\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_002.png\"><img decoding=\"async\" class=\"wp-image-10064\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_002.png\" alt=\"\" \/><\/a><\/figure>\n<\/div>\n<\/li>\n<li class=\"uk-open\">\n<p style=\"background-color:#575757;\" class=\"uk-accordion-title uk-card uk-card-secondary uk-card-hover uk-padding-small test-color uk-height-smaller uk-overflow-hidden uk-flex uk-flex-top\">TEXTUROLOGIE: CONCEPT<\/p>\n<div style=\"background-color:#151515;\" class=\"uk-section uk-padding-large uk-accordion-content\">\n<p style=\"color:#ffffff;\">\nMy research-creation project focuses on the visual and sonic potential of the ground&#8217;s materiality. The term texturology has become for me a field of experimental practices of urban ground textures, through skateboarding. It is both a concept and the title of a series of works.<\/p>\n<p style=\"color:#ffffff;\">\nIt has already been discussed by Michel De Certeau in his book <em>L\u2019invention du quotidien, tome 1 : Arts de faire<\/em> where he describes the streets of Manhattan seen from above the World Trade Centre. Beneath him, everything seems to be swarming.<\/p>\n<p style=\"color:#ffffff;\">\nIn an article about Rapha\u00ebl Zarka, art critic Elie During suggests that the &#8220;equipped body [of the skateboarder] attentive to the microproperties of the grounds and surfaces, sensitive to the slightest accidents or modulations of the pavement, has developed a kind of &#8216;molecular&#8217; perception of the city.&#8221; Texturology is broken down by the prefix &#8220;texture,&#8221; that which composes a material, from the Latin <em>textura<\/em> or &#8220;weave.&#8221; Its suffix, &#8220;Logy&#8221; comes from the Latin <em>Logia<\/em>, meaning science, the study of a subject or its discourse. Texturology is therefore the study of weaving, the study of textures and the weaving of materials in the city&#8217;s surfaces.<\/p>\n<div class=\"uk-grid-collapse uk-child-width-1-2@s uk-margin\" uk-grid=\"\">\n<div>\n<div><img decoding=\"async\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_003.jpg\" \/><\/div>\n<\/div>\n<div>\n<div><img decoding=\"async\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_004.jpg\" \/><\/div>\n<\/div>\n<div>\n<div><img decoding=\"async\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_005.jpg\" \/><\/div>\n<\/div>\n<div>\n<div><img decoding=\"async\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_006.jpg\" \/><\/div>\n<\/div>\n<\/div>\n<p style=\"font-size: 14px; color:#ffffff;\"><em>Texturologies<\/em> (vibrations), images extracted from the video sequences of the skatecam, 2020 series.<\/p>\n<p style=\"color:#ffffff;\">\nWhile texturology today is characterized as a kind of drifting through urban space for the purpose of exploring the materiality of the grounds and sensory transposition, it was already addressed by the painter Jean Dubuffet in the late 1950s, for which the following description by Georges Limbour is taken from <em>C\u00e9l\u00e9bration du sol I, lieux cursifs, texturologies, topographies.<\/em><\/p>\n<p style=\"color:#ffffff;\">\n&#8220;With texturology, Dubuffet makes topographies. [&#8230;] the ground is a parchment on which texts, to be deciphered, are written. A texture, haven&#8217;t we understood it? Is a way of text, and all is language. These soils &#8211; shady, red, cheesy, fluffy, wet, pepper-colored, spicy, old furniture, old metal; urban pavements or dirt sheets &#8211; these solid and real soils, however, slip away and open up under our steps. And they are flying floor mats, blown away by the capricious winds of personal reveries, for in celebrating the ground well, one has quickly lost his footing.&#8221;<\/p>\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_007.jpg\"><img decoding=\"async\" class=\"wp-image-10064\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_007.jpg\" alt=\"\" \/><\/a><\/figure>\n<p style=\"font-size: 14px; color:#ffffff;\">Jean Dubuffet, <em>Vie exemplaire du sol (Texturologie LXIII)<\/em>, oil on canvas, 129,5 x 161,9 cm, 1958<\/p>\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_008.jpg\"><img decoding=\"async\" class=\"wp-image-10064\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_008.jpg\" alt=\"\" \/><\/a><\/figure>\n<p style=\"font-size: 14px; color:#ffffff;\">Max Boutin, <em>Texturologie Vibratoire<\/em>, image extracted from a vibratory sequence of the skatecam, Montreal Olympic Stadium &#8211; south west square, 2021.<\/p>\n<\/div>\n<\/li>\n<li class=\"uk-open\">\n<p style=\"background-color:#575757;\" class=\"uk-accordion-title uk-card uk-card-secondary uk-card-hover uk-padding-small test-color uk-height-smaller uk-overflow-hidden uk-flex uk-flex-top\">TEXTUROLOGIE VIBRATOIRE DYPTYCH<\/p>\n<div style=\"background-color:#151515;\" class=\"uk-section uk-padding-large uk-accordion-content\">\n<div><iframe loading=\"lazy\" width=\"960\" height=\"600\" src=\"https:\/\/player.vimeo.com\/video\/723915702\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe><\/div>\n<p style=\"font-size: 14px; color:#ffffff;\"><em>Texturologie vibratoire<\/em>, extract of the diptych presented in the installation during the <em>Texturologies<\/em> exhibition at the Agora Hydro-Qu\u00e9bec in April 2022.<\/p>\n<\/div>\n<\/li>\n<li class=\"uk-open\">\n<p style=\"background-color:#575757;\" class=\"uk-accordion-title uk-card uk-card-secondary uk-card-hover uk-padding-small test-color uk-height-smaller uk-overflow-hidden uk-flex uk-flex-top\">SKATECAM &#8211; AN INSTRUMENT OF TRANSPOSITION<\/p>\n<div style=\"background-color:#151515;\" class=\"uk-section uk-padding-large uk-accordion-content\">\n<p style=\"color:#ffffff;\">\nThe skateboarder is like a &#8220;reading device&#8221; of the city&#8217;s texture. His board is like an extension of his body, his tool, or even his instrument. By pushing on the ground on his board, he moves and creates a sonic pattern according to the specificities of the surface: its hardness, its porosity, its granularity, its joint lines in the case of pavements, the speed, the line (trajectory) that he will follow in space and the hardness of his wheels.<\/p>\n<p style=\"color:#ffffff;\">\nThe skateboarder generates sounds and rhythms when he moves on the textured surfaces of the urban space, which could be compared to the grooves of a record crossed by a diamond diffusing sounds. The smooth and rough surfaces of the grounds are &#8220;read&#8221; by the wheels of the skateboard unfolding on them, making the skater feel vibrations and their sounds.<\/p>\n<div class=\"uk-grid-collapse uk-child-width-1-2@s uk-margin\" uk-grid=\"\">\n<div>\n<div><img decoding=\"async\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_010.jpg\" \/><\/div>\n<\/div>\n<div>\n<div><img decoding=\"async\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_011.jpg\" \/><\/div>\n<\/div>\n<div>\n<div><img decoding=\"async\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_012.jpg\" \/><\/div>\n<\/div>\n<div>\n<div><img decoding=\"async\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_013.jpg\" \/><\/div>\n<\/div>\n<\/div>\n<p style=\"color:#ffffff;\">\nTo create <em>Texturologie vibratoire<\/em>, several prototypes of skateboards equipped with a camera were made to film the subjectivity of skateboarding. The final version used in the <em>Texturologies<\/em> exhibition is composed of a Stereo board, a pair of Venture trucks, two riser pad kits (4x 0.5 inches), a set of OJ Wheels of 95A and 58mm hardness, a 3d designed and resin printed part (Tough 2000), an aluminium case for GoPro camera and a GoPro Hero 8 camera.<br \/>\nThe video sequences are recorded in 4k, 60 fps, hypersmooth mode (digital stabilization), flat mode, wide angle and each of them is worked in post-production on Adobe Premi\u00e8re.<\/p>\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_014.jpg\"><img decoding=\"async\" class=\"wp-image-10064\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_014.jpg\" alt=\"\" \/><\/a><br \/>\n<\/figure>\n<p style=\"font-size: 14px; color:#ffffff;\"><em>Texturologies<\/em>, research table, exhibition at the Agora Hydro Quebec, 2022. Photo : Flore Boubila<\/p>\n<p style=\"color:#ffffff;\">\nThrough my research-creation process, I now consider the skateboard as an instrument rather than as a leisure object or a tool. To the uninitiated, skateboarding is just noisy.<br \/>\nFor a skateboarder, noise is an integral part of the practice, an inherent condition. No noise, no skate. The vibratory sensation perceived in the body can be just as pleasant as it can be unbearable, depending on the granularity of the ground or the pavement pattern on which one moves.<br \/>\nLike many musical instruments, the skateboard has a wooden body and a metal mechanism that can be adjusted to tune the instrument. There are even rubber parts to control the vibrations and make the instrument play more smoothly and feet to act as wheels. If the skateboard has any of its parameters out of tune, such as a damp board, over-oiled or defective bearings, a flat wheel or a screw that is too loose, it will sound out of tune to other skaters.<\/p>\n<div class=\"uk-grid-collapse uk-child-width-1-2@s uk-margin\" uk-grid=\"\">\n<div>\n<div><img decoding=\"async\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_015.jpg\" \/><\/div>\n<\/div>\n<div>\n<div><img decoding=\"async\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_016.jpg\" \/><\/div>\n<\/div>\n<\/div>\n<p style=\"font-size: 14px; color:#ffffff;\">Experimentation, skatecam with contact mic plugged in the board. Experimental prototype not retained as final instrument.<\/p>\n<p style=\"color:#ffffff;\">\nIn the case of a skatecam, the skateboard is no longer just an instrument to play with the textural score of the ground surfaces, it also becomes a recording instrument, for post-production purposes. It could be seen as an electroacoustic or electric instrument, or as an instrument with microphones, which can also take photos and videos in 4k.<\/p>\n<p style=\"color:#ffffff;\">\nAre skateboarders experimental musicians in spite of themselves?<\/p>\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_017.jpg\"><img decoding=\"async\" class=\"wp-image-10064\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_017.jpg\" alt=\"\" \/><\/a><\/figure>\n<p style=\"font-size: 14px; color:#ffffff;\">Sound recording experiment in the context of a research collaboration with Brian Glenney. Photo : Brian Glenney. Skater : Levi Glenney<\/p>\n<\/div>\n<\/li>\n<li class=\"uk-open\">\n<p style=\"background-color:#575757;\" class=\"uk-accordion-title uk-card uk-card-secondary uk-card-hover uk-padding-small test-color uk-height-smaller uk-overflow-hidden uk-flex uk-flex-top\">SUBJECTIVE VIEWS OF THE SKATECAM<\/p>\n<div style=\"background-color:#151515;\" class=\"uk-section uk-padding-large uk-accordion-content\">\n<div class=\"uk-grid-collapse uk-child-width-1-2@s uk-margin\" uk-grid=\"\">\n<div><iframe loading=\"lazy\" width=\"480\" height=\"260\" src=\"https:\/\/player.vimeo.com\/video\/728230228\" allowfullscreen=\"\"><\/iframe><\/div>\n<div><iframe loading=\"lazy\" width=\"480\" height=\"260\" src=\"https:\/\/player.vimeo.com\/video\/723926068\" allowfullscreen=\"\"><\/iframe><\/div>\n<div><iframe loading=\"lazy\" width=\"480\" height=\"260\" src=\"https:\/\/player.vimeo.com\/video\/723928137\" allowfullscreen=\"\"><\/iframe><\/div>\n<div><iframe loading=\"lazy\" width=\"480\" height=\"260\" src=\"https:\/\/player.vimeo.com\/video\/723927358\" allowfullscreen=\"\"><\/iframe><\/div>\n<\/div>\n<p style=\"font-size: 14px; color:#ffffff;\">Subjective views of the skatecam for the <em>Texturologie vibratoire<\/em> installation. (excerpts)<\/p>\n<p style=\"color:#ffffff;\">\nDescription of the spots from left to right and from top to bottom:<br \/>\n&#8211; Peel park (Dorchester Square), Montr\u00e9al, 2021.<br \/>\n&#8211; Olympic Stadium (west square), Montr\u00e9al, 2021.<br \/>\n&#8211; Parterre du quartier des spectacles, Montr\u00e9al, 2021.<br \/>\n&#8211; Olympic Stadium (Vans skatepark), Montr\u00e9al, 2021.<\/p>\n<\/div>\n<\/li>\n<li class=\"uk-open\">\n<p style=\"background-color:#575757;\" class=\"uk-accordion-title uk-card uk-card-secondary uk-card-hover uk-padding-small test-color uk-height-smaller uk-overflow-hidden uk-flex uk-flex-top\">HAPTIC FLOOR &#8211; TRANSPOSITION MODULE<\/p>\n<div style=\"background-color:#151515;\" class=\"uk-section uk-padding-large uk-accordion-content\">\n<p style=\"color:#ffffff;\">\nBefore turning to texturology, my research-creation work stemmed from a practical question: how to transpose the vibratory experience of skateboarding into a multimedia installation?<br \/>\nBefore becoming an experimental research with skateboards and cameras, the project originated in a process of transposing the bodily experience of skateboarding into my multidisciplinary artistic practice.<br \/>\nConsidering the skateboard as a mode of sensorial exploration of spaces, why not exploit this potential through its subjectivity?<\/p>\n<p style=\"color:#ffffff;\">\nSkateboarding is a transposition of surfing that migrated to the empty pools of California one summer of intense drought in the United States in the 1960s. The waves froze into concrete, and the force of the water propelling the surfers had to be translated into an act of self-propulsion in space. Pushing with one&#8217;s foot on the ground while skateboarding became the basic gesture to move on the textured surfaces of the city.<br \/>\nThe contact between the wheels and the ground creates a friction with a richness that does not go unnoticed in the urban space, composed of countless materials with specific qualities. The meshing of this materiality becomes an experiential weaving through which the skater will generate sounds according to his trajectory, his speed and the material configuration of his instrument.<\/p>\n<p style=\"color:#ffffff;\">\nThe three kinds of textured cobblestones of Peel Park (Square Dorchester, Montreal), the resonating slabs of Place Ville-Marie, the streaks of concrete at the street corners, the asphalt and its potholes, the concrete of sidewalk slabs with often deep joints, the concrete smoothed with a helicopter; all these variations have a sonic style, and a vibratory identity specific to each spot.<br \/>\nUsing the analogy of the vinyl record, the skater perceives all the modulations of the ground: its roughness, its hardness, its resolution (fineness), its material arrangement, its rhythms. His passage on the ground is like the diamond in the grooves of a record and the space resonating around him like an amplifier. All these variations and vibrations are transmitted from the ground to the wheels, from the wheels to the trucks attached to the wood of the board, which then transfers this vibratory intensity to the shoes and feet riding it.<\/p>\n<p style=\"color:#ffffff;\">\nTo transpose this vibratory wealth beyond image and sound, the low frequencies of the subwoofers are not enough. In the context of the installation, the vibratory approach must be haptic to allow for a somatic experience of skateboarding. The installation becomes multi-sensory and therefore experiential.<\/p>\n<p><iframe loading=\"lazy\" width=\"960\" height=\"600\" src=\"https:\/\/player.vimeo.com\/video\/728249525\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe><\/p>\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_018.jpg\"><img decoding=\"async\" class=\"wp-image-10064\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_018.jpg\" alt=\"\" \/><\/a><\/figure>\n<p style=\"font-size: 14px; color:#ffffff;\">Haptic module for vibratory texturology. 8x8x1 feet, 1\/4 inch plywood, construction wood (spruce 2&#215;4 feet), Buttkicker tactile transducers, rubber.<\/p>\n<\/div>\n<\/li>\n<li class=\"uk-open\">\n<p style=\"background-color:#575757;\" class=\"uk-accordion-title uk-card uk-card-secondary uk-card-hover uk-padding-small test-color uk-height-smaller uk-overflow-hidden uk-flex uk-flex-top\">PRINTS<\/p>\n<div style=\"background-color:#151515;\" class=\"uk-section uk-padding-large uk-accordion-content\">\n<div class=\"uk-grid-collapse uk-child-width-1-2@s uk-margin\" uk-grid=\"\">\n<div><iframe loading=\"lazy\" width=\"480\" height=\"260\" src=\"https:\/\/player.vimeo.com\/video\/728665759\" allowfullscreen=\"\"><\/iframe><\/div>\n<div><iframe loading=\"lazy\" width=\"480\" height=\"260\" src=\"https:\/\/player.vimeo.com\/video\/728579091\" allowfullscreen=\"\"><\/iframe><\/div>\n<div><iframe loading=\"lazy\" width=\"480\" height=\"260\" src=\"https:\/\/player.vimeo.com\/video\/728577245\" allowfullscreen=\"\"><\/iframe><\/div>\n<div><iframe loading=\"lazy\" width=\"480\" height=\"260\" src=\"https:\/\/player.vimeo.com\/video\/728322892\" allowfullscreen=\"\"><\/iframe><\/div>\n<\/div>\n<p style=\"font-size: 14px; color:#ffffff;\"><em>Texturologies<\/em> (prints), series of performative embossings of textures, made by skateboarding on Arches paper 300 g\/m2, 9 x 12 inches, ephemeral lamination on transparent acrylic panels, mounted on micro table stand.<\/p>\n<p style=\"color:#ffffff;\">\nDescription of the spots from left to right and from top to bottom:<br \/>\n&#8211; Peel park (Square Dorchester), Montr\u00e9al, 2021.<br \/>\n&#8211; Plaf (Place Charles-de-Gaulle), Lafontaine Park, Montr\u00e9al, 2021.<br \/>\n&#8211; Place des Arts, Montr\u00e9al, 2021.<br \/>\n&#8211; Olympic Stadium, Montr\u00e9al, 2021<\/p>\n<p><iframe loading=\"lazy\" width=\"960\" height=\"600\" src=\"https:\/\/player.vimeo.com\/video\/728615819\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe><\/p>\n<p style=\"font-size: 14px; color:#ffffff;\">Process of making texturology (print), peace park. Video excerpt of the complete process (26 min.) presented in the exhibition <em>Texturologies<\/em> at the Agora Hydro-Qu\u00e9bec in 2022.<\/p>\n<\/div>\n<\/li>\n<li class=\"uk-open\">\n<p style=\"background-color:#575757;\" class=\"uk-accordion-title uk-card uk-card-secondary uk-card-hover uk-padding-small test-color uk-height-smaller uk-overflow-hidden uk-flex uk-flex-top\">PHOTOS OF THE EXHIBITION &#8211; ARCHIVE OF THE WORKS<\/p>\n<div style=\"background-color:#151515;\" class=\"uk-section uk-padding-large uk-accordion-content\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_019.jpg\"><img decoding=\"async\" class=\"wp-image-10064\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_019.jpg\" alt=\"\" \/><\/a><\/figure>\n<figure class=\"wp-block-gallery columns-2 is-cropped\">\n<ul class=\"blocks-gallery-grid\">\n<li class=\"blocks-gallery-item\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_020.jpg\"><img decoding=\"async\" class=\"wp-image-10053\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_020.jpg\" alt=\"\" \/><\/a><\/figure>\n<\/li>\n<li class=\"blocks-gallery-item\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_021.jpg\"><img decoding=\"async\" class=\"wp-image-10055\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_021.jpg\" alt=\"\" \/><\/a><\/figure>\n<\/li>\n<li class=\"blocks-gallery-item\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_022.jpg\"><img decoding=\"async\" class=\"wp-image-10057\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_022.jpg\" alt=\"\" \/><\/a><\/figure>\n<\/li>\n<li class=\"blocks-gallery-item\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_023.jpg\"><img decoding=\"async\" class=\"wp-image-10060\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_023.jpg\" alt=\"\" \/><\/a><\/figure>\n<\/li>\n<li class=\"blocks-gallery-item\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_024.jpg\"><img decoding=\"async\" class=\"wp-image-10062\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_024.jpg\" alt=\"\" \/><\/a><\/figure>\n<\/li>\n<li class=\"blocks-gallery-item\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_025.jpg\"><img decoding=\"async\" class=\"wp-image-10064\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_025.jpg\" alt=\"\" \/><\/a><\/figure>\n<\/li>\n<\/ul>\n<\/figure>\n<p style=\"font-size: 14px; color:#ffffff;\">Photos of <em>Texturologie vibratoire<\/em>, max boutin, 2022.<\/p>\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_026.jpg\"><img decoding=\"async\" class=\"wp-image-10064\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_026.jpg\" alt=\"\" \/><\/a><\/figure>\n<p style=\"font-size: 14px; color:#ffffff;\">Texturology process video broadcasting device (prints), sony 4k monitor mounted on a wooden structure at 45\u00b0.<\/p>\n<div class=\"uk-grid-collapse uk-child-width-1-2@s uk-margin\" uk-grid=\"\">\n<div><img decoding=\"async\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_027.jpg\"><\/div>\n<div><img decoding=\"async\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_028.jpg\"><\/div>\n<\/div>\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_029-1.jpg\"><img decoding=\"async\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_029-1.jpg\" alt=\"\" class=\"wp-image-10065\"><\/a><\/figure>\n<p style=\"font-size: 14px; color:#ffffff;\">Texture details of the prints, Max Boutin, 2022.<\/p>\n<\/div>\n<\/li>\n<li class=\"uk-open\">\n<p style=\"background-color:#575757;\" class=\"uk-accordion-title uk-card uk-card-secondary uk-card-hover uk-padding-small test-color uk-height-smaller uk-overflow-hidden uk-flex uk-flex-top\">PHOTOS OF THE EXHIBITION &#8211; PUBLIC<\/p>\n<div style=\"background-color:#151515;\" class=\"uk-section uk-padding-large uk-accordion-content\">\n<p style=\"color:#ffffff;\">\nThe following pictures were taken by <a style=\"color: #ffffff;\" href=\"https:\/\/www.instagram.com\/flore_bbl\/\" target=\"_blank\" rel=\"noopener\">Flore Boubila<\/a> at the opening of the exhibition on Friday April 22, 2022.<\/p>\n<figure class=\"wp-block-gallery columns-4 is-cropped\">\n<ul class=\"blocks-gallery-grid\">\n<li class=\"blocks-gallery-item\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_030.jpg\"><img decoding=\"async\" class=\"wp-image-10053\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_030.jpg\" alt=\"\" \/><\/a><\/figure>\n<\/li>\n<li class=\"blocks-gallery-item\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_031.jpg\"><img decoding=\"async\" class=\"wp-image-10055\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_031.jpg\" alt=\"\" \/><\/a><\/figure>\n<\/li>\n<li class=\"blocks-gallery-item\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_032.jpg\"><img decoding=\"async\" class=\"wp-image-10057\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_032.jpg\" alt=\"\" \/><\/a><\/figure>\n<\/li>\n<li class=\"blocks-gallery-item\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_033.jpg\"><img decoding=\"async\" class=\"wp-image-10060\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_033.jpg\" alt=\"\" \/><\/a><\/figure>\n<\/li>\n<li class=\"blocks-gallery-item\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_034.jpg\"><img decoding=\"async\" class=\"wp-image-10062\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_034.jpg\" alt=\"\" \/><\/a><\/figure>\n<\/li>\n<li class=\"blocks-gallery-item\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_035.jpg\"><img decoding=\"async\" class=\"wp-image-10064\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_035.jpg\" alt=\"\" \/><\/a><\/figure>\n<\/li>\n<li class=\"blocks-gallery-item\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_036.jpg\"><img decoding=\"async\" class=\"wp-image-10066\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_036.jpg\" alt=\"\" \/><\/a><\/figure>\n<\/li>\n<li class=\"blocks-gallery-item\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_037.jpg\"><img decoding=\"async\" class=\"wp-image-10068\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_037.jpg\" alt=\"\" \/><\/a><\/figure>\n<\/li>\n<li class=\"blocks-gallery-item\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_038.jpg\"><img decoding=\"async\" class=\"wp-image-10070\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_038.jpg\" alt=\"\" \/><\/a><\/figure>\n<\/li>\n<li class=\"blocks-gallery-item\">\n<figure class=\"wp-block-image size-large\"><a href=http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_039.jpg\"><img decoding=\"async\" class=\"wp-image-10073\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_039.jpg\" alt=\"\" \/><\/a><\/figure>\n<\/li>\n<li class=\"blocks-gallery-item\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_040.jpg\"><img decoding=\"async\" class=\"wp-image-10075\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_040.jpg\" alt=\"\" \/><\/a><\/figure>\n<\/li>\n<li class=\"blocks-gallery-item\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_041.jpg\"><img decoding=\"async\" class=\"wp-image-10077\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_041.jpg\" alt=\"\" \/><\/a><\/figure>\n<\/li>\n<li class=\"blocks-gallery-item\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_042.jpg\"><img decoding=\"async\" class=\"wp-image-10079\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_042.jpg\" alt=\"\" \/><\/a><\/figure>\n<\/li>\n<li class=\"blocks-gallery-item\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_043.jpg\"><img decoding=\"async\" class=\"wp-image-10081\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_043.jpg\" alt=\"\" \/><\/a><\/figure>\n<\/li>\n<li class=\"blocks-gallery-item\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_044.jpg\"><img decoding=\"async\" class=\"wp-image-10083\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_044.jpg\" alt=\"\" \/><\/a><\/figure>\n<\/li>\n<li class=\"blocks-gallery-item\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_045.jpg\"><img decoding=\"async\" class=\"wp-image-10086\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_045.jpg\" alt=\"\" \/><\/a><\/figure>\n<\/li>\n<li class=\"blocks-gallery-item\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_046.jpg\"><img decoding=\"async\" class=\"wp-image-10088\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_046.jpg\" alt=\"\" \/><\/a><\/figure>\n<\/li>\n<li class=\"blocks-gallery-item\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_047.jpg\"><img decoding=\"async\" class=\"wp-image-10091\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_047.jpg\" alt=\"\" \/><\/a><\/figure>\n<\/li>\n<li class=\"blocks-gallery-item\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_048.jpg\"><img decoding=\"async\" class=\"wp-image-10093\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_048.jpg\" alt=\"\" \/><\/a><\/figure>\n<\/li>\n<li class=\"blocks-gallery-item\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_049.jpg\"><img decoding=\"async\" class=\"wp-image-10095\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_049.jpg\" alt=\"\" \/><\/a><\/figure>\n<\/li>\n<li class=\"blocks-gallery-item\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_050-1.jpg\"><img decoding=\"async\" class=\"wp-image-10098\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_050-1.jpg\" alt=\"\" \/><\/a><\/figure>\n<\/li>\n<li class=\"blocks-gallery-item\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_051-1.jpg\"><img decoding=\"async\" class=\"wp-image-10101\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_051-1.jpg\" alt=\"\" \/><\/a><\/figure>\n<\/li>\n<\/ul>\n<\/figure>\n<\/div>\n<\/li>\n<\/ul>\n<div class=\"uk-section uk-padding-large uk-background-fixed uk-background-center-center uk-background-contain\" style=\"background-image: url('http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_052-1.jpg');\">\n<p style=\"color: #ffffff;\"><b>Max Boutin is a multidisciplinary artist-researcher-skater developing the concept of texturology. His artistic practice materializes through video, sculptural, photographic and sound installations. It is inspired by skateboarding, driven by a need to transpose the sensory experience of a body in vertigo: the one we give ourselves.<\/b><\/p>\n<p style=\"color: #ffffff;\">\n<b>He holds a master&#8217;s degree from the \u00c9cole des Beaux-Arts de Montpellier in France (Mo.Co) and is currently pursuing a doctorate in art studies and practices at UQAM (Universit\u00e9 du Qu\u00e9bec \u00c0 Montr\u00e9al). His research is supported by the Hexagram network and the Fonds de recherche du Qu\u00e9bec, soci\u00e9t\u00e9 et culture (FRQSC). His work has recently been presented in the festivals Mutek (Montreal), Ars Electronica (Austria), Nova (Romania).<\/b><\/p>\n<p style=\"color: #ffffff;\">\nWeb site : <a style=\"color: #ffffff;\" href=\"https:\/\/www.maxboutin.com\/\" target=\"_blank\" rel=\"noopener\">maxboutin.com<\/a><br \/>\ninstagram : <a style=\"color: #ffffff;\" href=\"https:\/\/www.instagram.com\/texturologies\/\" target=\"_blank\" rel=\"noopener\">texturologies<\/a><br \/>\nmail : <a style=\"color: #ffffff;\" href=\"mailto:max.boutin.contact@gmail.com\" target=\" _blank\" rel=\"noopener\">max.boutin.contact@gmail.com<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>June 2022 This DEMO presents Max Boutin&#8217;s [student member, UQAM] doctoral exhibition, Texturologies, presented at the Agora Hydro-Qu\u00e9bec in Montreal, from April 22 to 26, 2022. In an experiential approach articulating research-creation and skateboarding, this doctoral exhibition proposes to experiment with the vibratory, visual and sound potential of Montreal&#8217;s ground texture. It presents skateboarding as [&hellip;]<\/p>\n","protected":false},"author":47,"featured_media":20362,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[42],"tags":[],"class_list":["post-10187","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-demo-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>DEMO22 Max Boutin - Texturologies - hexagram.ca<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hexagram.ca\/en\/demo22-max-boutin-texturologies\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"DEMO22 Max Boutin - Texturologies - hexagram.ca\" \/>\n<meta property=\"og:description\" content=\"June 2022 This DEMO presents Max Boutin&#8217;s [student member, UQAM] doctoral exhibition, Texturologies, presented at the Agora Hydro-Qu\u00e9bec in Montreal, from April 22 to 26, 2022. In an experiential approach articulating research-creation and skateboarding, this doctoral exhibition proposes to experiment with the vibratory, visual and sound potential of Montreal&#8217;s ground texture. It presents skateboarding as [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/hexagram.ca\/en\/demo22-max-boutin-texturologies\/\" \/>\n<meta property=\"og:site_name\" content=\"hexagram.ca\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/HexagramNetwork\" \/>\n<meta property=\"article:published_time\" content=\"2022-07-13T01:04:59+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-04-02T16:10:46+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO22_000.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1280\" \/>\n\t<meta property=\"og:image:height\" content=\"720\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Hexagram\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@HexagramNetwork\" \/>\n<meta name=\"twitter:site\" content=\"@HexagramNetwork\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Hexagram\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"22 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/hexagram.ca\/en\/demo22-max-boutin-texturologies\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/hexagram.ca\/en\/demo22-max-boutin-texturologies\/\"},\"author\":{\"name\":\"Hexagram\",\"@id\":\"https:\/\/hexagram.ca\/fr\/#\/schema\/person\/7f500f99e88668e92424aa63fafe43f5\"},\"headline\":\"DEMO22 Max Boutin &#8211; 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