{"id":22650,"date":"2025-12-10T10:34:45","date_gmt":"2025-12-10T15:34:45","guid":{"rendered":"https:\/\/hexagram.ca\/prix-aqct-2025\/"},"modified":"2026-01-06T12:24:07","modified_gmt":"2026-01-06T17:24:07","slug":"prix-aqct-2025","status":"publish","type":"post","link":"https:\/\/hexagram.ca\/en\/prix-aqct-2025\/","title":{"rendered":"A Creation by Nancy Bussi\u00e8res Awarded a Prize for its Stage Design"},"content":{"rendered":"\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>On December 9, 2025<strong>, Nancy Bussi\u00e8res<\/strong>, co-investigator at UQAM, and her collaborators were honored by the <a href=\"https:\/\/aqctasso.wordpress.com\/?fbclid=IwY2xjawOmaVdleHRuA2FlbQIxMABicmlkETF1eUVubHowMkU1aDdzekpWc3J0YwZhcHBfaWQQMjIyMDM5MTc4ODIwMDg5MgABHsfUH2or5DtMveZM0L4X1RMFh4Z4kv2qyQ2OW1efBd5o_l3fARzuG250OF2P_aem_oF1PRY7zSpQ4Y0D5MXLdnw\">Association Qu\u00e9b\u00e9coise des Critiques de Th\u00e9\u00e2tre<\/a>(AQCT), which awarded them the <strong>Critics\u2019 Award for Best Scenic Design 2024\u20132025<\/strong>. This distinction recognizes the production <em><a href=\"https:\/\/theatreprospero.com\/programmation\/pieces\/de-glace\">De Glace<\/a><\/em>, presented at Th\u00e9\u00e2tre Prospero by the company <a href=\"https:\/\/eaudubain.com\/site\/\">L\u2019eau du bain<\/a>.<\/strong><\/h3>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>The award highlights the excellence of the collective scenic writing, crafted by Nancy Bussi\u00e8res, Karine Galarneau, Guillaume Saindon, and Thomas Sinou. This recognition underscores the relevance and strength of a collaborative approach, where shared creativity becomes the driving force behind artistic innovation.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong><strong><em>De Glace<\/em>: A Sensory Writing<\/strong><\/strong><\/h2>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-1 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>The play stood out for its artistic approach of rare intensity, blending originality and emotion. Its dreamlike atmosphere, shrouded in mystery and majesty, transcended the stage to envelop the audience, offering an immersive experience like no other.<\/p>\n\n\n\n<p>The ingenious use of a synecdochic soundscape, accessible through an individual headphone system, captivated the jury. This setup allowed each spectator to dive into an intimate and engaging sonic dimension. Added to this was a remarkable lighting design: a spectrum of cold colors, sometimes diffuse, sometimes saturated, which reinforced the dramatic tension and visual power of the performance.<\/p>\n\n\n\n<p>This scenic richness could not have achieved such precision without the technical support and residencies provided by <strong>Hexagram-UQAM<\/strong>, which played a key role in developing the sound and lighting systems.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"320\" height=\"400\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/400px-PrixAQCT2025_web_credMaryseBoyce_2891.jpg\" alt=\"\" class=\"wp-image-22639\" style=\"width:259px;height:auto\"\/><figcaption class=\"wp-element-caption\"><sup>\u24b8Maryse Boyce<\/sup><\/figcaption><\/figure><\/div><\/div>\n<\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong><strong>A Scenic Design That Stands Out<\/strong><\/strong><\/h2>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>The scenography, both vivid and evocative, created a space where the characters\u2019 emotions\u2014loss, hope, surrender\u2014were experienced in perfect symbiosis with the audience. This aesthetic and narrative coherence is the result of a fruitful meeting between visionary designers, orchestrated by an inspired direction.<\/p>\n\n\n\n<p><br>It is this boldness, mastery, and ability to leave a lasting impression that earned the AQCT jury\u2019s recognition and this prestigious award.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">About<\/h3>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Nancy Bussi\u00e8res<\/strong> is a professor at the Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al. She is co-founder of Labo lumi\u00e8re [creations + interdisciplinary research] and Sc\u00e9no-Lab [research in contemporary scenographic practices]. She is also a member of Matralab (inter-x art) and the Center for Sensory Studies at Concordia University.<\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>L\u2019eau du bain<\/strong> is led by Anne-Marie Ouellet, creator-researcher and director; Thomas Sinou, sound designer and digital artist; and Nancy Bussi\u00e8res, artist-researcher working on the dynamic integration of light into the performing arts. Inventing a fascinating artistic language that combines theater, performance, and installation, the trio draws from both reality and sensibility to create touching and utterly captivating worlds. The company\u2019s recent productions, <em>White Out<\/em> and <em>La chambre des enfants<\/em>, were highly acclaimed at the FTA in 2023.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-small-font-size\">Cover image : \u24b8Karine Galarneau<\/p>\n\n\n\n<p class=\"has-text-align-right has-small-font-size\">Published on December 10, 2025<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>On December 9, 2025, Nancy Bussi\u00e8res, co-investigator at UQAM, and her collaborators were honored by the Association Qu\u00e9b\u00e9coise des Critiques de Th\u00e9\u00e2tre(AQCT), which awarded them the Critics\u2019 Award for Best Scenic Design 2024\u20132025. This distinction recognizes the production De Glace, presented at Th\u00e9\u00e2tre Prospero by the company L\u2019eau du bain. The award highlights the excellence [&hellip;]<\/p>\n","protected":false},"author":95,"featured_media":22655,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[9],"tags":[425,434,426],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>A Creation by Nancy Bussi\u00e8res Awarded a Prize for its Stage Design - hexagram.ca<\/title>\n<meta name=\"description\" content=\"Nancy Bussi\u00e8res and her collaborators received the 2024-2025 Best Stage Design Award from the Quebec Association of Theater Critics (AQCT).\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hexagram.ca\/en\/prix-aqct-2025\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A Creation by Nancy Bussi\u00e8res Awarded a Prize for its Stage Design - 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