{"id":16997,"date":"2024-04-03T11:28:11","date_gmt":"2024-04-03T16:28:11","guid":{"rendered":"http:\/\/hexagram.ca\/demo43-guillaume-pascale-et-caroline-bernard-spatiavalesque-en\/"},"modified":"2025-03-11T09:26:35","modified_gmt":"2025-03-11T14:26:35","slug":"demo43-guillaume-pascale-et-caroline-bernard-spatiavalesque","status":"publish","type":"post","link":"https:\/\/hexagram.ca\/en\/demo43-guillaume-pascale-et-caroline-bernard-spatiavalesque\/","title":{"rendered":"DEMO43 Guillaume Pascale &#038; Caroline Bernard &#8211; Spatiavalesque"},"content":{"rendered":"\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><em>March 2024<\/em><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>This DEMO looks back on a five-day workshop entitled <em>Spatiavalesque<\/em>, proposed by Guillaume Pascale [student member, UQAM] and Caroline Bernard [collaborator member] in March 2023 at the \u00c9cole Nationale Sup\u00e9rieure de Photographie d&#8217;Arles (ENSP). They teamed up to invest the spatial imaginary deployed by Guillaume in his research. In a nod to Mars exploration programs, participants were invited to invest and reconsider the problematic habitability of one of the ENSP buildings. Get ready for a &#8220;voyage aboard the social ship between Mars and Earth&#8221;.<\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Spatiavalesque\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/V6TWoPeqafk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">A Story of Architecture Lifts Off <\/h2>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>When the Viking 1 probe transmitted its first images of the surface of Mars in the mid-1970s, it revealed a desolate and inhospitable landscape, far removed from the idea of a planet suitable for hosting an advanced civilization, as envisioned by the European scientific community as early as the 19th century. Yet this has done little to curb the Martian ambitions of private companies. Some, such as Elon Musk&#8217;s Space X, are seriously considering settling on the Red Planet in the near future, as the sixth mass extinction due to the above-ground lifestyle of a portion of humanity gets underway.<\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1110\" height=\"395\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/\/viking-first-mars-image-1110x395.jpg\" alt=\"\" class=\"wp-image-16912\" srcset=\"https:\/\/hexagram.ca\/wp-content\/uploads\/viking-first-mars-image-1110x395.jpg 1110w, https:\/\/hexagram.ca\/wp-content\/uploads\/viking-first-mars-image.jpg 1280w\" sizes=\"(max-width: 1110px) 100vw, 1110px\" \/><figcaption class=\"wp-element-caption\"><em><sup>Figure\u202f1. First photography of the Mars terrain by the Vicking 1 probe, 1976.<\/sup><\/em><\/figcaption><\/figure><\/div>\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>It therefore seems relevant to explore the imaginary proposed by these space programs, when the arid cold and mineral actuality of the planet Mars seems to coincide with the conditions of future habitability on Earth, and when some of the terrestrial buildings seem to be the result of minds that are detached from the environmental and social situation of the sites they occupy. The new building of the \u00c9cole Nationale Sup\u00e9rieure de Photographie d&#8217;Arles, inaugurated in 2019, seems to belong symbolically to this category. Rumor has it that the concrete and glass monolith designed by architect Marc Barani was conceived to resemble a camera from an aerial vantage point; to the detriment of the uses of those who occupy it.<\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1110\" height=\"624\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/\/gagarine-1110x624.jpg\" alt=\"\" class=\"wp-image-16914\" srcset=\"https:\/\/hexagram.ca\/wp-content\/uploads\/gagarine-1110x624.jpg 1110w, https:\/\/hexagram.ca\/wp-content\/uploads\/gagarine.jpg 1280w\" sizes=\"(max-width: 1110px) 100vw, 1110px\" \/><figcaption class=\"wp-element-caption\"><em><sup>Figure\u202f2. Videogram extracted from de movie Gagarine.<\/sup><\/em><\/figcaption><\/figure><\/div>\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>The sense of lift-off suggested by such architectural projects is far from anecdotal. Recently, the film <em>Gagarin<\/em> (Liatard and Trouilh, 2020) drew such an analogy, recounting the last days of a low-income housing estate slated for demolition, which the protagonist, Youri, inhabits as if it were a spaceship. Some even suggest that we belong to a &#8220;groundless&#8221; civilization in an environment today without &#8220;stable foundations for our social life and philosophical aspirations&#8221; (Steyerl, 2010). Others speak of a &#8220;groundless civilization&#8221; in the context of post-industrial &#8220;flow&#8221; societies (Pierron, 2003). Wasn&#8217;t &#8220;the great confinement&#8221; (Gopinath, 2020) the symptom of a great lift-off: a techno-scientific civilizational aspiration to a hermetic and detached lifestyle?<\/p>\n\n\n\n<div style=\"height:75px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">A Programmed Astronautic Drift<\/h2>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>In this context, and in response to the grievances of the school&#8217;s students, Guillaume Pascale and Caroline Bernard proposed a five-day workshop entitled <em>Spatiavalesque<\/em> in March 2023. It aimed to invest the spatial imaginary deployed by Guillaume in his research in order to rethink the habitability of a visibly rigid building for the versatile character of the living. Conducted aboard a social spaceship, the workshop becomes an opportunity to explore a situationist alternative to the solutionist proposal offered a few weeks earlier by the <em>Mars Society<\/em> to a cohort of students from the SUPAERO engineering school in Toulouse (France), invited to a simulation of life on Mars in the Utah desert in the USA.&nbsp;&nbsp;<\/p>\n\n\n\n<p>To develop the project, the collective adopted an approach similar to the one Guillaume uses to program the electronic devices he designs. Called <em>Programmed Drift<\/em>, it consists of creating programs with an uncertain outcome, whose unfolding depends on a series of contingent conditions. On the scale of a school, and no longer of just a few microcontrollers, the collective&#8217;s task is to devise a program in the form of a series of events that, over the course of an entire night, redefine and destabilize the function of the spaces in which they take place, as well as the behavior of those who occupy them.&nbsp;<\/p>\n\n\n\n<div style=\"height:75px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">A Program, a Drift, a Journey\u2026<\/h2>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Part of the school was then invested and prepared to host this program dedicated to a journey aboard the social spaceship between Mars and Earth. On the school&#8217;s floor plan (Figure 3), Guillaume schematically transposes the psychogeographic space he envisions between the two planets (Figure 4). The result is an occupation of three concomitant zones of the school, symbolically identified as Earth, Space and Mars (Figures 5 and 6). Each zone is assigned a color and lighting ambience: blue, violet and red.<\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div ><style id=\"wp_carousel_dynamic_css16919\">#sp-wp-carousel-free-id-16919 .wpcp-swiper-dots {margin: 40px 0px 0px 0px;}.wpcp-wrapper-16919 .swiper-wrapper .swiper-slide-kenburn, .wpcp-wrapper-16919 .swiper-wrapper, .wpcp-wrapper-16919 .wpcpro-row{align-items: center;}#sp-wp-carousel-free-id-16919 .wpcp-single-item {box-shadow: 0px 0px 0px 0px #dddddd;transition: all .3s;margin: 0px;}#sp-wp-carousel-free-id-16919.swiper-flip .wpcp-single-item{margin: 0!important;}#sp-wp-carousel-free-id-16919 .wpcp-single-item:hover {box-shadow: 0px 0px 0px 0px #dddddd;}#sp-wp-carousel-free-id-16919.sp-wpcp-16919 .wpcp-single-item {border: 1px solid #dddddd;}#sp-wp-carousel-free-id-16919.sp-wpcp-16919 .swiper-button-prev,#sp-wp-carousel-free-id-16919.sp-wpcp-16919 .swiper-button-next,#sp-wp-carousel-free-id-16919.sp-wpcp-16919 .swiper-button-prev:hover,#sp-wp-carousel-free-id-16919.sp-wpcp-16919 .swiper-button-next:hover {background: none;border: none;font-size: 30px;}#sp-wp-carousel-free-id-16919.sp-wpcp-16919 .swiper-button-prev i,#sp-wp-carousel-free-id-16919.sp-wpcp-16919 .swiper-button-next i {color: #aaa;}#sp-wp-carousel-free-id-16919.sp-wpcp-16919 .swiper-button-prev i:hover,#sp-wp-carousel-free-id-16919.sp-wpcp-16919 .swiper-button-next i:hover {color: #ff7321;}#sp-wp-carousel-free-id-16919.sp-wpcp-16919 .wpcp-swiper-dots .swiper-pagination-bullet {background-color: #cccccc;}#sp-wp-carousel-free-id-16919.sp-wpcp-16919 .wpcp-swiper-dots .swiper-pagination-bullet.swiper-pagination-bullet-active {background-color: #ff7321;} #sp-wp-carousel-free-id-16919.sp-wpcp-16919.wpcp-image-carousel .wpcp-single-item:hover img, #sp-wp-carousel-free-id-16919.sp-wpcp-16919.wpcp-post-carousel .wpcp-single-item:hover img, #sp-wp-carousel-free-id-16919.sp-wpcp-16919.wpcp-product-carousel .wpcp-single-item:hover img{-webkit-transform: scale(1.2);-moz-transform: scale(1.2);transform: scale(1.2);}@media screen and (max-width: 479px) {#sp-wp-carousel-free-id-16919.nav-vertical-center {padding: 0;margin:0;}#sp-wp-carousel-free-id-16919.nav-vertical-center .wpcp-next-button,#sp-wp-carousel-free-id-16919.nav-vertical-center .wpcp-prev-button {display: none;}}#sp-wp-carousel-free-id-16919 .wpcpro-row>[class*=\"wpcpro-col-\"] { padding: 0 10px; 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max-width: 16.66667%; } .wpcpro-row .wpcpro-col-xl-7 { flex: 0 0 14.28571428%; max-width: 14.28571428%; } .wpcpro-row .wpcpro-col-xl-8 { flex: 0 0 12.5%; max-width: 12.5%; } }<\/style><div class=\"wpcp-carousel-wrapper wpcp-wrapper-16919\">\n\t<div id=\"wpcp-preloader-16919\" class=\"wpcp-carousel-preloader\"><img decoding=\"async\" src=\"https:\/\/hexagram.ca\/wp-content\/plugins\/wp-carousel-free\/public\/css\/spinner.svg\" alt=\"Preloader Image\" \/><\/div>\t<div class=\"wpcp-carousel-content-wrapper\">\n\t<div id=\"sp-wp-carousel-free-id-16919\" class=\"wpcp-carousel-section sp-wpcp-16919  nav-vertical-center wpcp-image-carousel wpcp-preloader wpcp-standard\" data-swiper='{ &quot;accessibility&quot;:true, &quot;spaceBetween&quot;:20, &quot;arrows&quot;:true, &quot;freeMode&quot;: false, &quot;autoplay&quot;:true, &quot;effect&quot;: &quot;&quot;, &quot;centerMode&quot;: false, &quot;autoplaySpeed&quot;:5000, &quot;dots&quot;:true, &quot;infinite&quot;:true, &quot;speed&quot;:600, &quot;pauseOnHover&quot;:true,\n\t\t\t&quot;slidesToShow&quot;:{&quot;lg_desktop&quot;:1, &quot;desktop&quot;: 1, &quot;laptop&quot;: 1, &quot;tablet&quot;: 1, &quot;mobile&quot;: 1}, &quot;responsive&quot;:{&quot;desktop&quot;:1200, &quot;laptop&quot;: 980, &quot;tablet&quot;: 736, &quot;mobile&quot;: 480}, &quot;rtl&quot;:false, &quot;lazyLoad&quot;: &quot;false&quot;, &quot;swipe&quot;: true, &quot;draggable&quot;: true, &quot;swipeToSlide&quot;:false }' dir=\"ltr\">\n\t\t<div class=\"swiper-wrapper\">\n\t\t<div class=\"swiper-slide\">\n\t<div class=\"wpcp-single-item\">\n\t\t\t<a class=\"wcp-light-box\" data-buttons='[\"close\"]' data-wpc_url='https:\/\/hexagram.ca\/wp-content\/uploads\/plandemasse.png' href=\"https:\/\/hexagram.ca\/wp-content\/uploads\/plandemasse.png\" data-fancybox=\"wpcp_view\">\n\t\t<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/plandemasse.png\" alt=\"plandemasse\" width=\"1280\" height=\"720\">\t\t<\/figure>\n\t<\/a>\n\t\t<\/div>\n<\/div>\n\t<div class=\"swiper-slide\">\n\t<div class=\"wpcp-single-item\">\n\t\t\t<a class=\"wcp-light-box\" data-buttons='[\"close\"]' data-wpc_url='https:\/\/hexagram.ca\/wp-content\/uploads\/dialoguemarsterre.png' href=\"https:\/\/hexagram.ca\/wp-content\/uploads\/dialoguemarsterre.png\" data-fancybox=\"wpcp_view\">\n\t\t<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/dialoguemarsterre.png\" alt=\"dialoguemarsterre\" width=\"1280\" height=\"720\">\t\t<\/figure>\n\t<\/a>\n\t\t<\/div>\n<\/div>\n\t<div class=\"swiper-slide\">\n\t<div class=\"wpcp-single-item\">\n\t\t\t<a class=\"wcp-light-box\" data-buttons='[\"close\"]' data-wpc_url='https:\/\/hexagram.ca\/wp-content\/uploads\/plandoccupation.png' href=\"https:\/\/hexagram.ca\/wp-content\/uploads\/plandoccupation.png\" data-fancybox=\"wpcp_view\">\n\t\t<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/plandoccupation.png\" alt=\"plandoccupation\" width=\"1280\" height=\"720\">\t\t<\/figure>\n\t<\/a>\n\t\t<\/div>\n<\/div>\n\t<div class=\"swiper-slide\">\n\t<div class=\"wpcp-single-item\">\n\t\t\t<a class=\"wcp-light-box\" data-buttons='[\"close\"]' data-wpc_url='https:\/\/hexagram.ca\/wp-content\/uploads\/plangeneral.png' href=\"https:\/\/hexagram.ca\/wp-content\/uploads\/plangeneral.png\" data-fancybox=\"wpcp_view\">\n\t\t<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/plangeneral.png\" alt=\"plangeneral\" width=\"1280\" height=\"720\">\t\t<\/figure>\n\t<\/a>\n\t\t<\/div>\n<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t<div class=\"wpcp-swiper-dots swiper-pagination\"><\/div>\n\t\t\t\t<!-- If we need navigation buttons -->\n\t\t\t\t\t<div class=\"wpcp-prev-button swiper-button-prev\"><i class=\"fa fa-angle-left\"><\/i><\/div>\n\t\t\t<div class=\"wpcp-next-button swiper-button-next\"><i class=\"fa fa-angle-right\"><\/i><\/div>\n\t\t\t<\/div>\n\t<\/div>\n<\/div>\n<\/div>\n\n\n<p class=\"has-text-align-left\"><em><sup>Figure\u202f3. Floor plan of the \u00c9cole Nationale de Photographie d\u2019Arles.&nbsp;<br>Figure\u202f4. Psychogeographic space between Mars and Earth.&nbsp;<br>Figure\u202f5. Focus on the school zone occupied during Spatiavalesque.<br>Figure\u202f6. Global project\u2019s floor plan.<\/sup><\/em><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>The three zones are then stripped of their furniture and colored gelatin is applied to the existing lights. The spaces are amplified so that the acoustic environment of each space can be heard in each of the other zones. The &#8220;Mars&#8221; zone houses the spaceship&#8217;s command post. There&#8217;s a mixing console to balance the soundscape in each zone. There&#8217;s also a DJ booth and a device designed by Guillaume Pascale to create a generative sound environment throughout the night based on real-time astronomical data. To punctuate the night, a chronometer was designed to <em>de-measure<\/em> the event&#8217;s time. Displaying both terrestrial and Martian seconds (2.749% longer), this <em>dichronic<\/em> chronometer (Figure 7) symbolizes the increasing degree of uncertainty between the two planets. In the course of this temporal splitting and the various interventions, it is planned to reprogram the spaces in each zone with floor markings (Figures 8, 9). These markings will in turn form tables, a stage area, a dance floor, or even an open mic area.&nbsp;&nbsp;<\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1110\" height=\"624\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/\/chronometre-1110x624.jpg\" alt=\"\" class=\"wp-image-16928\" srcset=\"https:\/\/hexagram.ca\/wp-content\/uploads\/chronometre-1110x624.jpg 1110w, https:\/\/hexagram.ca\/wp-content\/uploads\/chronometre.jpg 1280w\" sizes=\"(max-width: 1110px) 100vw, 1110px\" \/><figcaption class=\"wp-element-caption\"><em><sup>Figure&nbsp;7. The dichronic chronometer shows the gap between Mars and Earth time.<\/sup><\/em><\/figcaption><\/figure><\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1110\" height=\"624\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/\/architape1-1110x624.jpg\" alt=\"\" class=\"wp-image-16930\" srcset=\"https:\/\/hexagram.ca\/wp-content\/uploads\/architape1-1110x624.jpg 1110w, https:\/\/hexagram.ca\/wp-content\/uploads\/architape1.jpg 1280w\" sizes=\"(max-width: 1110px) 100vw, 1110px\" \/><figcaption class=\"wp-element-caption\"><em><sup>Figure\u202f8. The architape&nbsp;team.<\/sup><\/em><\/figcaption><\/figure><\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1110\" height=\"624\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/\/architape2-1110x624.jpg\" alt=\"\" class=\"wp-image-16932\" srcset=\"https:\/\/hexagram.ca\/wp-content\/uploads\/architape2-1110x624.jpg 1110w, https:\/\/hexagram.ca\/wp-content\/uploads\/architape2.jpg 1280w\" sizes=\"(max-width: 1110px) 100vw, 1110px\" \/><figcaption class=\"wp-element-caption\"><em><sup>Figure\u202f9\u202f. The <em>architape<\/em> team installs a table.<\/sup><\/em><\/figcaption><\/figure><\/div>\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Finally, on Thursday March 16 at 8 p.m., <em>Spatiavalesque<\/em> begins, closing the workshop. To board, an airlock opens at the entrance of the spaceship. There, we hear the flight instructions: cell phones must be left at the reception desk, to get the most out of the experience. It is impossible to leave the vessel during the trip. Those who embark must live through the entire experience until they return to Earth in the early hours of the morning. A collective dormitory has even been set up in the school&#8217;s exhibition hall. In this context, events follow on from one another, juxtaposing and responding to one another throughout the night. A vegan dinner was served on &#8220;Earth&#8221;, while music generated from Mars by the movements of the Voyager probes could be heard (Figure 10).&nbsp;<\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-1 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1110\" height=\"624\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/\/dispositifson-1110x624.jpg\" alt=\"\" class=\"wp-image-16934\" srcset=\"https:\/\/hexagram.ca\/wp-content\/uploads\/dispositifson-1110x624.jpg 1110w, https:\/\/hexagram.ca\/wp-content\/uploads\/dispositifson.jpg 1280w\" sizes=\"(max-width: 1110px) 100vw, 1110px\" \/><figcaption class=\"wp-element-caption\"><sup><em>Figure\u202f10. Voyager data sonification system.<\/em><\/sup><\/figcaption><\/figure><\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1110\" height=\"624\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/\/souperspatial-1110x624.jpg\" alt=\"\" class=\"wp-image-16938\" srcset=\"https:\/\/hexagram.ca\/wp-content\/uploads\/souperspatial-1110x624.jpg 1110w, https:\/\/hexagram.ca\/wp-content\/uploads\/souperspatial.jpg 1280w\" sizes=\"(max-width: 1110px) 100vw, 1110px\" \/><figcaption class=\"wp-element-caption\"><sup><em>Figure 11. Dinner time.<\/em><\/sup><\/figcaption><\/figure><\/div><\/div>\n<\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Psychiatry students from the University of Aix-Marseille take the stage to tell stories of abductions confided to them by patients. Outside, in &#8220;Space&#8221;, a non-oriented environment par excellence, the <em>T\u00e9tine show <\/em>begins (fig. 11 &amp; 12). An analogy is drawn between the alien figure and the trans-identity. Then a dance floor appears on &#8220;Mars&#8221;. In &#8220;Space&#8221;, a series of science fiction films are shown.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-2 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1110\" height=\"624\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/\/tetineshow1-1110x624.jpg\" alt=\"\" class=\"wp-image-16940\" srcset=\"https:\/\/hexagram.ca\/wp-content\/uploads\/tetineshow1-1110x624.jpg 1110w, https:\/\/hexagram.ca\/wp-content\/uploads\/tetineshow1.jpg 1280w\" sizes=\"(max-width: 1110px) 100vw, 1110px\" \/><figcaption class=\"wp-element-caption\"><em><sup>Figure\u202f12 et 13\u202f: The \u00ab&nbsp;Aliens&nbsp;\u00bb from the T\u00e9tine show.<\/sup><\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1110\" height=\"624\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/\/tetineshow1-1110x624.jpg\" alt=\"\" class=\"wp-image-16940\" srcset=\"https:\/\/hexagram.ca\/wp-content\/uploads\/tetineshow1-1110x624.jpg 1110w, https:\/\/hexagram.ca\/wp-content\/uploads\/tetineshow1.jpg 1280w\" sizes=\"(max-width: 1110px) 100vw, 1110px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1110\" height=\"624\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/\/barabrella-1110x624.jpg\" alt=\"\" class=\"wp-image-16946\" srcset=\"https:\/\/hexagram.ca\/wp-content\/uploads\/barabrella-1110x624.jpg 1110w, https:\/\/hexagram.ca\/wp-content\/uploads\/barabrella.jpg 1280w\" sizes=\"(max-width: 1110px) 100vw, 1110px\" \/><figcaption class=\"wp-element-caption\"><em><sup>Figure\u202f14\u202f: Barbarella in &#8220;Space&#8221;.<\/sup><\/em><\/figcaption><\/figure><\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1110\" height=\"624\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/\/eblouir-1110x624.jpg\" alt=\"\" class=\"wp-image-16948\" srcset=\"https:\/\/hexagram.ca\/wp-content\/uploads\/eblouir-1110x624.jpg 1110w, https:\/\/hexagram.ca\/wp-content\/uploads\/eblouir.jpg 1280w\" sizes=\"(max-width: 1110px) 100vw, 1110px\" \/><figcaption class=\"wp-element-caption\"><em><sup>Figure\u202f14\u202f: View of &#8220;Mars&#8221; from &#8220;Eart<\/sup><\/em><\/figcaption><\/figure><\/div>\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Between M\u00e9li\u00e8s&#8217; <em>Le voyage dans la Lune<\/em> and Vadim&#8217;s <em>Barbarella<\/em> (Figure 14), a spaceship on wheels travels through the school corridors. Space stories are told on board. At dawn, the space travelers meet the facility&#8217;s maintenance crews. Breakfast is served, and everyone pitches in to clean up the school. These two communities have never met before, except that night in \u201cSpace\u201d. Perhaps the update to the building&#8217;s operating system was successful, at least for one night.&nbsp;<\/p>\n\n\n\n<p><em>*All quotes are freely translated<\/em>.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-small-font-size\">Gopinath, G. (2020). <em><a href=\"https:\/\/www.imf.org\/fr\/News\/Articles\/2020\/04\/14\/blog-weo-the-great-lockdown-worst-economic-downturn-since-the-great-depression\">Le \u00ab\u202fGrand confinement\u202f\u00bb&nbsp;: pire r\u00e9cession \u00e9conomique depuis la Grande d\u00e9pression<\/a><\/em>. IMF. <\/p>\n\n\n\n<p class=\"has-small-font-size\">Liatard, F. et Trouilh, J. (2020). <em>Gagarine<\/em>. Haut et Court.<\/p>\n\n\n\n<p class=\"has-small-font-size\">Pierron, J.-P. (2003). <a href=\"https:\/\/doi.org\/10.3917\/etu.983.0333\">Sols et civilisations. Une approche po\u00e9tique du territoire. <em>\u00c9tudes<\/em>, <em>398 <\/em>(3), 333\u2011345<\/a>. <\/p>\n\n\n\n<p class=\"has-small-font-size\">Steyerl, H. (2010). <em><a href=\"https:\/\/www.e-flux.com\/journal\/24\/67860\/in-free-fall-a-thought-experiment-on-vertical-perspective\/\">In Free Fall: A Thought Experiment on Vertical Perspective &#8211; Journal #24 April 2011 &#8211; e-flux<\/a><\/em>. <\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"uk-card uk-card-default uk-padding large\">\n<p><strong>Guillaume Pascale<\/strong> [student member] is an artist-researcher haunted by an unstable imagination that navigates between physical and informational environments. His works are programmed drifts composed of an arrangement of sounds, images and data collected in real time. He is currently pursuing a doctorate in art studies and practice at UQAM under the supervision of Jean Dubois, whose subject is a reconsideration of the contemporary spatial imaginary through the prism of the notion of planetarity. Since January 2023, he has also been a visiting researcher at the ENSP in Arles, France, within the <em>Prospective de l&#8217;Image<\/em> laboratory. His works and performances were recently presented at Ars Electronica in Linz (Austria) and <em>Octobre Num\u00e9rique<\/em> in Arles (France).<p>\n\n<p><strong>Caroline Bernard<\/strong> [collaborator member] is an artist-researcher working on hybrid forms between live art, cinema and radio. She and Damien Guichard have formed the <em>Lili range le chat<\/em> collective for over twenty years. Their works are often the result of travel or exploration of the territory, either on site or at a distance. She collaborates with Swiss and international institutions such as HEAD, RTS, the Saint-Gervais and Am Stram Gram theaters in Geneva, as well as UQAM. With a doctorate in aesthetics, arts science and technology, she teaches and directs the <em>Prospectives de l&#8217;image<\/em> laboratory at the \u00c9cole Nationale Sup\u00e9rieure de Photographie in Arles, France. <\/p>\n<\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong><strong>PARTICIPANTS LIST<\/strong><\/strong><\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-3 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-small-font-size\"><strong>Pedagogic Team<\/strong><br>Franck Hirsch<\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>Images<\/strong><br>Kaelis Robert<br>Yann Leandri<br>Caroline Bernard<br>Guillaume Pascale<\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>With the intergalactical participation of<\/strong><br>Fr\u00e9d\u00e9rique Lalibert\u00e9 (D\u00e9PA, UQAM)<br>Fanny Aboulker (D\u00e9PA, UQAM)<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-small-font-size\"><strong>Featured Artists<\/strong><br>Manon Audiffren<br>Jean Imrane De&nbsp;Ricaud<br>Jonas Forchini<br>Ambre Husson<br>Alionor La Besse Kottoff<br>Iris Millot<br>Th\u00e9o Maxime Petit<br>Clarisse Piot<br>Thomas Pouly<br>Kaelis Robert<br>Christiane Rodrigues Esteves<br>Gabriel Seidenbinder<br>Eliot Stein<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-4 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"441\" height=\"624\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/\/ENSP_LOGO_fond-blanc-441x624.png\" alt=\"\" class=\"wp-image-16950\" srcset=\"https:\/\/hexagram.ca\/wp-content\/uploads\/ENSP_LOGO_fond-blanc-441x624.png 441w, https:\/\/hexagram.ca\/wp-content\/uploads\/ENSP_LOGO_fond-blanc.png 595w\" sizes=\"(max-width: 441px) 100vw, 441px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>March 2024 This DEMO looks back on a five-day workshop entitled Spatiavalesque, proposed by Guillaume Pascale [student member, UQAM] and Caroline Bernard [collaborator member] in March 2023 at the \u00c9cole Nationale Sup\u00e9rieure de Photographie d&#8217;Arles (ENSP). They teamed up to invest the spatial imaginary deployed by Guillaume in his research. In a nod to Mars [&hellip;]<\/p>\n","protected":false},"author":95,"featured_media":16963,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[42],"tags":[198,195,197,201,193,149,199,194,196,200],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>DEMO43 Guillaume Pascale &amp; Caroline Bernard - Spatiavalesque - hexagram.ca<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hexagram.ca\/en\/demo43-guillaume-pascale-et-caroline-bernard-spatiavalesque\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"DEMO43 Guillaume Pascale &amp; Caroline Bernard - Spatiavalesque - hexagram.ca\" \/>\n<meta property=\"og:description\" content=\"March 2024 This DEMO looks back on a five-day workshop entitled Spatiavalesque, proposed by Guillaume Pascale [student member, UQAM] and Caroline Bernard [collaborator member] in March 2023 at the \u00c9cole Nationale Sup\u00e9rieure de Photographie d&#8217;Arles (ENSP). They teamed up to invest the spatial imaginary deployed by Guillaume in his research. 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