{"id":17899,"date":"2024-10-10T10:33:35","date_gmt":"2024-10-10T15:33:35","guid":{"rendered":"https:\/\/hexagram.ca\/atmospheries-and-the-poetics-of-the-in-situ-the-role-and-impact-of-sensors-in-data-to-sound-transposition-installations\/"},"modified":"2025-11-20T16:06:17","modified_gmt":"2025-11-20T21:06:17","slug":"atmospheries-and-the-poetics-of-the-in-situ-the-role-and-impact-of-sensors-in-data-to-sound-transposition-installations","status":"publish","type":"post","link":"https:\/\/hexagram.ca\/en\/atmospheries-and-the-poetics-of-the-in-situ-the-role-and-impact-of-sensors-in-data-to-sound-transposition-installations\/","title":{"rendered":"Atmosph\u00e9ries and the poetics of the in situ: the role and impact of sensors in data-to-sound transposition installations"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Anne Despond, Nicolas Reeves &amp; Vincent Cusson<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"https:\/\/dl.acm.org\/doi\/10.1145\/3478384.3478422\">AM &#8217;21: Proceedings of the 16th International Audio Mostly Conference<\/a>, 2021<\/h3>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">R\u00e9sum\u00e9<\/h3>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Atmosph\u00e8res <\/em>is a research-creation program that has produced a series of artistic installations since 1997, called \u201cCloud Harps.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">These wooden sculptures incorporate sensors that collect atmospheric data, which is then transformed into sound and musical sequences by a human composer through a custom synthesis environment.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The article explores the conceptual and technological challenges of real-time cloud capture, addressing the limitations and artifacts of the sensors and their harmonious integration with the spatio-temporal aspects of the in situ artistic installations.<\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Photo : Freepik.com<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-right has-small-font-size wp-block-paragraph\">Publisehd on October 10, 2024<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Anne Despond, Nicolas Reeves &amp; Vincent Cusson AM &#8217;21: Proceedings of the 16th International Audio Mostly Conference, 2021 R\u00e9sum\u00e9 Atmosph\u00e8res is a research-creation program that has produced a series of artistic installations since 1997, called \u201cCloud Harps.\u201d These wooden sculptures incorporate sensors that collect atmospheric data, which is then transformed into sound and musical sequences [&hellip;]<\/p>\n","protected":false},"author":95,"featured_media":17892,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[45,48],"tags":[],"class_list":["post-17899","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-publications-en","category-texts"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.7 - 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