{"id":16762,"date":"2024-02-21T20:44:36","date_gmt":"2024-02-22T01:44:36","guid":{"rendered":"http:\/\/hexagram.ca\/?p=16762"},"modified":"2026-03-24T15:33:14","modified_gmt":"2026-03-24T20:33:14","slug":"rencontres-interdisciplinaires-2024","status":"publish","type":"post","link":"https:\/\/hexagram.ca\/en\/rencontres-interdisciplinaires-2024\/","title":{"rendered":"2024 Interdisciplinary Encounters"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">March 25-28, 2024 | UQAM\u2019s Agora du C\u0153ur des sciences, Montreal<\/h4>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">175, Av. du Pr\u00e9sident-Kennedy&nbsp;<br>Tiohti\u00e0:ke | Mooniyang | Montr\u00e9al H2X 3P2&nbsp;<br><a href=\"https:\/\/maps.app.goo.gl\/Re7q43qDRwLzCMWP6\" target=\"_blank\" rel=\"noreferrer noopener\">Situated in a small courtyard, behind the <\/a><br><a href=\"https:\/\/maps.app.goo.gl\/Re7q43qDRwLzCMWP6\" target=\"_blank\" rel=\"noreferrer noopener\">Pr\u00e9sident-Kennedy Pavilion&nbsp;<\/a><br>Metro Place-des-arts. Bus 55, 80&nbsp;<br>Universal access<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">AGENCY\u00b7IES<\/h2>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Current advances in the fields of biotechnology, artificial intelligence, robotics, environmental sciences and new materials, among others, raise new questions about our relationship with the world and the anthropocentric posture of both artists and researchers. In an era of climate transformations that are profoundly shaking ecosystems on a planetary scale, how to re-imagine the interactions between human and non-human animals, algorithms, plants, machines, data, viruses and other hybrids that have agency and impact practices, methods, and disciplines? <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As these interactions bring to light new forms of agency and relationships between humans and more-than-humans, they offer fertile ground for creative exploration and the emergence of new forms of expression and interaction. In particular, they give rise to the development of scientific and artistic technologies and apparatuses that open up new possibilities for engagement, and have the potential to transform audiences, practice settings, and research environments alike. How does research-creation deploy new modes of engagement with agents, materials or objects that oscillate between art and science? What are the stakes and potential of inter-, trans- and even in-disciplinary approaches to addressing the questions raised by the posthuman context? <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This edition of Interdisciplinary Encounters tackles these questions linked to the plural and distributed nature of agency, and puts forward singular research-creation approaches that highlight and question agents&#8217; capacities for action beyond the human.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h6 class=\"wp-block-heading\">Image credit: Jean-Ambroise Versac, modified with permission of the artist.<\/h6>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h1 class=\"wp-block-heading\">PROGRAM<\/h1>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">ONGOING<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Everyday, at the coffee space.<\/p>\n\n\n\t\t\t\t\t\t<style>\r\n\t\t\t\t<style>\r\n#wpsm_accordion_16838 .wpsm_panel-heading{\r\n\tpadding:0px !important;\r\n}\r\n#wpsm_accordion_16838 .wpsm_panel-title {\r\n\tmargin:0px !important; \r\n\ttext-transform:none !important;\r\n\tline-height: 1 !important;\r\n}\r\n#wpsm_accordion_16838 .wpsm_panel-title a{\r\n\ttext-decoration:none;\r\n\toverflow:hidden;\r\n\tdisplay:block;\r\n\tpadding:0px;\r\n\tfont-size: 18px !important;\r\n\tfont-family: Arial !important;\r\n\tcolor:#000000 !important;\r\n\tborder-bottom:0px !important;\r\n}\r\n\r\n#wpsm_accordion_16838 .wpsm_panel-title a:focus {\r\noutline: 0px !important;\r\n}\r\n\r\n#wpsm_accordion_16838 .wpsm_panel-title a:hover, #wpsm_accordion_16838 .wpsm_panel-title a:focus {\r\n\tcolor:#000000 !important;\r\n}\r\n#wpsm_accordion_16838 .acc-a{\r\n\tcolor: #000000 !important;\r\n\tbackground-color:#e8e8e8 !important;\r\n\tborder-color: #ddd;\r\n}\r\n#wpsm_accordion_16838 .wpsm_panel-default > .wpsm_panel-heading{\r\n\tcolor: #000000 !important;\r\n\tbackground-color: #e8e8e8 !important;\r\n\tborder-color: #e8e8e8 !important;\r\n\tborder-top-left-radius: 0px;\r\n\tborder-top-right-radius: 0px;\r\n}\r\n#wpsm_accordion_16838 .wpsm_panel-default {\r\n\t\tborder:1px solid transparent !important;\r\n\t}\r\n#wpsm_accordion_16838 {\r\n\tmargin-bottom: 20px;\r\n\toverflow: hidden;\r\n\tfloat: none;\r\n\twidth: 100%;\r\n\tdisplay: block;\r\n}\r\n#wpsm_accordion_16838 .ac_title_class{\r\n\tdisplay: block;\r\n\tpadding-top: 12px;\r\n\tpadding-bottom: 12px;\r\n\tpadding-left: 15px;\r\n\tpadding-right: 15px;\r\n}\r\n#wpsm_accordion_16838  .wpsm_panel {\r\n\toverflow:hidden;\r\n\t-webkit-box-shadow: 0 0px 0px rgba(0, 0, 0, .05);\r\n\tbox-shadow: 0 0px 0px rgba(0, 0, 0, .05);\r\n\t\tborder-radius: 4px;\r\n\t}\r\n#wpsm_accordion_16838  .wpsm_panel + .wpsm_panel {\r\n\t\tmargin-top: 5px;\r\n\t}\r\n#wpsm_accordion_16838  .wpsm_panel-body{\r\n\tbackground-color:#333333 !important;\r\n\tcolor:#ffffff !important;\r\n\tborder-top-color: #e8e8e8 !important;\r\n\tfont-size:16px !important;\r\n\tfont-family: Arial !important;\r\n\toverflow: hidden;\r\n\t\tborder: 2px solid #e8e8e8 !important;\r\n\t}\r\n\r\n#wpsm_accordion_16838 .ac_open_cl_icon{\r\n\tbackground-color:#e8e8e8 !important;\r\n\tcolor: #000000 !important;\r\n\tfloat:right !important;\r\n\tpadding-top: 12px !important;\r\n\tpadding-bottom: 12px !important;\r\n\tline-height: 1.0 !important;\r\n\tpadding-left: 15px !important;\r\n\tpadding-right: 15px !important;\r\n\tdisplay: inline-block !important;\r\n}\r\n\r\n\t\t\t\r\n\t\t\t<\/style>\t\r\n\t\t\t<\/style>\r\n\t\t\t<div class=\"wpsm_panel-group\" id=\"wpsm_accordion_16838\" >\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t<!-- Inner panel Start -->\r\n\t\t\t\t\t<div class=\"wpsm_panel wpsm_panel-default\">\r\n\t\t\t\t\t\t<div class=\"wpsm_panel-heading\" role=\"tab\" >\r\n\t\t\t\t\t\t  <h4 class=\"wpsm_panel-title\">\r\n\t\t\t\t\t\t\t<a  class=\"\"  data-toggle=\"collapse\" data-parent=\"#wpsm_accordion_16838 \" href=\"javascript:void(0)\" data-target=\"#ac_16838_collapse1\" onclick=\"do_resize()\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"ac_open_cl_icon fa fa-plus\"><\/span>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t \r\n\t\t\t\t\t\t\t\t<span class=\"ac_title_class\">\r\n\t\t\t\t\t\t\t\t\tMAPPING OF RESEARCH-CREATION\t\t\t\t\t\t\t\t<\/span>\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t  <\/h4>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t<div id=\"ac_16838_collapse1\" class=\"wpsm_panel-collapse collapse \"  >\r\n\t\t\t\t\t\t  <div class=\"wpsm_panel-body\">\r\n\t\t\t\t\t\t\t<p><h3>INTERVIEWS<\/h3><p>\r\n<p><strong>11:00 am - 4:30 pm \/ In person \/ Bilingual<\/strong><p>\r\n<br>\r\n<p>Seven years have passed since the last mapping of research-creation <a href=\"http:\/\/lcpaquin.com\/cartoRC\/cartes\/Carte_pratiques_v3_Finale.pdf\" rel=\"noopener\" target=\"_blank\">practices<\/a> and <a href=\"http:\/\/lcpaquin.com\/cartoRC\/cartes\/Carte_methodes_v5_Finale.pdf\" rel=\"noopener\" target=\"_blank\">methods<\/a> within the Hexagram Network. Louis-Claude Paquin [co-investigator, UQAM] takes a look back at the practices of current Hexagram members. Many things have changed since 2018: it seems appropriate to rededicate ourselves to a new cartography.<p>\r\n\r\n<p>During the four days of Rencontres Interdisciplinaires, Louis-Claude Paquin will set up a booth to interview participants about their practices. This data will be collected through video recordings then be categorized according to a model with five facets: cultural and social context, activities, corporeality, materiality and engagement.<p>\r\n<br>\r\n<hr \/>\r\n<br>\r\n<p><h5>WITH<\/h5><p>\r\n<p>Louis-Claude Paquin, Professor, \u00c9cole des m\u00e9dias, UQAM*<p>\r\n<br>\r\n<p><h6>*(Hexagram member)<\/h6><p>\t\t\t\t\t\t  <\/div>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<!-- Inner panel End -->\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\r\n<script type=\"text\/javascript\">\r\n\t\r\n\t\tfunction do_resize(){\r\n\r\n\t\t\tvar width=jQuery( '.wpsm_panel .wpsm_panel-body iframe' ).width();\r\n\t\t\tvar height=jQuery( '.wpsm_panel .wpsm_panel-body iframe' ).height();\r\n\r\n\t\t\tvar toggleSize = true;\r\n\t\t\tjQuery('iframe').animate({\r\n\t\t\t    width: toggleSize ? width : 640,\r\n\t\t\t    height: toggleSize ? height : 360\r\n\t\t\t  }, 250);\r\n\r\n\t\t\t  toggleSize = !toggleSize;\r\n\t\t}\r\n\t\t\r\n<\/script>\t\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">MONDAY MARCH 25th<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Doors open at noon.<\/p>\n\n\n\t\t\t\t\t\t<style>\r\n\t\t\t\t<style>\r\n#wpsm_accordion_16755 .wpsm_panel-heading{\r\n\tpadding:0px !important;\r\n}\r\n#wpsm_accordion_16755 .wpsm_panel-title {\r\n\tmargin:0px !important; \r\n\ttext-transform:none !important;\r\n\tline-height: 1 !important;\r\n}\r\n#wpsm_accordion_16755 .wpsm_panel-title a{\r\n\ttext-decoration:none;\r\n\toverflow:hidden;\r\n\tdisplay:block;\r\n\tpadding:0px;\r\n\tfont-size: 18px !important;\r\n\tfont-family: Arial !important;\r\n\tcolor:#000000 !important;\r\n\tborder-bottom:0px !important;\r\n}\r\n\r\n#wpsm_accordion_16755 .wpsm_panel-title a:focus {\r\noutline: 0px !important;\r\n}\r\n\r\n#wpsm_accordion_16755 .wpsm_panel-title a:hover, #wpsm_accordion_16755 .wpsm_panel-title a:focus {\r\n\tcolor:#000000 !important;\r\n}\r\n#wpsm_accordion_16755 .acc-a{\r\n\tcolor: #000000 !important;\r\n\tbackground-color:#e8e8e8 !important;\r\n\tborder-color: #ddd;\r\n}\r\n#wpsm_accordion_16755 .wpsm_panel-default > .wpsm_panel-heading{\r\n\tcolor: #000000 !important;\r\n\tbackground-color: #e8e8e8 !important;\r\n\tborder-color: #e8e8e8 !important;\r\n\tborder-top-left-radius: 0px;\r\n\tborder-top-right-radius: 0px;\r\n}\r\n#wpsm_accordion_16755 .wpsm_panel-default {\r\n\t\tborder:1px solid transparent !important;\r\n\t}\r\n#wpsm_accordion_16755 {\r\n\tmargin-bottom: 20px;\r\n\toverflow: hidden;\r\n\tfloat: none;\r\n\twidth: 100%;\r\n\tdisplay: block;\r\n}\r\n#wpsm_accordion_16755 .ac_title_class{\r\n\tdisplay: block;\r\n\tpadding-top: 12px;\r\n\tpadding-bottom: 12px;\r\n\tpadding-left: 15px;\r\n\tpadding-right: 15px;\r\n}\r\n#wpsm_accordion_16755  .wpsm_panel {\r\n\toverflow:hidden;\r\n\t-webkit-box-shadow: 0 0px 0px rgba(0, 0, 0, .05);\r\n\tbox-shadow: 0 0px 0px rgba(0, 0, 0, .05);\r\n\t\tborder-radius: 4px;\r\n\t}\r\n#wpsm_accordion_16755  .wpsm_panel + .wpsm_panel {\r\n\t\tmargin-top: 5px;\r\n\t}\r\n#wpsm_accordion_16755  .wpsm_panel-body{\r\n\tbackground-color:#333333 !important;\r\n\tcolor:#ffffff !important;\r\n\tborder-top-color: #e8e8e8 !important;\r\n\tfont-size:16px !important;\r\n\tfont-family: Arial !important;\r\n\toverflow: hidden;\r\n\t\tborder: 2px solid #e8e8e8 !important;\r\n\t}\r\n\r\n#wpsm_accordion_16755 .ac_open_cl_icon{\r\n\tbackground-color:#e8e8e8 !important;\r\n\tcolor: #000000 !important;\r\n\tfloat:right !important;\r\n\tpadding-top: 12px !important;\r\n\tpadding-bottom: 12px !important;\r\n\tline-height: 1.0 !important;\r\n\tpadding-left: 15px !important;\r\n\tpadding-right: 15px !important;\r\n\tdisplay: inline-block !important;\r\n}\r\n\r\n\t\t\t\r\n\t\t\t<\/style>\t\r\n\t\t\t<\/style>\r\n\t\t\t<div class=\"wpsm_panel-group\" id=\"wpsm_accordion_16755\" >\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t<!-- Inner panel Start -->\r\n\t\t\t\t\t<div class=\"wpsm_panel wpsm_panel-default\">\r\n\t\t\t\t\t\t<div class=\"wpsm_panel-heading\" role=\"tab\" >\r\n\t\t\t\t\t\t  <h4 class=\"wpsm_panel-title\">\r\n\t\t\t\t\t\t\t<a  class=\"\"  data-toggle=\"collapse\" data-parent=\"#wpsm_accordion_16755 \" href=\"javascript:void(0)\" data-target=\"#ac_16755_collapse1\" onclick=\"do_resize()\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"ac_open_cl_icon fa fa-plus\"><\/span>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t \r\n\t\t\t\t\t\t\t\t<span class=\"ac_title_class\">\r\n\t\t\t\t\t\t\t\t\t1:00 pm | OPENING\t\t\t\t\t\t\t\t<\/span>\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t  <\/h4>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t<div id=\"ac_16755_collapse1\" class=\"wpsm_panel-collapse collapse \"  >\r\n\t\t\t\t\t\t  <div class=\"wpsm_panel-body\">\r\n\t\t\t\t\t\t\t<p><h3><strong>SPEECH<\/strong><\/h3><p>\r\n<p><strong>1 \u2013 14:15 pm \/ In person \/ French<\/strong><p>\r\n\r\n<p>Join us for the official opening of the 3rd Hexagram Rencontres interdisciplinaires. This will be an opportunity to meet the new team and co-directors, as well as to welcome our collaborators from Toulouse, members of the Passerelles project. We'll be announcing the next steps in this exciting France-Quebec collaboration.<p>\t\t\t\t\t\t  <\/div>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<!-- Inner panel End -->\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t<!-- Inner panel Start -->\r\n\t\t\t\t\t<div class=\"wpsm_panel wpsm_panel-default\">\r\n\t\t\t\t\t\t<div class=\"wpsm_panel-heading\" role=\"tab\" >\r\n\t\t\t\t\t\t  <h4 class=\"wpsm_panel-title\">\r\n\t\t\t\t\t\t\t<a  class=\"collapsed\"  data-toggle=\"collapse\" data-parent=\"#wpsm_accordion_16755 \" href=\"javascript:void(0)\" data-target=\"#ac_16755_collapse2\" onclick=\"do_resize()\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"ac_open_cl_icon fa fa-plus\"><\/span>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t \r\n\t\t\t\t\t\t\t\t<span class=\"ac_title_class\">\r\n\t\t\t\t\t\t\t\t\t2:30 pm | RE-CREATE\t\t\t\t\t\t\t\t<\/span>\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t  <\/h4>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t<div id=\"ac_16755_collapse2\" class=\"wpsm_panel-collapse collapse \"  >\r\n\t\t\t\t\t\t  <div class=\"wpsm_panel-body\">\r\n\t\t\t\t\t\t\t<p><h3>PANEL AND DISCUSSION<\/h3><p>\r\n<p><strong>2:30 \u2013 16:30 pm \/ Hybrid \/ Bilingual<\/strong><p>\r\n<br>\r\n<p><h2>Between art, science, and publics: What role for artistic experiments, objects, and interventions?<\/h2><p>\r\n\r\n<p><span data-contrast=\"none\">Art and design practices in collaboration with science and engineering produce new kinds of knowledge objects in the form of artistically driven events, experiments, and interventions that can inventively engage not only peers but also audiences\u202f<\/span><span data-contrast=\"auto\">outside academia<\/span><span data-contrast=\"none\">\u202faround critical social-cultural issues (e.g. the political and environmental implications of climate transformation or the increased reliance on \u201cintelligent\u201d machine systems). However,<\/span><b><span data-contrast=\"none\">\u202f<\/span><\/b><span data-contrast=\"none\">there are still epistemological, ontological, aesthetic, and ethical tensions concerning the role and production of artistic objects within a natural, social and human-scientific research context. For example, the tension implicating the distance (or a lack thereof) between making and reflexivity; the tension between\u202fdiscursive-critique\u202fof techno-scientific \u201cimbroglios\u201d (e.g. AI, Climate Transformation, the More-than-Human, etc) and the production of non-discursive objects that address these issues; and the \u201ctransfer\u201d of knowledge to abstracted and generalized non-academic audiences or publics versus the \u201cmaking public\u201d of such knowledge with specific and active communities. While these tensions point to different\u202f<\/span><span data-contrast=\"auto\">modes<\/span><span data-contrast=\"none\">\u202fof \u201csocial negotiation, communication and distribution\u201d (Rheinberger, 2019) of knowledge,\u202f<\/span><span data-contrast=\"auto\">what\u2019s<\/span><span data-contrast=\"none\">\u202fbetween artistic and scientific methods? How do artist-researchers account for, examine, and evaluate the role of interdisciplinary artistic experiments and experiences beyond subjectivity and individual experience?\u202f<\/span><span data-contrast=\"auto\">What<\/span><span data-contrast=\"none\">\u202fframeworks can\u202fhelp to identify\u202fand understand what works and what fails within interdisciplinary processes? And through what modes can this be engaged with and responded to by publics?<\/span><span data-ccp-props=\"{\">\u00a0<\/span><p>\r\n<br>\r\n<hr \/>\r\n<br>\r\n<p><span data-ccp-props=\"{}\">\u00a0<\/span><b><span data-contrast=\"auto\">PARTICIPANTS<\/span><\/b><span data-ccp-props=\"{}\">\u00a0<\/span><p>\r\n<ul>\r\n \t<li><a href=\"https:\/\/b-ak.com\/\"><span data-contrast=\"none\">Brice Ammar-Khodja<\/span><\/a><span data-contrast=\"auto\">, Individualized Program, Concordia University, Montreal*<\/span><span data-ccp-props=\"{}\">\r\n\r\n<\/span><\/li>\r\n \t<li><a href=\"https:\/\/lara.univ-tlse2.fr\/accueil\/theses-soutenues-seppia\/edwige-armand\"><span data-contrast=\"none\">Edwige Armand<\/span><\/a><span data-contrast=\"auto\">, Lecturer-Researcher, Purpan School of Engineering, Toulouse<\/span><span data-ccp-props=\"{}\">\r\n\r\n<\/span><\/li>\r\n \t<li><a href=\"https:\/\/sofianaudry.com\/\"><span data-contrast=\"none\">Sofian Audry<\/span><\/a><span data-contrast=\"auto\">, Professor, \u00c9cole des m\u00e9dias, UQAM, Montreal*<\/span><span data-ccp-props=\"{}\">\r\n\r\n<\/span><\/li>\r\n \t<li><a href=\"http:\/\/www.fortheloveofsound.ca\/\"><span data-contrast=\"none\">Marc-Andr\u00e9 Cossette<\/span><\/a><span data-contrast=\"auto\">, Individualized Program, Concordia University<\/span><span data-ccp-props=\"{}\">\r\n\r\n<\/span><\/li>\r\n \t<li><a href=\"https:\/\/miat.inrae.fr\/member\/garciafrederick\/\"><span data-contrast=\"none\">Fr\u00e9d\u00e9rick Garcia<\/span><\/a><span data-contrast=\"auto\">, Research for Agriculture, Food and Environment \u2013 INRAE, Toulouse<\/span><span data-ccp-props=\"{}\">\r\n\r\n<\/span><\/li>\r\n \t<li><a href=\"https:\/\/www.concordia.ca\/faculty\/florian-grond.html\"><span data-contrast=\"none\">Floriand Grond<\/span><\/a><span data-contrast=\"auto\">, Associate Professor, Design and Computation Arts, Concordia University, Montreal<\/span><span data-ccp-props=\"{}\">\r\n\r\n<\/span><\/li>\r\n \t<li><a href=\"https:\/\/www.david-howes.com\/\"><span data-contrast=\"none\">David Howse<\/span><\/a><span data-contrast=\"auto\">, Professor, Sociology and Anthropology, Concordia University, Montreal<\/span><span data-ccp-props=\"{}\">\r\n\r\n<\/span><\/li>\r\n \t<li><a href=\"https:\/\/www.concordia.ca\/faculty.html?fpid=rilla-khaled\"><span data-contrast=\"none\">Rilla Khaled<\/span><\/a><span data-contrast=\"auto\">, Associate Professor, Design and Computation Arts, Concordia University, Montreal*<\/span><span data-ccp-props=\"{}\">\r\n\r\n\r\n<\/span><\/li>\r\n \t<li><a href=\"https:\/\/www.concordia.ca\/faculty\/shauna-janssen.html\"><span data-contrast=\"none\">Shauna Janssen<\/span><\/a><span data-contrast=\"auto\">, Associate Professor, Department of Theater, Concordia University, Montreal*<\/span><span data-ccp-props=\"{}\">\r\n\r\n<\/span><\/li>\r\n \t<li><a href=\"https:\/\/mauricej.me\/\"><span data-contrast=\"none\">Maurice Jones<\/span><\/a><span data-contrast=\"auto\">, Individualized Program, Concordia University, Montreal<\/span><span data-ccp-props=\"{}\">\r\n\r\n<\/span><\/li>\r\n \t<li><a href=\"http:\/\/www.lcpaquin.com\/\"><span data-contrast=\"none\">Louis-Claude Paquin<\/span><\/a><span data-contrast=\"auto\">, Professor, \u00c9cole des m\u00e9dias, UQAM, Montreal*<\/span><span data-ccp-props=\"{}\">\r\n\r\n<\/span><\/li>\r\n \t<li><a href=\"https:\/\/lla-creatis.univ-tlse2.fr\/accueil\/lequipe-daccueil\/les-membres-permanents\/prunet-camille\"><span data-contrast=\"none\">Camille Prunet<\/span><\/a><span data-contrast=\"auto\">, Lecturer, University of Toulouse \u2013 Jean Jaur\u00e8s, Toulouse<\/span><span data-ccp-props=\"{}\">\r\n\r\n<\/span><\/li>\r\n \t<li><a href=\"https:\/\/www.concordia.ca\/faculty.html?fpid=mirandajoy-smitheram\"><span data-contrast=\"none\">Miranda Smitheram<\/span><\/a><span data-contrast=\"auto\">, Associate Professor, Design and Computation Arts, Concordia University<\/span><span data-ccp-props=\"{}\">\r\n<\/span><\/li>\r\n \t<li><a href=\"https:\/\/mediane.uqam.ca\/relations-publiques-public-relations\/photos-bio-de-gisele-trudel\/\"><span data-contrast=\"none\">Gis\u00e8le Trudel<\/span><\/a><span data-contrast=\"auto\">, Professor, \u00c9cole des arts visuels et m\u00e9diatiques, UQAM, Montreal*<\/span><span data-ccp-props=\"{}\">\r\n\r\n<\/span><\/li>\r\n \t<li><a href=\"https:\/\/www.vesac.art\/\"><span data-contrast=\"none\">Jean-Ambroise Vesac<\/span><\/a><span data-contrast=\"auto\">, Professor, Unit\u00e9 d'enseignement et de recherche en cr\u00e9ation et nouveaux m\u00e9dias, UQAT, Rouyn-Noranda*<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/li>\r\n<\/ul>\r\n<span data-ccp-props=\"{}\">\u00a0<\/span><span data-ccp-props=\"{}\">\u00a0<\/span>\r\n<br>\r\n<p><b><span data-contrast=\"auto\">MODERATORS<\/span><\/b><span data-ccp-props=\"{}\">\u00a0<\/span><p>\r\n<ul>\r\n \t<li><a href=\"https:\/\/alicejarry.com\/ABOUT\"><span data-contrast=\"none\">Alice Jarry<\/span><\/a><span data-contrast=\"auto\">, Associate Professor, Design and Computation Arts, Concordia University, Montreal*<\/span><span data-ccp-props=\"{}\">\r\n<\/span><\/li>\r\n \t<li><a href=\"https:\/\/www.concordia.ca\/faculty\/christopher-salter.html\"><span data-contrast=\"none\">Chris Salter<\/span><\/a><span data-contrast=\"auto\">, Professor, Zurich University of the Arts*, Zurich<\/span><span data-ccp-props=\"{}\">\r\n\r\n<\/span><\/li>\r\n \t<li><a href=\"https:\/\/www.concordia.ca\/faculty\/bart-simon.html\"><span data-contrast=\"none\">Bart Simon<\/span><\/a><span data-contrast=\"auto\">, <\/span><span data-contrast=\"none\">Associate Professor, Sociology and Anthropology, <\/span><span data-contrast=\"auto\">Concordia University, Montreal*\r\n<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/li>\r\n<\/ul>\r\n<p><h6><span data-contrast=\"auto\">*(Hexagram members)<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/h6><p>\t\t\t\t\t\t  <\/div>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<!-- Inner panel End -->\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t<!-- Inner panel Start -->\r\n\t\t\t\t\t<div class=\"wpsm_panel wpsm_panel-default\">\r\n\t\t\t\t\t\t<div class=\"wpsm_panel-heading\" role=\"tab\" >\r\n\t\t\t\t\t\t  <h4 class=\"wpsm_panel-title\">\r\n\t\t\t\t\t\t\t<a  class=\"collapsed\"  data-toggle=\"collapse\" data-parent=\"#wpsm_accordion_16755 \" href=\"javascript:void(0)\" data-target=\"#ac_16755_collapse3\" onclick=\"do_resize()\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"ac_open_cl_icon fa fa-plus\"><\/span>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t \r\n\t\t\t\t\t\t\t\t<span class=\"ac_title_class\">\r\n\t\t\t\t\t\t\t\t\t6:00 pm | LASER 13 - IMAGINARIES IN CHANGING CLIMATES\t\t\t\t\t\t\t\t<\/span>\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t  <\/h4>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t<div id=\"ac_16755_collapse3\" class=\"wpsm_panel-collapse collapse \"  >\r\n\t\t\t\t\t\t  <div class=\"wpsm_panel-body\">\r\n\t\t\t\t\t\t\t<p><h3><strong>PANEL DISCUSSION<\/strong><\/h3><p>\r\n<p><strong>6:00 \u2013 19:30 pm \/ <a href=\"https:\/\/uqam.zoom.us\/meeting\/register\/tZAsdOCtrz0uHNMUVDtlhtwRNZKM9qaLI0hl\" rel=\"noopener\" target=\"_blank\">Hybrid<\/a> \/ English<\/strong><p>\r\n<br>\r\n<p><a href=\"https:\/\/leonardo.info\/laser-talks\">LASER<\/a> (Leonardo ArtScience Evening RendezVous) by Leonardo\/The International Society for the Arts, Sciences and Technology (ISAST) is an international program that brings together artists, scientists, humanists and technologists for informal presentations, performances and conversations with audiences. LASER's mission is to contribute to the cultural environment of a region by fostering interdisciplinary dialogue and community development opportunities in more than 40 cities around the world.<p>\r\n\r\n<p>The focus of <em><span data-contrast=\"none\">LASER 13 <\/span><\/em><span data-contrast=\"none\">is to counter dominant doom-and-gloom discourse about climate change, notwithstanding the urgent need to act in this complex situation. How can concerns, <\/span><span data-contrast=\"none\">local and global, spatial and temporal, provide imaginative explorations through physical experimentations, enabling boundary processes in each field to be pushed? How do interdisciplinary alliances between fields foster new platforms for challenges, dialogues, and reflections?<\/span><span>\u00a0<\/span><p>\r\n<p><h5>\u2192 <a href=\"https:\/\/bit.ly\/48vpOdr\">Full event description<\/a><\/h5><p>\r\n<br>\r\n<hr \/>\r\n<br>\r\n<p>Cochairs\u00a0: Nina Czegledy and Gis\u00e8le Trudel<p>\r\n<br>\r\n<p>WITH<p>\r\n\r\n<a href=\"http:\/\/www.martinbeauregard.com\/biography\/\"><span data-contrast=\"auto\">Martin Beauregard<\/span><\/a>, artist and professor-researcher-creator, Unit\u00e9 d'enseignement et de recherche en cr\u00e9ation et nouveaux m\u00e9dias, UQAT, Rouyn-Noranda*\r\n\r\n<a href=\"https:\/\/www.concordia.ca\/faculty\/sandeep-bhagwati.html\"><span data-contrast=\"auto\">Sandeep Bhagwati<\/span><\/a>, composer and professor of music, Concordia University, director of matralab, Montreal*\r\n<span data-contrast=\"auto\">\u00a0<\/span>\r\n\r\n<a href=\"http:\/\/rewana.com\/\"><span data-contrast=\"auto\">Ana Rewakowicz<\/span><\/a>, artist and professor in residence, \u00c9cole des arts visuels et m\u00e9diatiques, UQAM, Montreal\r\n\r\n<a href=\"https:\/\/www.carlyziter.com\/\"><span data-contrast=\"auto\">Carly Ziter<\/span><\/a>, assistant professor, Department of Biology, Concordia University, Concordia Research Chair in Urban Ecology and Sustainability, Montreal\r\n\r\n\r\n<p><span data-contrast=\"auto\">RESPONDENT AND MODERATOR <\/span><p>\r\n\r\n<a href=\"https:\/\/b-ak.com\/\"><span data-contrast=\"auto\">Brice Ammar-Kodhja<\/span><\/a>, artist, designer and PhD student*, Concordia University and \u00c9cole Nationale Sup\u00e9rieure des Arts D\u00e9coratifs de Paris - Universit\u00e9 PSL\r\n<span data-contrast=\"auto\">\u00a0<\/span>\r\n<p><span data-contrast=\"auto\">(*Hexagram member) <\/span><p>\t\t\t\t\t\t  <\/div>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<!-- Inner panel End -->\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\r\n<script type=\"text\/javascript\">\r\n\t\r\n\t\tfunction do_resize(){\r\n\r\n\t\t\tvar width=jQuery( '.wpsm_panel .wpsm_panel-body iframe' ).width();\r\n\t\t\tvar height=jQuery( '.wpsm_panel .wpsm_panel-body iframe' ).height();\r\n\r\n\t\t\tvar toggleSize = true;\r\n\t\t\tjQuery('iframe').animate({\r\n\t\t\t    width: toggleSize ? width : 640,\r\n\t\t\t    height: toggleSize ? height : 360\r\n\t\t\t  }, 250);\r\n\r\n\t\t\t  toggleSize = !toggleSize;\r\n\t\t}\r\n\t\t\r\n<\/script>\t\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">TUESDAY MARCH 26th<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Doors open at 9:30 am.<\/p>\n\n\n\t\t\t\t\t\t<style>\r\n\t\t\t\t<style>\r\n#wpsm_accordion_16756 .wpsm_panel-heading{\r\n\tpadding:0px !important;\r\n}\r\n#wpsm_accordion_16756 .wpsm_panel-title {\r\n\tmargin:0px !important; \r\n\ttext-transform:none !important;\r\n\tline-height: 1 !important;\r\n}\r\n#wpsm_accordion_16756 .wpsm_panel-title a{\r\n\ttext-decoration:none;\r\n\toverflow:hidden;\r\n\tdisplay:block;\r\n\tpadding:0px;\r\n\tfont-size: 18px !important;\r\n\tfont-family: Arial !important;\r\n\tcolor:#000000 !important;\r\n\tborder-bottom:0px !important;\r\n}\r\n\r\n#wpsm_accordion_16756 .wpsm_panel-title a:focus {\r\noutline: 0px !important;\r\n}\r\n\r\n#wpsm_accordion_16756 .wpsm_panel-title a:hover, #wpsm_accordion_16756 .wpsm_panel-title a:focus {\r\n\tcolor:#000000 !important;\r\n}\r\n#wpsm_accordion_16756 .acc-a{\r\n\tcolor: #000000 !important;\r\n\tbackground-color:#e8e8e8 !important;\r\n\tborder-color: #ddd;\r\n}\r\n#wpsm_accordion_16756 .wpsm_panel-default > .wpsm_panel-heading{\r\n\tcolor: #000000 !important;\r\n\tbackground-color: #e8e8e8 !important;\r\n\tborder-color: #e8e8e8 !important;\r\n\tborder-top-left-radius: 0px;\r\n\tborder-top-right-radius: 0px;\r\n}\r\n#wpsm_accordion_16756 .wpsm_panel-default {\r\n\t\tborder:1px solid transparent !important;\r\n\t}\r\n#wpsm_accordion_16756 {\r\n\tmargin-bottom: 20px;\r\n\toverflow: hidden;\r\n\tfloat: none;\r\n\twidth: 100%;\r\n\tdisplay: block;\r\n}\r\n#wpsm_accordion_16756 .ac_title_class{\r\n\tdisplay: block;\r\n\tpadding-top: 12px;\r\n\tpadding-bottom: 12px;\r\n\tpadding-left: 15px;\r\n\tpadding-right: 15px;\r\n}\r\n#wpsm_accordion_16756  .wpsm_panel {\r\n\toverflow:hidden;\r\n\t-webkit-box-shadow: 0 0px 0px rgba(0, 0, 0, .05);\r\n\tbox-shadow: 0 0px 0px rgba(0, 0, 0, .05);\r\n\t\tborder-radius: 4px;\r\n\t}\r\n#wpsm_accordion_16756  .wpsm_panel + .wpsm_panel {\r\n\t\tmargin-top: 5px;\r\n\t}\r\n#wpsm_accordion_16756  .wpsm_panel-body{\r\n\tbackground-color:#333333 !important;\r\n\tcolor:#ffffff !important;\r\n\tborder-top-color: #e8e8e8 !important;\r\n\tfont-size:16px !important;\r\n\tfont-family: Arial !important;\r\n\toverflow: hidden;\r\n\t\tborder: 2px solid #e8e8e8 !important;\r\n\t}\r\n\r\n#wpsm_accordion_16756 .ac_open_cl_icon{\r\n\tbackground-color:#e8e8e8 !important;\r\n\tcolor: #000000 !important;\r\n\tfloat:right !important;\r\n\tpadding-top: 12px !important;\r\n\tpadding-bottom: 12px !important;\r\n\tline-height: 1.0 !important;\r\n\tpadding-left: 15px !important;\r\n\tpadding-right: 15px !important;\r\n\tdisplay: inline-block !important;\r\n}\r\n\r\n\t\t\t\r\n\t\t\t<\/style>\t\r\n\t\t\t<\/style>\r\n\t\t\t<div class=\"wpsm_panel-group\" id=\"wpsm_accordion_16756\" >\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t<!-- Inner panel Start -->\r\n\t\t\t\t\t<div class=\"wpsm_panel wpsm_panel-default\">\r\n\t\t\t\t\t\t<div class=\"wpsm_panel-heading\" role=\"tab\" >\r\n\t\t\t\t\t\t  <h4 class=\"wpsm_panel-title\">\r\n\t\t\t\t\t\t\t<a  class=\"\"  data-toggle=\"collapse\" data-parent=\"#wpsm_accordion_16756 \" href=\"javascript:void(0)\" data-target=\"#ac_16756_collapse1\" onclick=\"do_resize()\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"ac_open_cl_icon fa fa-plus\"><\/span>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t \r\n\t\t\t\t\t\t\t\t<span class=\"ac_title_class\">\r\n\t\t\t\t\t\t\t\t\t11:00 pm | MERGING POINTS : RESEARCH-CREATION IN AN INTERSECTORAL CONTEXT \u2013 PRISME (ART)\t\t\t\t\t\t\t\t<\/span>\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t  <\/h4>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t<div id=\"ac_16756_collapse1\" class=\"wpsm_panel-collapse collapse \"  >\r\n\t\t\t\t\t\t  <div class=\"wpsm_panel-body\">\r\n\t\t\t\t\t\t\t<p><h3><strong>PANEL DISCUSSION<\/strong><\/h3><p>\r\n<p><h3><strong>11\u00a0am \u2013 1 pm \/ Hybrid \/ French<\/strong><\/h3><p>\r\n<br>\r\n<p><span data-contrast=\"auto\">It's often said that fragmented minds can only produce fragmented knowledge and societies. At a time when we are more aware than ever of the complexity of reality and of the interconnectedness of the questions that arise from it, it seems that isolated approaches to research are no longer adequate. Yet, for some years now, Quebec's science policy has focused on approaches that are no longer content to be simply transdisciplinary. It has taken this logic to a new level by blurring the boundaries between sectors that previously seemed very far apart. Today, we're no longer surprised to hear of cross-sectoral research between the health, natural and social sciences; or even to see artistic creation intersecting with psychiatry, engineering or quantum physics. But we still know too little about how teams doing such research manage to understand each other, share common goals, or collaborate in a continuous and conclusive manner.<\/span><p>\r\n\r\n<p><span data-contrast=\"auto\">In order to have an in-depth look at this subject, we're proposing two panels featuring front-line witnesses who have been lucky enough to take part in this kind of adventure. They will undoubtedly be able to reveal some of the methodological and epistemological aspects that sometimes emerge from blind spots, if not tend to remain in the shadows. Focusing on projects supported by two of the Fonds de recherche du Qu\u00e9bec's intersectoral research support programs, <\/span><i><span data-contrast=\"auto\">PRISME (ART)<\/span><\/i><span data-contrast=\"auto\"> and <\/span><i><span data-contrast=\"auto\">Audace<\/span><\/i><span data-contrast=\"auto\">, we will examine the trajectories of a number of Hexagram members whose research-creation approaches play a leading role.<\/span><p>\r\n<br>\r\n<hr \/>\r\n<br>\r\n<p><b><span data-contrast=\"auto\">PRISME (ART) <\/span><\/b><p>\r\n<br>\r\n<p><span data-contrast=\"auto\">Between 2021 and 2023, the <\/span><a href=\"https:\/\/frq.gouv.qc.ca\/\"><span data-contrast=\"none\">Fonds de recherche du Qu\u00e9bec<\/span><\/a><span data-contrast=\"auto\"> Nature et technologies (FRQNT) and Soci\u00e9t\u00e9 et culture (FRQSC) jointly offered the PRISME (ART) pilot program, providing \"an opportunity for science and art to interact\" in order to better represent and understand our world.<\/span><p>\r\n<br>\r\n<p>SPEAKERS AND FEATURED PROJECTS<p>\r\n<br>\r\n<ul>\r\n \t<li data-leveltext=\"\uf0a7\" data-font=\"Wingdings\" data-listid=\"11\" data-aria-posinset=\"2\" data-aria-level=\"1\"><i><span data-contrast=\"auto\">P\u00e9pites narratives : intelligence artificielle et qu\u00eate de sens <\/span><\/i><span data-contrast=\"auto\">\u2014 <\/span><a href=\"https:\/\/www.concordia.ca\/faculty\/jonathan-lessard.html\"><span data-contrast=\"none\">Jonathan Lessard<\/span><\/a>, Associate Professor, Design and Computation Arts,<span data-contrast=\"auto\">\u00a0 Concordia University* &amp; <\/span><a href=\"https:\/\/users.encs.concordia.ca\/~kosseim\/\"><span data-contrast=\"none\">Leila Kosseim<\/span><\/a>, Professor, Department of Computer Science &amp; Software Engineering,<span data-contrast=\"auto\"> Concordia University<\/span><\/li>\r\n<br>\r\n \t<li data-leveltext=\"\uf0a7\" data-font=\"Wingdings\" data-listid=\"11\" data-aria-posinset=\"3\" data-aria-level=\"1\"><i><span data-contrast=\"auto\">\u00c9criture chor\u00e9graphique pour essaims robotiques et humain(s)<\/span><\/i><span data-contrast=\"auto\"> \u2014 <\/span><a href=\"https:\/\/www.etsmtl.ca\/recherche\/professeurs-chercheurs\/dastonge\/\"><span data-contrast=\"none\">David St-Onge<\/span><\/a>,\u00a0<span data-contrast=\"auto\"> Professor, D\u00e9partement de g\u00e9nie m\u00e9canique, \u00c9TS &amp; <\/span><a href=\"https:\/\/professeurs.uqam.ca\/professeur\/duval.helene\/\"><span data-contrast=\"none\">H\u00e9l\u00e8ne Duval<\/span><\/a>,<span data-contrast=\"auto\"> Adjunct Professor, D\u00e9partement de danse, UQAM*<\/span><\/li>\r\n<br>\r\n \t<li data-leveltext=\"\uf0a7\" data-font=\"Wingdings\" data-listid=\"11\" data-aria-posinset=\"4\" data-aria-level=\"1\"><i><span data-contrast=\"auto\">Exp\u00e9rience de m\u00e9diation du quantique gr\u00e2ce au b\u00e9ton augment\u00e9 : une d\u00e9marche multidisciplinaire \u00e0 l\u2019intersection de la mati\u00e8re et du num\u00e9rique durables <\/span><\/i><span data-contrast=\"auto\">\u2014 <\/span><a href=\"https:\/\/www.vesac.art\/\"><span data-contrast=\"none\">Jean-Ambroise Vesac<\/span><\/a>, Professor, <span data-contrast=\"auto\"> Unit\u00e9 d'enseignement et de recherche en cr\u00e9ation et nouveaux m\u00e9dias, UQAT*;\u00a0 <\/span><a href=\"https:\/\/www.linkedin.com\/in\/marianne-prud-homme\/?originalSubdomain=ca\"><span data-contrast=\"none\">Marianne Prud\u2019Homme<\/span><\/a>, 3D Artist and Immersive Project Designer, UQAT<span data-contrast=\"auto\"> ; <a href=\"https:\/\/www.etsmtl.ca\/recherche\/professeurs-chercheurs\/bung\/\">Bora Ung<\/a>, Professor, D\u00e9partement de g\u00e9nie \u00e9lectrique, \u00c9TS;\u00a0 <\/span><a href=\"https:\/\/www.etsmtl.ca\/recherche\/professeurs-chercheurs\/olcardinal\/\"><span data-contrast=\"none\">Olivier Landon-Cardinal<\/span><\/a><span data-contrast=\"auto\">, Professor, \u00c9TS;\u00a0 <\/span><a href=\"https:\/\/www.researchgate.net\/profile\/Karina-Arcolezi\"><span data-contrast=\"none\">Karina Huang Arcolezi<\/span><\/a>, PhD Candidate,<span data-contrast=\"auto\"> \u00c9TS; and <\/span><a href=\"https:\/\/www.linkedin.com\/in\/l%C3%A9a-fran%C3%A7oise-terrier-55a51a20a\/?originalSubdomain=ca\"><span data-contrast=\"none\">Le\u0301a-Franc\u0327oise Terrier<\/span><\/a>, Masters Candidate, Mus\u00e9ologie, UQAM*<\/li>\r\n<br>\r\n \t<li data-leveltext=\"\uf0a7\" data-font=\"Wingdings\" data-listid=\"11\" data-aria-posinset=\"5\" data-aria-level=\"1\"><i><span data-contrast=\"auto\">Metamorphosis : nouveaux modes d\u2019interaction expressifs en th\u00e9\u00e2tre bas\u00e9s sur la r\u00e9alit\u00e9 augment\u00e9e<\/span><\/i><span data-contrast=\"auto\"> \u2014 <\/span><a href=\"https:\/\/www.concordia.ca\/faculty\/christopher-salter.html\"><span data-contrast=\"none\">Chris Salter<\/span><\/a>, Professor<span data-contrast=\"auto\"> , Zurich University of the Arts* &amp; <a href=\"https:\/\/nt2.uqam.ca\/fr\/individus\/thomasson-timothy\">T<\/a><\/span><a href=\"https:\/\/nt2.uqam.ca\/fr\/individus\/thomasson-timothy\"><span data-contrast=\"none\">imothy Thomasson<\/span><\/a>,<span data-contrast=\"auto\"> Lecturer, Concordia University*\r\n<\/span><\/li>\r\n<\/ul>\r\n<br>\r\n<p><span data-contrast=\"auto\">MODERATOR<\/span><p>\r\n<ul>\r\n \t<li><a href=\"https:\/\/professeurs.uqam.ca\/professeur\/dubois.jean\/\"><span data-contrast=\"none\">Jean Dubois<\/span><\/a>, Professor, \u00c9cole des arts visuels et m\u00e9diatiques,<span data-contrast=\"auto\"> UQAM*<\/span><\/li>\r\n<\/ul>\r\n<br>\r\n<p><h6>*(membre Hexagram)<\/h6><p>\t\t\t\t\t\t  <\/div>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<!-- Inner panel End -->\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t<!-- Inner panel Start -->\r\n\t\t\t\t\t<div class=\"wpsm_panel wpsm_panel-default\">\r\n\t\t\t\t\t\t<div class=\"wpsm_panel-heading\" role=\"tab\" >\r\n\t\t\t\t\t\t  <h4 class=\"wpsm_panel-title\">\r\n\t\t\t\t\t\t\t<a  class=\"collapsed\"  data-toggle=\"collapse\" data-parent=\"#wpsm_accordion_16756 \" href=\"javascript:void(0)\" data-target=\"#ac_16756_collapse2\" onclick=\"do_resize()\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"ac_open_cl_icon fa fa-plus\"><\/span>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t \r\n\t\t\t\t\t\t\t\t<span class=\"ac_title_class\">\r\n\t\t\t\t\t\t\t\t\t2:30 pm | MERGING POINTS : RESEARCH-CREATION IN AN INTERSECTORAL CONTEXT \u2013 AUDACE\t\t\t\t\t\t\t\t<\/span>\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t  <\/h4>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t<div id=\"ac_16756_collapse2\" class=\"wpsm_panel-collapse collapse \"  >\r\n\t\t\t\t\t\t  <div class=\"wpsm_panel-body\">\r\n\t\t\t\t\t\t\t<p><h3><strong>PANEL DISCUSSION<\/strong><\/h3><p>\r\n<p><strong>2:30 \u2013 4:30 pm \/ Hybrid \/ French<\/strong><p>\r\n<br>\r\n<p><span data-contrast=\"auto\">It's often said that fragmented minds can only produce fragmented knowledge and societies. At a time when we are more aware than ever of the complexity of reality and of the interconnectedness of the questions that arise from it, it seems that isolated approaches to research are no longer adequate. Yet, for some years now, Quebec's science policy has focused on approaches that are no longer content to be simply transdisciplinary. It has taken this logic to a new level by blurring the boundaries between sectors that previously seemed very far apart. Today, we're no longer surprised to hear of cross-sectoral research between the health, natural and social sciences; or even to see artistic creation intersecting with psychiatry, engineering or quantum physics. But we still know too little about how teams doing such research manage to understand each other, share common goals, or collaborate in a continuous and conclusive manner.<\/span><p>\r\n\r\n<p><span data-contrast=\"auto\">In order to have an in-depth look at this subject, we're proposing two panels featuring front-line witnesses who have been lucky enough to take part in this kind of adventure. They will undoubtedly be able to reveal some of the methodological and epistemological aspects that sometimes emerge from blind spots, if not tend to remain in the shadows. Focusing on projects supported by two of the Fonds de recherche du Qu\u00e9bec's intersectoral research support programs, <\/span><i><span data-contrast=\"auto\">PRISME (ART)<\/span><\/i><span data-contrast=\"auto\"> and <\/span><i><span data-contrast=\"auto\">Audace<\/span><\/i><span data-contrast=\"auto\">, we will examine the trajectories of a number of Hexagram members whose research-creation approaches play a leading role.<\/span><p>\r\n<br>\r\n<hr \/>\r\n<br>\r\n<p><h3>AUDACE<\/h3><p>\r\n<br>\r\n<p><span data-contrast=\"auto\">Since 2017, the Audace program has aimed to link expertise from the three major sectors covered by the <\/span><a href=\"https:\/\/frq.gouv.qc.ca\/\"><span data-contrast=\"none\">Fonds de recherche du Qu\u00e9bec<\/span><\/a><span data-contrast=\"auto\"> (FRQ) in order to start research projects \"involving high risks, but with strong potential for scientific, social, economic, technological, cultural, aesthetic impacts, etc.\"<\/span><p>\r\n<br>\r\n<p><h5>SPEAKERS AND FEATURED PROJECTS<\/h5><p>\r\n<ul>\r\n \t<li data-leveltext=\"\uf0a7\" data-font=\"Wingdings\" data-listid=\"7\" data-aria-posinset=\"1\" data-aria-level=\"1\"><i><span data-contrast=\"auto\">\u00c9coutez l'exp\u00e9rience de notre voix\u202f: un projet de recherche intersectoriel et inclusif sur l'entente de voix<\/span><\/i><span data-contrast=\"auto\"> \u2014\u00a0<\/span><a href=\"https:\/\/sofianaudry.com\/\"><span data-contrast=\"none\">Sofian Audry<\/span><\/a>, Professor, \u00c9cole des m\u00e9dias, UQAM*; <a href=\"https:\/\/www.st-pierre-gauthier.com\/gauthier\"><span data-contrast=\"none\">Philippe-Aubert Gauthier<\/span><\/a><span data-contrast=\"auto\"> , Professor, \u00c9cole des arts visuels et m\u00e9diatiques, UQAM*; <\/span><span data-contrast=\"auto\">and Sandrine Rousseau.<\/span><\/li>\r\n<br>\r\n \t<li data-leveltext=\"\uf0a7\" data-font=\"Wingdings\" data-listid=\"7\" data-aria-posinset=\"2\" data-aria-level=\"1\"><i><span data-contrast=\"auto\">Co-cr\u00e9ation durable de structures d'oxyde de graph\u00e8ne r\u00e9actives dans une approche transdisciplinaire des sciences des mat\u00e9riaux et du design.<\/span><\/i><span data-contrast=\"auto\"> \u2014<\/span> <a href=\"https:\/\/www.mcgill.ca\/materials\/marta-cerruti\"><span data-contrast=\"none\">Marta Cerruti<\/span><\/a>, Professor, Material Engineering,<span data-contrast=\"auto\"> McGill University &amp;<\/span> <a href=\"https:\/\/alicejarry.com\/ABOUT\"><span data-contrast=\"none\">Alice Jarry<\/span><\/a>, Associate Professor,<span data-contrast=\"auto\"> Design and Computation Arts, Concordia University*<\/span><\/li>\r\n<br>\r\n \t<li data-leveltext=\"\uf0a7\" data-font=\"Wingdings\" data-listid=\"7\" data-aria-posinset=\"3\" data-aria-level=\"1\"><i><span data-contrast=\"auto\">L\u2019impression 3d de biomat\u00e9riaux innovants comme nouvelle forme d\u2019art \u00e9cologique\u202f: la co-cr\u00e9ation d\u2019une \u0153uvre et de nouvelles formes de mat\u00e9rialit\u00e9 \u00e0 base de r\u00e9sidus industriels forestiers. <\/span><\/i><span data-contrast=\"auto\">\u2014 <\/span><a href=\"http:\/\/www.martinbeauregard.com\/biography\/\"><span data-contrast=\"none\">Martin Beauregard<\/span><\/a>, Professor, Unit\u00e9 d'enseignement et de recherche en cr\u00e9ation et nouveaux m\u00e9dias, <span data-contrast=\"auto\">UQAT*\u00a0 <\/span><\/li>\r\n<\/ul>\r\n<br>\r\n<p><span data-contrast=\"auto\">MODERATOR<\/span><p>\r\n<ul>\r\n \t<li><a href=\"https:\/\/professeurs.uqam.ca\/professeur\/dubois.jean\/\"><span data-contrast=\"none\">Jean Dubois<\/span><\/a>, Professor, \u00c9cole des arts visuels et m\u00e9diatiques, UQAM*<span data-contrast=\"auto\">\r\n<\/span><\/li>\r\n<\/ul>\r\n<p><h6>*(membre Hexagram)<\/h6><p>\t\t\t\t\t\t  <\/div>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<!-- Inner panel End -->\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t<!-- Inner panel Start -->\r\n\t\t\t\t\t<div class=\"wpsm_panel wpsm_panel-default\">\r\n\t\t\t\t\t\t<div class=\"wpsm_panel-heading\" role=\"tab\" >\r\n\t\t\t\t\t\t  <h4 class=\"wpsm_panel-title\">\r\n\t\t\t\t\t\t\t<a  class=\"collapsed\"  data-toggle=\"collapse\" data-parent=\"#wpsm_accordion_16756 \" href=\"javascript:void(0)\" data-target=\"#ac_16756_collapse3\" onclick=\"do_resize()\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"ac_open_cl_icon fa fa-plus\"><\/span>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t \r\n\t\t\t\t\t\t\t\t<span class=\"ac_title_class\">\r\n\t\t\t\t\t\t\t\t\t4:30 pm | STUDENT SOWCASE\t\t\t\t\t\t\t\t<\/span>\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t  <\/h4>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t<div id=\"ac_16756_collapse3\" class=\"wpsm_panel-collapse collapse \"  >\r\n\t\t\t\t\t\t  <div class=\"wpsm_panel-body\">\r\n\t\t\t\t\t\t\t<p><h3>SHOWCASE<\/h3><p>\r\n<p><strong>4:30 \u2013 6:00 pm \/ In person \/ Bilingual<\/strong><p>\r\n<br>\r\n\r\n<p>In a relaxed atmosphere designed to encourage open discussion, student members of the Hexagram Network present their latest research projects. Whether in the form of digital posters or a Pecha Kucha, our members' contributions will provide an overview of the past years of research-creation.<p>\r\n<br>\r\n<hr \/>\r\n<br>\r\n<p><span data-contrast=\"none\">WITH<\/span><p>\r\n\r\n<p><a href=\"https:\/\/www.baudequinmaldes.com\/\"><span data-contrast=\"none\">Anne-Charlotte Baudequin<\/span><\/a><span data-contrast=\"auto\"> [France]<\/span><span>\u00a0<\/span>\r\n\r\n<a href=\"https:\/\/www.linkedin.com\/in\/juliendajez\/?originalSubdomain=fr\"><span data-contrast=\"none\">Julien Dajez<\/span><\/a><span data-contrast=\"auto\"> [student member, UQAM]<\/span><span>\u00a0<\/span>\r\n\r\n<a href=\"https:\/\/doctorat.univ-toulouse.fr\/as\/ed\/cv.pl?mat=151488&amp;site=EDT\"><span data-contrast=\"none\">Ninon Deljehier<\/span><\/a><span data-contrast=\"auto\"> [France]<\/span><span>\u00a0<\/span>\r\n\r\n<span data-contrast=\"auto\">M\u00e9lodie Claire Jett\u00e9 [student member, UQAM]<\/span><span>\u00a0<\/span>\r\n\r\n<a href=\"https:\/\/feministmediastudio.ca\/vara-celia\/\"><span data-contrast=\"none\">Celia Vara Martin<\/span><\/a><span data-contrast=\"auto\"> [student member, McGill]<\/span><span>\u00a0<\/span>\r\n\r\n<a href=\"https:\/\/recherche.umontreal.ca\/expert\/is\/in33062\/\"><span data-contrast=\"none\">Albertine Thunier<\/span><\/a><span data-contrast=\"auto\"> [student member, UdeM]<\/span><span>\u00a0<\/span>\r\n\r\n<span data-contrast=\"auto\">Anthoniy Val [France]<\/span><span>\u00a0<\/span><p>\t\t\t\t\t\t  <\/div>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<!-- Inner panel End -->\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t<!-- Inner panel Start -->\r\n\t\t\t\t\t<div class=\"wpsm_panel wpsm_panel-default\">\r\n\t\t\t\t\t\t<div class=\"wpsm_panel-heading\" role=\"tab\" >\r\n\t\t\t\t\t\t  <h4 class=\"wpsm_panel-title\">\r\n\t\t\t\t\t\t\t<a  class=\"collapsed\"  data-toggle=\"collapse\" data-parent=\"#wpsm_accordion_16756 \" href=\"javascript:void(0)\" data-target=\"#ac_16756_collapse4\" onclick=\"do_resize()\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"ac_open_cl_icon fa fa-plus\"><\/span>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t \r\n\t\t\t\t\t\t\t\t<span class=\"ac_title_class\">\r\n\t\t\t\t\t\t\t\t\t6:00 pm | LASER 14 - AI AND COMMUNITIES OF PRACTICE\t\t\t\t\t\t\t\t<\/span>\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t  <\/h4>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t<div id=\"ac_16756_collapse4\" class=\"wpsm_panel-collapse collapse \"  >\r\n\t\t\t\t\t\t  <div class=\"wpsm_panel-body\">\r\n\t\t\t\t\t\t\t<p><h3>PANEL DISCUSSION<\/h3><p>\r\n<strong>6:00 \u2013 19:30 pm \/ <a href=\"https:\/\/uqam.zoom.us\/meeting\/register\/tZUoc-ugrT4qGtzOg29SELZv7R_R6h2akopM\" rel=\"noopener\" target=\"_blank\">Hybrid<\/a> \/ English<\/strong>\r\n<br>\r\n<p><a href=\"https:\/\/leonardo.info\/laser-talks\">LASER<\/a> (Leonardo Art Science Evening RendezVous) by Leonardo\/The International Society for the Arts, Sciences and Technology (ISAST) is an international program that brings together artists, scientists, humanists and technologists for informal presentations, performances and conversations with audiences. LASER's mission is to contribute to the cultural environment of a region by fostering interdisciplinary dialogue and community development opportunities in more than 40 cities around the world.<p>\r\n\r\n<p>During\u00a0<em><span data-contrast=\"auto\">LASER 14<\/span><\/em><span data-contrast=\"auto\">, panelists will discuss AI's emergent qualities in each of their own fields. They will discuss its role and how it provokes or induces changes in their practice of research-creation, environmental data science, indigenous knowledges, and governance. By sharing novel approaches, which includes the importance of addressing biases, ethics, societal and environmental impacts, the goal of this event is to navigate evolving concerns about AI.<\/span><span>\u00a0<\/span><p>\r\n<br>\r\n<p><h5>\u2192 <a href=\"https:\/\/bit.ly\/49ndPjA\">Full event description<\/a><\/h5><p>\r\n<br>\r\n<hr \/>\r\n<br>\r\n<p>Cochairs: Nina Czegledy and Gis\u00e8le Trudel\u00a0\u00a0<span>\u00a0<\/span><p>\r\n\r\n<p>WITH<p>\r\n<ul>\r\n \t <li><a href=\"https:\/\/sofianaudry.com\/\"><span data-contrast=\"auto\">Sofian Audry<\/span><\/a>, Artist and Professor, \u00c9cole des m\u00e9dias, UQAM, Hexagram Co-Director*<\/li>\r\n \t<li><a href=\"https:\/\/www.researchgate.net\/profile\/Blandine-Courcot\"><span data-contrast=\"auto\">Blandine Courcot<\/span><\/a>, Physicist and Environmental Data Scientist, <a href=\"https:\/\/dot-lab.teluq.ca\/fr\/\">Dot-Lab<\/a>, T\u00c9LUQ University<\/li>\r\n \t<li><a href=\"https:\/\/www.fenwickmckelvey.com\/\"><span data-contrast=\"auto\">Fenwick McKelvey<\/span><\/a>, Associate Professor, Department of Communication Studies, Concordia University*<\/li>\r\n\r\n \t<li><a href=\"https:\/\/www.kitekitekitekite.com\/\"><span data-contrast=\"auto\">Suzanne Kite<\/span><\/a>, Ogl\u00e1la Lak\u021f\u00f3ta performance Artist, Assistant Professor of American and Indigenous Studies Bard College, Research Associate <a href=\"https:\/\/www.indigenous-ai.net\/abundant\/\">Abundant Intelligences<\/a><\/li>\r\n<\/ul>\r\n\u00a0\r\n\r\n<p><span data-contrast=\"auto\">RESPONDENT AND MODERATOR <\/span><p>\r\n<ul>\r\n \t<li><a href=\"https:\/\/www.linkedin.com\/in\/ola-siebert-1ba85228\/?originalSubdomain=ca\"><span data-contrast=\"auto\">Ola Siebert<\/span><\/a>, Doctoral Candidate, Faculty of Communication, UQAM*<span>\u00a0<\/span><\/li>\r\n<\/ul>\r\n<br>\r\n<p><span data-contrast=\"auto\">(*Hexagram member) <\/span><p>\t\t\t\t\t\t  <\/div>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<!-- Inner panel End -->\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\r\n<script type=\"text\/javascript\">\r\n\t\r\n\t\tfunction do_resize(){\r\n\r\n\t\t\tvar width=jQuery( '.wpsm_panel .wpsm_panel-body iframe' ).width();\r\n\t\t\tvar height=jQuery( '.wpsm_panel .wpsm_panel-body iframe' ).height();\r\n\r\n\t\t\tvar toggleSize = true;\r\n\t\t\tjQuery('iframe').animate({\r\n\t\t\t    width: toggleSize ? width : 640,\r\n\t\t\t    height: toggleSize ? height : 360\r\n\t\t\t  }, 250);\r\n\r\n\t\t\t  toggleSize = !toggleSize;\r\n\t\t}\r\n\t\t\r\n<\/script>\t\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">WEDNESDAY MARCH 27th<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Doors open at 9:30 am.<\/p>\n\n\n\t\t\t\t\t\t<style>\r\n\t\t\t\t<style>\r\n#wpsm_accordion_16757 .wpsm_panel-heading{\r\n\tpadding:0px !important;\r\n}\r\n#wpsm_accordion_16757 .wpsm_panel-title {\r\n\tmargin:0px !important; \r\n\ttext-transform:none !important;\r\n\tline-height: 1 !important;\r\n}\r\n#wpsm_accordion_16757 .wpsm_panel-title a{\r\n\ttext-decoration:none;\r\n\toverflow:hidden;\r\n\tdisplay:block;\r\n\tpadding:0px;\r\n\tfont-size: 18px !important;\r\n\tfont-family: Arial !important;\r\n\tcolor:#000000 !important;\r\n\tborder-bottom:0px !important;\r\n}\r\n\r\n#wpsm_accordion_16757 .wpsm_panel-title a:focus {\r\noutline: 0px !important;\r\n}\r\n\r\n#wpsm_accordion_16757 .wpsm_panel-title a:hover, #wpsm_accordion_16757 .wpsm_panel-title a:focus {\r\n\tcolor:#000000 !important;\r\n}\r\n#wpsm_accordion_16757 .acc-a{\r\n\tcolor: #000000 !important;\r\n\tbackground-color:#e8e8e8 !important;\r\n\tborder-color: #ddd;\r\n}\r\n#wpsm_accordion_16757 .wpsm_panel-default > .wpsm_panel-heading{\r\n\tcolor: #000000 !important;\r\n\tbackground-color: #e8e8e8 !important;\r\n\tborder-color: #e8e8e8 !important;\r\n\tborder-top-left-radius: 0px;\r\n\tborder-top-right-radius: 0px;\r\n}\r\n#wpsm_accordion_16757 .wpsm_panel-default {\r\n\t\tborder:1px solid transparent !important;\r\n\t}\r\n#wpsm_accordion_16757 {\r\n\tmargin-bottom: 20px;\r\n\toverflow: hidden;\r\n\tfloat: none;\r\n\twidth: 100%;\r\n\tdisplay: block;\r\n}\r\n#wpsm_accordion_16757 .ac_title_class{\r\n\tdisplay: block;\r\n\tpadding-top: 12px;\r\n\tpadding-bottom: 12px;\r\n\tpadding-left: 15px;\r\n\tpadding-right: 15px;\r\n}\r\n#wpsm_accordion_16757  .wpsm_panel {\r\n\toverflow:hidden;\r\n\t-webkit-box-shadow: 0 0px 0px rgba(0, 0, 0, .05);\r\n\tbox-shadow: 0 0px 0px rgba(0, 0, 0, .05);\r\n\t\tborder-radius: 4px;\r\n\t}\r\n#wpsm_accordion_16757  .wpsm_panel + .wpsm_panel {\r\n\t\tmargin-top: 5px;\r\n\t}\r\n#wpsm_accordion_16757  .wpsm_panel-body{\r\n\tbackground-color:#333333 !important;\r\n\tcolor:#ffffff !important;\r\n\tborder-top-color: #e8e8e8 !important;\r\n\tfont-size:16px !important;\r\n\tfont-family: Arial !important;\r\n\toverflow: hidden;\r\n\t\tborder: 2px solid #e8e8e8 !important;\r\n\t}\r\n\r\n#wpsm_accordion_16757 .ac_open_cl_icon{\r\n\tbackground-color:#e8e8e8 !important;\r\n\tcolor: #000000 !important;\r\n\tfloat:right !important;\r\n\tpadding-top: 12px !important;\r\n\tpadding-bottom: 12px !important;\r\n\tline-height: 1.0 !important;\r\n\tpadding-left: 15px !important;\r\n\tpadding-right: 15px !important;\r\n\tdisplay: inline-block !important;\r\n}\r\n\r\n\t\t\t\r\n\t\t\t<\/style>\t\r\n\t\t\t<\/style>\r\n\t\t\t<div class=\"wpsm_panel-group\" id=\"wpsm_accordion_16757\" >\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t<!-- Inner panel Start -->\r\n\t\t\t\t\t<div class=\"wpsm_panel wpsm_panel-default\">\r\n\t\t\t\t\t\t<div class=\"wpsm_panel-heading\" role=\"tab\" >\r\n\t\t\t\t\t\t  <h4 class=\"wpsm_panel-title\">\r\n\t\t\t\t\t\t\t<a  class=\"\"  data-toggle=\"collapse\" data-parent=\"#wpsm_accordion_16757 \" href=\"javascript:void(0)\" data-target=\"#ac_16757_collapse1\" onclick=\"do_resize()\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"ac_open_cl_icon fa fa-plus\"><\/span>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t \r\n\t\t\t\t\t\t\t\t<span class=\"ac_title_class\">\r\n\t\t\t\t\t\t\t\t\t11:00 pm | CREATIVITY BEYOND HUMAN\t\t\t\t\t\t\t\t<\/span>\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t  <\/h4>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t<div id=\"ac_16757_collapse1\" class=\"wpsm_panel-collapse collapse \"  >\r\n\t\t\t\t\t\t  <div class=\"wpsm_panel-body\">\r\n\t\t\t\t\t\t\t<p><h3><strong>PANEL DISCUSSION<\/strong><\/h3><p>\r\n<p><strong>11\u00a0am \u2013 1pm \/ Hybrid \/ French<\/strong><p>\r\n<br>\r\n<p>For the Rencontres Interdisciplinaires 2024, Hexagram is pleased to welcome a delegation of researchers from Toulouse and Paris, members of Passerelle Arts Sciences Technologie. The members of this delegation will be the focus of this panel discussion, which invites us to question the contribution of the non-human to the creative process.<p>\r\n\r\n<p>Founded in 2016 with a wide range of actors from the scientific, artistic, and institutional fields, Passerelle works to bring together disciplines through its creations and national engagement in defense of these issues. The association is characterized by its commitment to the search for a new epistemology and to the long-term weaving of interdisciplinary relationships. By experimenting with new interactions with society, Passerelle Arts Sciences Technologie is committed to transforming our relationship with the world.<p>\r\n<br>\r\n<hr \/>\r\n<br>\r\n<p>Come and meet <a href=\"https:\/\/lara.univ-tlse2.fr\/accueil\/theses-soutenues-seppia\/edwige-armand#\/\" target=\"_blank\" rel=\"noopener\">Edwige Armand<\/a>, <a href=\"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/thierry-besche\/\">Thierry Besche<\/a>, <a href=\"https:\/\/www.researchgate.net\/profile\/Yves-Duthen\" target=\"_blank\" rel=\"noopener\">Yves Duthen<\/a><a href=\"https:\/\/www.linkedin.com\/in\/christophe-vieu-8718a01a4\/?originalSubdomain=fr\">, <\/a><a href=\"https:\/\/miat.inrae.fr\/member\/garciafrederick\/\" target=\"_blank\" rel=\"noopener\">Fr\u00e9d\u00e9rick Garcia,<\/a> <a href=\"https:\/\/lla-creatis.univ-tlse2.fr\/accueil\/lequipe-daccueil\/les-membres-permanents\/prunet-camille\" target=\"_blank\" rel=\"noopener\">Camille Prunet<\/a>, and <a href=\"https:\/\/www.linkedin.com\/in\/christophe-vieu-8718a01a4\/?originalSubdomain=fr\">Christophe Vieu<\/a> to discover their artistic and scientific.<p>\r\n\r\n<p><h6>With the support of the Service de coop\u00e9ration et d'action culturelle of the Consulate General of France in Quebec City.<h6><p>\r\n\t\t\t\t\t\t  <\/div>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<!-- Inner panel End -->\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t<!-- Inner panel Start -->\r\n\t\t\t\t\t<div class=\"wpsm_panel wpsm_panel-default\">\r\n\t\t\t\t\t\t<div class=\"wpsm_panel-heading\" role=\"tab\" >\r\n\t\t\t\t\t\t  <h4 class=\"wpsm_panel-title\">\r\n\t\t\t\t\t\t\t<a  class=\"collapsed\"  data-toggle=\"collapse\" data-parent=\"#wpsm_accordion_16757 \" href=\"javascript:void(0)\" data-target=\"#ac_16757_collapse2\" onclick=\"do_resize()\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"ac_open_cl_icon fa fa-plus\"><\/span>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t \r\n\t\t\t\t\t\t\t\t<span class=\"ac_title_class\">\r\n\t\t\t\t\t\t\t\t\t2:30 pm | SENSORY ENVIRONMENTS: PLURAL AGENCIES IN DIGITAL ART\t\t\t\t\t\t\t\t<\/span>\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t  <\/h4>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t<div id=\"ac_16757_collapse2\" class=\"wpsm_panel-collapse collapse \"  >\r\n\t\t\t\t\t\t  <div class=\"wpsm_panel-body\">\r\n\t\t\t\t\t\t\t<p><h3>DEMONSTRATION AND DISCUSSION<\/h3><p>\r\n<p><strong>2:30 - 4:00 pm \/ In person \/ French<\/strong><p>\r\n<br>\r\n<p>Valued for its immersive qualities, digital art can serve as a medium to help us explore the senses. Through touch, smell, hearing or sight, our sensory perceptions merge into a universe where the line between reality and illusion is blurred.<p> \r\n\r\n<p>Five artists, invited by Yan Breuleux [co-investigator member, UQAC-NAD], will present excerpts from their latest research-creations in digital art. Following the demonstrations, participants will engage in a collective discussion on the mediation of research through creative objects.<p>\r\n<br>\r\n<hr \/>\r\n<br>\r\n<p><h5>FEATURED CREATIONS<\/h5><p>\r\n<br>\r\n<p><strong><em>Les arbres communiquent entre eux \u00e0 220\u00a0hertz<\/em>, by <a href=\"https:\/\/nellyeverajotte.com\/\">Nelly-\u00c8ve Rajotte<\/a>,<\/strong> Professor, \u00c9cole de design, UQAM<p>\r\n\r\n<p>Nelly-\u00c8ve Rajotte's project plunges viewers into an immersive sensory experience that explores techno-romantic aesthetics. Using the Boreal Forest as a central motif, the video installation provokes reflection on the ephemeral nature of the world and its own disappearance. It draws inspiration from the sublime landscapes of Romanticism, represented by artists such as Caspar Friedrich and William Turner. Focusing on the conservation of nature through digital technology, this creation uses the LiDAR digitizer to digitally preserve places in danger of extinction, allowing them to be studied and preserved. The title refers to a creative approach aimed at questioning the differences between communication systems in natural and human environments.<p>\r\n<br>\r\n<p><strong><em>Bodies of Water*<\/em>, by <a href=\"https:\/\/professeurs.uqam.ca\/professeur\/laurin-beaucage.caroline\/\">Caroline Laurin-Beaucage<\/a>,<\/strong> Professor, D\u00e9partement de danse, UQAM<p>\r\n\r\n<p>Bodies of Water is a virtual reality choreographic project shot in an aquatic environment. The ten-minute film uses stereoscopic (3D) and ambisonic technology, i.e. sound spatialized according to the orientation of the viewer's head. The work recounts the metamorphosis of bodies in contact with water: an all-encompassing, fluid and malleable material that creates both flexibility and resistance. Produced at the public swimming pool, the work begins as a fiction that gradually slides into a sensory exploration where movement dictates the sole dramaturgy. The venue is plunged into half-light and eight clandestine swimmers emerge from the darkness. Bodies submerged in water cross the boundaries of their habitat and undergo metamorphosis.<p>\r\n\r\n<p><h6>*The work is a collaboration between Ch\u00e9lanie Beaudin-Quintin and Caroline Laurin-Beaucage, freely inspired by an original script by Oriane Morriet.<\/h6><p>\r\n<br>\r\n\r\n<p><strong><em>EN\/GLOBE<\/em>, by Marie-Eve Morissette,<\/strong> Masters Candidate, UQAC-NAD*<p>\r\n\r\n<p><a href=\"http:\/\/hexagram.ca\/en\/demo26-marie-eve-morissette-on-contact\/\"><em>EN\/GLOBE<\/em><\/a> is an immersive, interactive installation that reveals a space for exploration and aims to raise awareness of sensory perception at the visual, tactile, auditory and olfactory levels. Consisting of three unique spheres, the work invites the public to enter and experience each in its own unique way. The work acts as an interface between the artist's intentions and the audience's experience, leaving them free to draw their own interpretation and develop their own narrative. The work is presented as an interactive multimodal system that encourages self-expression. This installation is the second phase of a research-creation project aimed at evaluating the fruitfulness of an innovative approach to interfaces based on encounter and the principles of soma-aesthetics.<p>\r\n\r\n<p><h6>The installation was created and presented to the public during a research-creation residency at Hexagram from October 2-13, 2023.<\/h6><p>\r\n<br>\r\n<p><strong><em>Capter les corps\u00a0: \u00e9mergence d\u2019une installation scanographique<\/em>, by <a href=\"https:\/\/djip.co\/biography\">Jean-Philippe C\u00f4t\u00e9<\/a>,<\/strong> PhD candidate, \u00e9tudes et pratiques des arts, UQAM\u2009; <strong>and <a href=\"https:\/\/www.uqac.ca\/portfolio\/louisphilipperondeau\/\">Louis-Philippe Rondeau<\/a>,<\/strong> Professor, Cofounder of the Mimesis Laboratory, UQAC-NAD*<p>\r\n\r\n<p>The contemporary processes of digital photography - immediate and direct, algorithmically manipulated in real time - paradoxically contribute to distancing the subject, eroding the connection between the medium and its referent. From the perspective of media archaeology, the installation revisits a pivotal moment in digital photography: the advent of the scanner, a tool that has now been relegated to the periphery by the smartphone. Reminiscent of David Hockney's photographic \"joiners\" and Yves Klein's anthropometries, the installation captures an intimate imprint of the subject over an extended temporality in prolonged physical contact. It reverses the tendency to control our mediated image, leaving room for the contingencies of the device and its material serendipity.<p>\r\n<br>\r\n<p><h5>MODERATION<\/h5><p>\r\n<p><a href=\"https:\/\/www.uqac.ca\/portfolio\/yanbreuleux\/\" target=\"_blank\" rel=\"noopener\">Yan Breuleux<\/a>, Associate Professor, Head of the Mimesis Laboratory, UQAC-NAD*<p>\r\n<br>\r\n<p><h6>*(Hexagram member)<\/h6><p>\r\n<p><h6>This program is presented by the \u00c9cole des arts num\u00e9riques, de l\u2019animation et du design de l\u2019Universit\u00e9 du Qu\u00e9bec \u00e0 Chicoutimi (UQAC-NAD) and the research chair CREAT.<\/h6><p>\t\t\t\t\t\t  <\/div>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<!-- Inner panel End -->\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t<!-- Inner panel Start -->\r\n\t\t\t\t\t<div class=\"wpsm_panel wpsm_panel-default\">\r\n\t\t\t\t\t\t<div class=\"wpsm_panel-heading\" role=\"tab\" >\r\n\t\t\t\t\t\t  <h4 class=\"wpsm_panel-title\">\r\n\t\t\t\t\t\t\t<a  class=\"collapsed\"  data-toggle=\"collapse\" data-parent=\"#wpsm_accordion_16757 \" href=\"javascript:void(0)\" data-target=\"#ac_16757_collapse3\" onclick=\"do_resize()\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"ac_open_cl_icon fa fa-plus\"><\/span>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t \r\n\t\t\t\t\t\t\t\t<span class=\"ac_title_class\">\r\n\t\t\t\t\t\t\t\t\t4:00 pm | FEMININE, GRIEVING OR MELANCHOLIC: PLURAL AGENCIES IN VIDEO GAMES\t\t\t\t\t\t\t\t<\/span>\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t  <\/h4>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t<div id=\"ac_16757_collapse3\" class=\"wpsm_panel-collapse collapse \"  >\r\n\t\t\t\t\t\t  <div class=\"wpsm_panel-body\">\r\n\t\t\t\t\t\t\t<p><h3><strong>D\u00c9MONSTRATION<\/strong><\/h3><p>\r\n<p><strong>4 - 17\u202f: 30 pm \/ In person \/ French<\/strong><p>\r\n<br>\r\n<p><span data-contrast=\"none\">The notion of agentivity in video games, often understood as freedom of action and choice for players, is now refocusing on the quality of these choices. It's not so much the number of possible actions that's important as the fact that they are interesting and meaningful.\u00a0<\/span><span data-ccp-props=\"{\">\u00a0<\/span><p>\r\n\r\n<p><span data-contrast=\"none\">In this session, we'll take a look at four research-creation video game projects in which designers hope to create a dialogue with players around meaningful experiences.\u00a0<\/span><span data-ccp-props=\"{\">\u00a0<\/span><p>\r\n\r\n<p><span data-contrast=\"none\">Each designer will give a 10-15 minute demonstration of their game. The public will then be invited to test and discuss them.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><p>\r\n<br>\r\n<hr \/>\r\n<br>\r\n<p><h5><span data-contrast=\"none\">FEATURED GAMES<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/h5>\r\n<span data-ccp-props=\"{\">\u00a0<\/span><p>\r\n<br>\r\n<p><strong><i>CLTRS <\/i>by <a href=\"https:\/\/www.uqac.ca\/portfolio\/laurelinechiapello\/\">Laureline Chiapello<\/a><\/strong>, Professor, UQAC-NAD*<p>\r\n\r\n<p><span data-contrast=\"none\">The CLTRS video game invites players to immerse themselves in a playful exploration of the author's feminine vision of sexual pleasure. Rolling through a baroque boudoir, the avatar explores space, discovering the landscape of the body and sparking life wherever she goes. Sometimes all you have to do to reach orgasm is explore!<\/span><span data-ccp-props=\"{\">\u00a0<\/span><p>\r\n<br>\r\n<p><strong><i>Divine Affaire,<\/i>\u202fby <a href=\"https:\/\/www.concordia.ca\/faculty\/jonathan-lessard.html\">Jonathan Lessard<\/a>\u00a0<\/strong>, Associate Professor, Design and Computation Arts, Concordia University*<p>\r\n\r\n<p><span data-contrast=\"none\">Divine Affaire is a research-creation game in which you take on the role of a deity for a Bronze Age community. She receives prayers in the form of polite e-mails from her believers, draws her power from their sacrifices and performs miracles to improve their lives. The game features a detailed simulation of mortal life, where every human action has a cause and effect, creating a dynamic social world. It also includes a self-editing encyclopedia, documenting every person who has ever existed. As a deity, the player must make difficult ethical choices they performs miracles, knowing that the exact consequences are beyond their control. The game is experimental, a little shaky, but unique in its approach. This game is funded by the FRQ-SC.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><p>\r\n<br>\r\n<p><strong><i>Au fil des mois, <\/i>by <a href=\"https:\/\/www.linkedin.com\/in\/edouardraffis\/?originalSubdomain=ca\">Edouard Raffis<\/a>\u00a0<\/strong>, Masters Candidate, UQAC-NAD<p>\r\n\r\n<p><span data-contrast=\"none\">Au fil des mois is a captivating walking simulator experience inspired by the artworks, particularly paintings and photographs, of its creator's great-grandfather: Paul Provencher, a forestry engineer who spent most of his life in the forests of Quebec's North Shore. The game was developed as part of a research-creation project that aimed to study the process of video game developers in order to understand how their values are modified in relation to their project.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><p>\r\n<br>\r\n<p><strong><i>Apr\u00e8s que tu sois parti, <\/i>by <a href=\"https:\/\/www.linkedin.com\/in\/andrea-su-6b4516220\/?originalSubdomain=ca\" rel=\"noopener\" target=\"_blank\">Andrea Su<\/a><\/strong>, Masters Candidate, UQAC-NAD*<p>\r\n\r\n<p><span data-contrast=\"none\">Apr\u00e8s que tu sois parti is a short narrative walking simulator game about its creator's experience of grief. The game was developed as part of a research-creation project to explore the process by which video game developers talk about difficult or traumatic experiences through the creation of games.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><p>\r\n<br>\r\n<p><h6>*(Hexagram member)<\/h6><p>\r\n\r\n<p><h6>This program is presented by the \u00c9cole des arts num\u00e9riques, de l\u2019animation et du design de l\u2019Universit\u00e9 du Qu\u00e9bec \u00e0 Chicoutimi (UQAC-NAD) and the research chair CREAT.<\/h6><p>\r\n\r\n\r\n\t\t\t\t\t\t  <\/div>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<!-- Inner panel End -->\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t<!-- Inner panel Start -->\r\n\t\t\t\t\t<div class=\"wpsm_panel wpsm_panel-default\">\r\n\t\t\t\t\t\t<div class=\"wpsm_panel-heading\" role=\"tab\" >\r\n\t\t\t\t\t\t  <h4 class=\"wpsm_panel-title\">\r\n\t\t\t\t\t\t\t<a  class=\"collapsed\"  data-toggle=\"collapse\" data-parent=\"#wpsm_accordion_16757 \" href=\"javascript:void(0)\" data-target=\"#ac_16757_collapse4\" onclick=\"do_resize()\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"ac_open_cl_icon fa fa-plus\"><\/span>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t \r\n\t\t\t\t\t\t\t\t<span class=\"ac_title_class\">\r\n\t\t\t\t\t\t\t\t\t6:30 pm | OPEN FORUM ON RESEARCH-CREATION\t\t\t\t\t\t\t\t<\/span>\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t  <\/h4>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t<div id=\"ac_16757_collapse4\" class=\"wpsm_panel-collapse collapse \"  >\r\n\t\t\t\t\t\t  <div class=\"wpsm_panel-body\">\r\n\t\t\t\t\t\t\t<p><h3>DISCUSSION<\/h3><p>\r\n<p><strong>6:00 - 7:30 pm \/ In person \/ Bilingual<\/strong><p>\r\n<br>\r\n<p>The Open Forum is a method of discussing complex issues based on an agenda co-created by the participants. Professors and students are invited to engage in an open exchange about the challenges of doing research in an academic setting, including intellectual property, mentoring, work organization, work-life balance, career development, and more.<p>\t\t\t\t\t\t  <\/div>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<!-- Inner panel End -->\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\r\n<script type=\"text\/javascript\">\r\n\t\r\n\t\tfunction do_resize(){\r\n\r\n\t\t\tvar width=jQuery( '.wpsm_panel .wpsm_panel-body iframe' ).width();\r\n\t\t\tvar height=jQuery( '.wpsm_panel .wpsm_panel-body iframe' ).height();\r\n\r\n\t\t\tvar toggleSize = true;\r\n\t\t\tjQuery('iframe').animate({\r\n\t\t\t    width: toggleSize ? width : 640,\r\n\t\t\t    height: toggleSize ? height : 360\r\n\t\t\t  }, 250);\r\n\r\n\t\t\t  toggleSize = !toggleSize;\r\n\t\t}\r\n\t\t\r\n<\/script>\t\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">THURSDAY MARCH 28th<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Doors open at 9:30 am.<\/p>\n\n\n\t\t\t\t\t\t<style>\r\n\t\t\t\t<style>\r\n#wpsm_accordion_16758 .wpsm_panel-heading{\r\n\tpadding:0px !important;\r\n}\r\n#wpsm_accordion_16758 .wpsm_panel-title {\r\n\tmargin:0px !important; \r\n\ttext-transform:none !important;\r\n\tline-height: 1 !important;\r\n}\r\n#wpsm_accordion_16758 .wpsm_panel-title a{\r\n\ttext-decoration:none;\r\n\toverflow:hidden;\r\n\tdisplay:block;\r\n\tpadding:0px;\r\n\tfont-size: 18px !important;\r\n\tfont-family: Arial !important;\r\n\tcolor:#000000 !important;\r\n\tborder-bottom:0px !important;\r\n}\r\n\r\n#wpsm_accordion_16758 .wpsm_panel-title a:focus {\r\noutline: 0px !important;\r\n}\r\n\r\n#wpsm_accordion_16758 .wpsm_panel-title a:hover, #wpsm_accordion_16758 .wpsm_panel-title a:focus {\r\n\tcolor:#000000 !important;\r\n}\r\n#wpsm_accordion_16758 .acc-a{\r\n\tcolor: #000000 !important;\r\n\tbackground-color:#e8e8e8 !important;\r\n\tborder-color: #ddd;\r\n}\r\n#wpsm_accordion_16758 .wpsm_panel-default > .wpsm_panel-heading{\r\n\tcolor: #000000 !important;\r\n\tbackground-color: #e8e8e8 !important;\r\n\tborder-color: #e8e8e8 !important;\r\n\tborder-top-left-radius: 0px;\r\n\tborder-top-right-radius: 0px;\r\n}\r\n#wpsm_accordion_16758 .wpsm_panel-default {\r\n\t\tborder:1px solid transparent !important;\r\n\t}\r\n#wpsm_accordion_16758 {\r\n\tmargin-bottom: 20px;\r\n\toverflow: hidden;\r\n\tfloat: none;\r\n\twidth: 100%;\r\n\tdisplay: block;\r\n}\r\n#wpsm_accordion_16758 .ac_title_class{\r\n\tdisplay: block;\r\n\tpadding-top: 12px;\r\n\tpadding-bottom: 12px;\r\n\tpadding-left: 15px;\r\n\tpadding-right: 15px;\r\n}\r\n#wpsm_accordion_16758  .wpsm_panel {\r\n\toverflow:hidden;\r\n\t-webkit-box-shadow: 0 0px 0px rgba(0, 0, 0, .05);\r\n\tbox-shadow: 0 0px 0px rgba(0, 0, 0, .05);\r\n\t\tborder-radius: 4px;\r\n\t}\r\n#wpsm_accordion_16758  .wpsm_panel + .wpsm_panel {\r\n\t\tmargin-top: 5px;\r\n\t}\r\n#wpsm_accordion_16758  .wpsm_panel-body{\r\n\tbackground-color:#333333 !important;\r\n\tcolor:#ffffff !important;\r\n\tborder-top-color: #e8e8e8 !important;\r\n\tfont-size:16px !important;\r\n\tfont-family: Arial !important;\r\n\toverflow: hidden;\r\n\t\tborder: 2px solid #e8e8e8 !important;\r\n\t}\r\n\r\n#wpsm_accordion_16758 .ac_open_cl_icon{\r\n\tbackground-color:#e8e8e8 !important;\r\n\tcolor: #000000 !important;\r\n\tfloat:right !important;\r\n\tpadding-top: 12px !important;\r\n\tpadding-bottom: 12px !important;\r\n\tline-height: 1.0 !important;\r\n\tpadding-left: 15px !important;\r\n\tpadding-right: 15px !important;\r\n\tdisplay: inline-block !important;\r\n}\r\n\r\n\t\t\t\r\n\t\t\t<\/style>\t\r\n\t\t\t<\/style>\r\n\t\t\t<div class=\"wpsm_panel-group\" id=\"wpsm_accordion_16758\" >\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t<!-- Inner panel Start -->\r\n\t\t\t\t\t<div class=\"wpsm_panel wpsm_panel-default\">\r\n\t\t\t\t\t\t<div class=\"wpsm_panel-heading\" role=\"tab\" >\r\n\t\t\t\t\t\t  <h4 class=\"wpsm_panel-title\">\r\n\t\t\t\t\t\t\t<a  class=\"\"  data-toggle=\"collapse\" data-parent=\"#wpsm_accordion_16758 \" href=\"javascript:void(0)\" data-target=\"#ac_16758_collapse1\" onclick=\"do_resize()\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"ac_open_cl_icon fa fa-plus\"><\/span>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t \r\n\t\t\t\t\t\t\t\t<span class=\"ac_title_class\">\r\n\t\t\t\t\t\t\t\t\t11:00 pm | RC IN XR: CREATIVE SHARING WORKSHOP\t\t\t\t\t\t\t\t<\/span>\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t  <\/h4>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t<div id=\"ac_16758_collapse1\" class=\"wpsm_panel-collapse collapse \"  >\r\n\t\t\t\t\t\t  <div class=\"wpsm_panel-body\">\r\n\t\t\t\t\t\t\t<p><h3>WORKSHOP<\/h3><p>\r\n<p><strong>11:00 a.m. to 1:00 p.m. \/ BY INVITATION ONLY<\/strong><p>\r\n<br>\r\n<p>Focusing on the themes of artistic, theatrical and playful performance in a technological context, this workshop aims to bring together diverse practices that share the experience of the body and interaction in a real-time interactive environment. The goal is to forge connections between participants in the hope that the 3D representation of their research-creation questions in the same virtual space will stimulate an enriching conceptual friction for the Hexagram community.<p>\r\n<br>\r\n<hr \/>\r\n<br>\r\n<p><h6><strong>ACKNOWLEDGEMENTS<\/strong><\/h6><p>\r\n<p><h6>Unit\u00e9 d'enseignement et de recherche en cr\u00e9ation et nouveaux m\u00e9dias de l'Universit\u00e9 du Qu\u00e9bec en Abitibi-T\u00e9miscamingue, Universit\u00e9 Gustave Eiffel, l'IMAC (France), and le Petit Th\u00e9\u00e2tre de Rouyn-Noranda.<\/h6><p>\t\t\t\t\t\t  <\/div>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<!-- Inner panel End -->\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t<!-- Inner panel Start -->\r\n\t\t\t\t\t<div class=\"wpsm_panel wpsm_panel-default\">\r\n\t\t\t\t\t\t<div class=\"wpsm_panel-heading\" role=\"tab\" >\r\n\t\t\t\t\t\t  <h4 class=\"wpsm_panel-title\">\r\n\t\t\t\t\t\t\t<a  class=\"collapsed\"  data-toggle=\"collapse\" data-parent=\"#wpsm_accordion_16758 \" href=\"javascript:void(0)\" data-target=\"#ac_16758_collapse2\" onclick=\"do_resize()\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"ac_open_cl_icon fa fa-plus\"><\/span>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t \r\n\t\t\t\t\t\t\t\t<span class=\"ac_title_class\">\r\n\t\t\t\t\t\t\t\t\t2:30 pm | RC IN XR\t\t\t\t\t\t\t\t<\/span>\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t  <\/h4>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t<div id=\"ac_16758_collapse2\" class=\"wpsm_panel-collapse collapse \"  >\r\n\t\t\t\t\t\t  <div class=\"wpsm_panel-body\">\r\n\t\t\t\t\t\t\t<p><h3>SHOWCASE<\/h3><p>\r\n<p><strong>2:00 - 4:30 pm \/ Hybrid \/ French<\/strong><p>\r\n<br>\r\n<p><span data-contrast=\"auto\">RC in XR, Research-Creation in Extended Reality, is a creative sharing workshop focusing on topics related to artistic, theatrical and playful performance in a technological context. It aims to bring together different practices that share the experience of embodying and interacting in a real-time interactive environment.\u00a0<\/span><span>\u00a0<\/span><p>\r\n\r\n<p><span data-contrast=\"auto\">For several months now, the researchers Florent Di Bartolo, Jean-Pierre Flayeux, Hugo Montembeault and Jean-Ambroise Vesac [co-researcher member, UQAT] have been investing the space of the Place des Festivals district and its digital twin - a virtual environment created by their team - as a means of mobilizing and sharing research-creation projects and issues. It's a new, playful and performative approach to the co-construction of knowledge.<\/span><span>\u00a0<\/span><p>\r\n\r\n<p><span data-contrast=\"auto\">Through the interpenetration of the physical and the digital, the XR device creates a space for dialog between urban, human, technological, artistic and theoretical materials. This XR environment is problematized through the integration of fragments of theoretical thought, artistic content, and procedural functions that ensure the playability of the device through specialized interfaces. This configuration allows for a multiplayer performative situation in which mixed materialities have been assembled to inflect what Kattenbelt calls an \"aesthetic orientation\", i.e. a performative mode characterized by an amplification of the affective feeling and self-reflexive processes of a perceiving subject towards a represented social world.\u00a0\u00a0<\/span><span>\u00a0<\/span>\r\n<br>\r\n<p><h5><b><span data-contrast=\"auto\">The public is invited to participate in the presentation of RC in XR as \"game controllers\".\u00a0<\/span><\/b><span>\u00a0<\/span><\/h5><p>\r\n<br>\r\n<span data-contrast=\"auto\">The virtual space will become the integrating stage for the different research-creation axes of the team. The public will be invited to appropriate the device by entering the virtual world with a \"playful attitude\" (Henriot, 1989). Those who play will be able to participate in the reflection on the forms and movements of being together. Will the relaxed atmosphere and the playful improvisation of the scientific discourse create a \"friction\" that generates new ideas?<\/span><span>\u00a0<\/span><p>\r\n<br>\r\n<hr \/>\r\n<br>\r\n<h5><p><u>Co-Principal Investigator<\/u><p>\r\n<p>Jean-Ambroise Vesac, Professor, UQAT.<p>\r\n \r\n<p><u>Collaborators<\/u><p>\r\n<p>Hugo Montembeault, Professor, UQAT; Florent Di Bartolo, professor, UGE- LISAA; and Mariane Laporte, artist, UQAM.<p>\r\n\r\n<p><u>Presenters<\/u><p>\r\n<p>\u00c9ric L\u00e9tourneau, professor, UQAM; Patrick Gauvin, Professor, UQAT; Ga\u00ebtan Robillard, UGE-IMAC; and Caroline G\u00e9linas, artist.<p>\r\n\r\n<p><u>Participants<\/u><p>\r\n<p>Danny Perreault, Professor, UQAM; Yin Bai, \u00c9TS; Laureline Chiapello, NAD-UQAC;  \r\nShauna Janssen, Professor, Concordia; Maxime Michaud, student, UQAM; Fanny Pimpurniaux, student, UQAT; Alexandre (Ald\u00e9) Demers-Roberge, student, UQAT; S\u00e9bastien Duplessis, Student, UQAT; Thomas Boeckstaens, Student, UQAT; Valentin Guiller, Student, UQAT; Paul Lavenant, Student, UQAT; and Maxime P\u00e9rigny, Student, UQAT.<p><h5>\r\n<br>\r\n<p><h6><strong>ACKNOWLEDGEMENTS<\/strong><\/h6><p>\r\n<p><h6>Unit\u00e9 d'enseignement et de recherche en cr\u00e9ation et nouveaux m\u00e9dias de l'Universit\u00e9 du Qu\u00e9bec en Abitibi-T\u00e9miscamingue, Universit\u00e9 Gustave Eiffel, l'IMAC (France), and le Petit Th\u00e9\u00e2tre de Rouyn-Noranda.<\/h6><p>\r\n\t\t\t\t\t\t  <\/div>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<!-- Inner panel End -->\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t<!-- Inner panel Start -->\r\n\t\t\t\t\t<div class=\"wpsm_panel wpsm_panel-default\">\r\n\t\t\t\t\t\t<div class=\"wpsm_panel-heading\" role=\"tab\" >\r\n\t\t\t\t\t\t  <h4 class=\"wpsm_panel-title\">\r\n\t\t\t\t\t\t\t<a  class=\"collapsed\"  data-toggle=\"collapse\" data-parent=\"#wpsm_accordion_16758 \" href=\"javascript:void(0)\" data-target=\"#ac_16758_collapse3\" onclick=\"do_resize()\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"ac_open_cl_icon fa fa-plus\"><\/span>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t \r\n\t\t\t\t\t\t\t\t<span class=\"ac_title_class\">\r\n\t\t\t\t\t\t\t\t\t6:30 pm | FESTIVE HAPPENING\t\t\t\t\t\t\t\t<\/span>\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t  <\/h4>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t<div id=\"ac_16758_collapse3\" class=\"wpsm_panel-collapse collapse \"  >\r\n\t\t\t\t\t\t  <div class=\"wpsm_panel-body\">\r\n\t\t\t\t\t\t\t<p><h3>PARTY<\/h3><p>\r\n<p><strong>6:00 \u2013 7:30 pm \/ In person \/ Bilingual<\/strong><p>\r\n<br>\r\n<p>An experimental music event closes the Rencontres Interdisciplinaires. Come and celebrate the end of this week of encounters with a drink.<p>\r\n\r\n<p>First,<a href=\"https:\/\/www.mesenceintesfontdefaut.com\/2019\/06\/07\/entrevue-philippe-vandal\/\" rel=\"noopener\" target=\"_blank\">Philippe Vandal<\/a>*, inspired by architecture and neo-materialism, opens the happening with a sound performance orchestrating erratic and unpredictable parameters resulting in glitches, noise, ambient and electroacoustic sounds.<p>\r\n \r\n<p>Then researchers and creators <a href=\"http:\/\/artengine.ca\/acastonguay\/\" rel=\"noopener\" target=\"_blank\">Alexandre Castonguay<\/a>*, <a href=\"https:\/\/www.dannyperreault.net\/\" rel=\"noopener\" target=\"_blank\">Danny Perreault<\/a>* and <a href=\"https:\/\/www.vesac.art\/\" rel=\"noopener\" target=\"_blank\">Jean-Ambroise Vesac<\/a>* - explorers of party technologies, co-creation processes and digital togetherness - and their guests take over with their connected machines for an improvised collective electronic performance with Marianne Laporte*, Thierry B. Gateau, and S\u00e9bastien Duplessis* (VJ)<p>\r\n\r\n<p><h6>*Hexagram member<h6><p>\t\t\t\t\t\t  <\/div>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<!-- Inner panel End -->\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\r\n<script type=\"text\/javascript\">\r\n\t\r\n\t\tfunction do_resize(){\r\n\r\n\t\t\tvar width=jQuery( '.wpsm_panel .wpsm_panel-body iframe' ).width();\r\n\t\t\tvar height=jQuery( '.wpsm_panel .wpsm_panel-body iframe' ).height();\r\n\r\n\t\t\tvar toggleSize = true;\r\n\t\t\tjQuery('iframe').animate({\r\n\t\t\t    width: toggleSize ? width : 640,\r\n\t\t\t    height: toggleSize ? height : 360\r\n\t\t\t  }, 250);\r\n\r\n\t\t\t  toggleSize = !toggleSize;\r\n\t\t}\r\n\t\t\r\n<\/script>\t\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\"><a href=\"https:\/\/rencontres.hexagram.ca\/en-ca\/\" target=\"_blank\" rel=\"noreferrer noopener\">Visit the website of past editions<\/a><\/h5>\n\n\n\n<h6 class=\"wp-block-heading\">Hexagram would like to thank the FRQ-SC for their support, as well as our partner universities: Concordia, \u00c9TS, Universit\u00e9 de Montr\u00e9al, Universit\u00e9 Laval, UQAC-NAD, UQAM, UQAT.<\/h6>\n\n\n\n<h6 class=\"wp-block-heading\">We would also like to thank the Minist\u00e8re de l&#8217;Europe et des Affaires \u00e9trang\u00e8res, the Minist\u00e8re des Relations internationales et de la Francophonie (MRIF), the Consulat g\u00e9n\u00e9ral de France \u00e0 Qu\u00e9bec, the Universit\u00e9 de Toulouse Jean-Jaur\u00e8s and the Conseil franco-qu\u00e9b\u00e9cois de coop\u00e9ration universitaire (CFQCU) for their invaluable contribution.<\/h6>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"375\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/RI2024_Bandeaux-partenaires2.png\" alt=\"\" class=\"wp-image-16899\"\/><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"820\" height=\"312\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/FRQSC.png\" alt=\"\" class=\"wp-image-23255\"\/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>March 25-28, 2024 | UQAM\u2019s Agora du C\u0153ur des sciences, Montreal 175, Av. du Pr\u00e9sident-Kennedy&nbsp;Tiohti\u00e0:ke | Mooniyang | Montr\u00e9al H2X 3P2&nbsp;Situated in a small courtyard, behind the Pr\u00e9sident-Kennedy Pavilion&nbsp;Metro Place-des-arts. Bus 55, 80&nbsp;Universal access AGENCY\u00b7IES Current advances in the fields of biotechnology, artificial intelligence, robotics, environmental sciences and new materials, among others, raise new questions [&hellip;]<\/p>\n","protected":false},"author":95,"featured_media":16849,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[39,41],"tags":[160,167,146,165,159,352,114,166],"class_list":["post-16762","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-activities","category-conferences-en","tag-audace","tag-cooperation-france-quebec","tag-ia-en","tag-posthumanism","tag-prisme-art","tag-recherche-creation-2-en","tag-rencontres-interdisciplinaires-2","tag-universite-de-toulouse-jean-jaures"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>2024 Interdisciplinary Encounters - hexagram.ca<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hexagram.ca\/en\/rencontres-interdisciplinaires-2024\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"2024 Interdisciplinary Encounters - hexagram.ca\" \/>\n<meta property=\"og:description\" content=\"March 25-28, 2024 | UQAM\u2019s Agora du C\u0153ur des sciences, Montreal 175, Av. du Pr\u00e9sident-Kennedy&nbsp;Tiohti\u00e0:ke | Mooniyang | Montr\u00e9al H2X 3P2&nbsp;Situated in a small courtyard, behind the Pr\u00e9sident-Kennedy Pavilion&nbsp;Metro Place-des-arts. 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