{"id":24171,"date":"2026-04-15T12:23:52","date_gmt":"2026-04-15T17:23:52","guid":{"rendered":"https:\/\/hexagram.ca\/spatialites-sonores-et-transduction-des-genres\/"},"modified":"2026-05-08T09:20:43","modified_gmt":"2026-05-08T14:20:43","slug":"spatialites-sonores-et-transduction-des-genres","status":"publish","type":"post","link":"https:\/\/hexagram.ca\/en\/spatialites-sonores-et-transduction-des-genres\/","title":{"rendered":"Spatialit\u00e9s Sonores et Transduction des Genres"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Concerts &amp; Roundtable<\/h2>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Thursday, May 7, 2026<\/strong><br>3 \u2013 9:30\u00a0p.m.<br>Free<br>In person or<br><a href=\"https:\/\/www.youtube.com\/@reseauhexagram\">Live Streamed<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Mezzanine of the C\u0153ur des sciences Agora<\/strong><br>Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al<br>175 Pr\u00e9sident-Kennedy ave<br>Montreal<br><a href=\"https:\/\/maps.app.goo.gl\/6YuRATBpH4qPZsss8\" target=\"_blank\" rel=\"noreferrer noopener\">Directions<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong>Following the project <\/strong><a href=\"https:\/\/hexagram.ca\/fr\/arts-sonores-et-transduction-des-genres-iii\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><em>Arts sonores et transduction des genres<\/em><\/strong><\/a><strong>, this event expands the reflection to the question of spatiality in sonic, musical, and performative creation. How does sound\u2014through its vibratory materiality and its propagation through space\u2014participate in reconfiguring the relationships between bodies, identities, and artistic forms?<\/strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Here, spatiality is not merely a framework for diffusion or a technological dimension of sound spatialization. It is an active principle of relation, a transductive dynamic in which the boundaries between interior and exterior, local and global, intimate and collective are constantly re-enacted. Like Simondon\u2019s notion of transduction, sound unfolds progressively: it traverses,&nbsp;modulates, and transforms the environments and subjectivities it encounters.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In this perspective, space becomes medium, matter, and agent of the work. Sonic propagation\u2014its interferences, resonances, and silences\u2014acts as a series of transductive operations that reconfigure genres: not only gender identities or musical genres, but also genres of presence and relation. To explore spatiality thus means to question the very plasticity of the categories that shape our ways of listening, performing, and cohabiting.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The event invites artists, researchers, and listeners to experiment with dispositifs where sound becomes an agent of passage and transformation: immersive or performative concerts, radiophonic creations, multichannel installations, telepresent or site-specific experiments, and hybrid encounters between theoretical discourse and sonic act. These heterogeneous forms aim to activate transductive listening spaces, where the sensible, the political, and the poetic are intertwined without hierarchy or fixity.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This activity is presented as part of the <a href=\"https:\/\/hexagram.ca\/fr\/rencontres-interdisciplinaires-2026\/\" target=\"_blank\" rel=\"noreferrer noopener\">2026 Interdisciplinary Encounters<\/a>.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Program<\/strong><\/h2>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The event will be broadcast live the <a href=\"https:\/\/www.youtube.com\/@reseauhexagram\" target=\"_blank\" rel=\"noreferrer noopener\">Hexagram Network Youtube channel<\/a> and on <a href=\"https:\/\/www.radioblocoral.ca\/\" target=\"_blank\" rel=\"noreferrer noopener\">Radio Bloc Oral<\/a>.<\/strong><\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading\"><strong>3 \u2013 5 p.m. \u2502 First Concert Series<\/strong><\/h3>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">With:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Fanny Pimpurniaux (Rouyn-Noranda),<\/li>\n\n\n\n<li>Chantal Dumas (Montreal)<\/li>\n\n\n\n<li>Marsol (Soledad Coyoli &amp; Marwan Sekkat, Montreal)<\/li>\n\n\n\n<li>J\u00e9r\u00f4me Joy (Saint-Nazaire)<\/li>\n<\/ul>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>5 \u2013 6 p.m. \u2502 Roundtable with the composers<\/strong><\/h3>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Moderation&nbsp;: \u00c9ric L\u00e9tourneau<\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>6 \u2013 7 p.m. \u2502 Break<\/strong><\/h3>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading\"><strong>7 \u2013 9 p.m. \u2502 Second Concert Series<\/strong><\/h3>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">With:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Kasey Pocius (Montreal)<\/li>\n\n\n\n<li>Jean-Ambroise Vesac (Rouyn-Noranda)<\/li>\n\n\n\n<li>Vagin Soleil (Saint-Alphonse-Rodriguez)<\/li>\n\n\n\n<li>Volkmar Klien* (Vienne)<\/li>\n\n\n\n<li>Simon-Pierre Gourd (Montreal)<\/li>\n<\/ul>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><strong>9 \u2013 9:30&nbsp;p.m. \u2502 LASER Performance<\/strong><\/strong><\/h3>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">By Augur\u2019s Wand (Montreal)<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">For any questions, please contact: letourneau.eric@uqam.ca<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">*Klien composition, <em>In Transit<\/em>, incorporates recordings of Christine Gnigler, Lorina Vallaster, Joachim Rigler and Volkmar Klien singing.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>About the Composers<\/strong><\/h2>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Augur\u2019s Wand<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Student member, Concordia University<\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.instagram.com\/augurswand\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Augur\u2019s Wand<\/strong><\/a> is the visual music duo of composer <a href=\"https:\/\/kristiannorth.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Kristian North<\/strong><\/a> (Student Member, Concordia) and artist-engineer Mike Cassidy. Using <em>Phosphene<\/em>, their custom synthesizer, they animate kinetic audio-laser performances where sound, colour, and form emerge from a shared electrical pulse. Extending the archaeological lineage of signal-based media, they seek transcendence of audio-visual hierarchies by prioritizing felt atmospheres and synaesthetic form constants.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/Augurs-wand_400x400.png\" alt=\"Augur's Wand\" class=\"wp-image-24635\" style=\"width:250px\"\/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Soledad Coyoli<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al<\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">The singer\u2011composer <a href=\"https:\/\/unasoledad.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Soledad Coyoli<\/strong><\/a> grew up surrounded by the surrealist paintings of Leonora Carrington and Remedios Varo, their grandmother\u2019s sculptures, the figures of La&nbsp;Malinche and La&nbsp;Llorona, the spare robot parts from their uncle\u2019s workshop, and the sacred music their father listened to. Their sound practice draws on the tradition of Mexican song and focuses on encounters between different voices, languages, cultures, and technologies, as well as on N\u00e1huatl identity roots (her name means \u201clittle bell\u201d in N\u00e1huatl). A recipient of the UNESCO\u2011ASCHBERG award in 2014, their music has been presented in some of Mexico\u2019s most important cultural institutions, including the MUAC (University Museum of Contemporary Art), the Franz Mayer Museum, and the Centro de&nbsp;Cultura Digital in Mexico City. Since their arrival in Tiohti\u00e1:ke\/Mooniyang\/Montreal, their work has taken a new direction: the voice and the body as unique, singular, and non\u2011reproducible territories, but also as fluid, mysterious, mutable, and collaborative materials.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/SCoyolie_400x400.png\" alt=\"\" class=\"wp-image-24637\" style=\"width:250px\"\/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Chantal Dumas<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al<\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">Montreal\u2011based sound artist <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Chantal_Dumas\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Chantal Dumas<\/strong><\/a> has been exploring the medium of sound for over 30 years. Her work forms a personal, intimate, and distinctive practice expressed through narration, soundscapes, composition, listening journeys, and installations. Recurring themes of space, time, and territory reveal a strong environmental awareness alongside a sustained interest in listening. She was awarded the Studio du&nbsp;Qu\u00e9bec in New York (CALQ) in 2011 and the Studio des&nbsp;R\u00e9collets in Paris (CALQ) in 2016, and has held numerous residencies, including at Banff, Sporobole, Oboro, Avatar, AdMare, and New Adventure in Sound Art. Dumas received the Opus Award in electroacoustic music (2009), as well as the Bohemia and Phonurgia Nova radio awards. Her album <em>Oscillations plan\u00e9taires<\/em> was a finalist for the Opus Album of the Year (2019\u201320). Her work is widely broadcast and presented internationally. She regularly leads cultural mediation projects and collaborates as a sound designer on multidisciplinary artistic works.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/CDumas_400x400.png\" alt=\"Chantal Dumas\" class=\"wp-image-24639\" style=\"width:250px\"\/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Simon-Pierre Gourd<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al<\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">A composer and professor of sound creation in the Immersive and Interactive Experience Design and Experimental Media programs, as well as in Film Music, <a href=\"https:\/\/audiospace.soundingfuture.com\/artists\/simon-pierre-gourd?sort=bio\">Simon-Pierre Gourd<\/a> is a co-founder of the <em>Institut Universitaire des Nouveaux M\u00e9dias,<\/em> now known as Hexagram. His research focuses on the development of interactive and immersive systems, as well as on the study of issues related to sound in the context of new technologies. He is particularly interested in the perception of sound language and the representational phenomena emerging from current practices, notably immersive audio art, as well as the preservation of works and technological artifacts resulting from artistic practices and the methodology of research-creation. He is a founding member of GRMS. He has created works in various fields: acousmatic music, immersive music, sound creations for new media, film, radio, television, theater, visual arts, and dance. His works have been presented in Europe, the United States, Mexico, and Canada.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/SPGourd_400x400.png\" alt=\"Simon-Pierre Gourd\" class=\"wp-image-24641\" style=\"width:250px\"\/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>J\u00e9r\u00f4me Joy<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u00c9cole nationale sup\u00e9rieure d\u2019art de Bourges<\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">Artist, musician, composer, improviser, performer, and writer, <a href=\"https:\/\/jeromejoy.org\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>J\u00e9r\u00f4me Joy<\/strong><\/a> develops a practice that is radically oriented toward experimental, electronic, and instrumental music. His work unfolds through performances, concerts, narratives, scores, video, and radio, exploring the zones of crisis, limitation, and instability inherent to sound. He is particularly interested in still largely unexplored registers of music\u2011making, dissemination, sensation, emotion, and perception. For the past decade, writing has formed a second acoustic environment within his practice, through the concepts of work\u2011as\u2011environment, background listening, and text\u2011as\u2011score. The initiator of numerous international projects\u2014including <em>Sobralasolas!<\/em>, <em>Collective JukeBox<\/em>, <em>RadioMatic<\/em>, <em>nocinema.org<\/em>, and <em>NMSAT<\/em>\u2014he is currently leading several initiatives around \u201cart and contexts\u201d emerging from extended music practices. He co\u2011directed the Locus Sonus laboratory and is a member of several collectives and ensembles dedicated to noise and experimental music.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/JJoy_credit-eric-sneed_400x400.png\" alt=\"J\u00e9r\u00f4me Joy\" class=\"wp-image-24643\" style=\"width:250px\"\/><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">\u24b8Eric Sneed<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Volkmar Klien<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Anton Bruckner Privatuniversit\u00e4t<\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">Growing up in Vienna <a href=\"https:\/\/www.volkmarklien.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Volkmar Klien<\/strong><\/a> spent his childhood engulfed in the city\u2019s rich musical life with all its glorious traditions and engrained rituals. Working from this background, Volkmar Klien today strives to extend traditional practices of composing, producing and listening far beyond the established settings of concert music. He works in various areas of the audible and occasionally inaudible arts, navigating the manifold links in-between the different modes of human perception, the spheres of presentation and the roles these play in the communal generation of meaning.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/VKlien_400x400.png\" alt=\"Volkmar Klien\" class=\"wp-image-24645\" style=\"width:250px\"\/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Fanny Pimpurniaux<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Student member, Universit\u00e9 du Qu\u00e9bec en Abitibi-T\u00e9miscamingue<\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.instagram.com\/fannypimpp\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Fanny Pimpurniaux<\/strong><\/a> develops a practice at the intersection of digital art and immersive environments. A graduate in digital creation and new media, she designs experiences that bring together sound, image, and space within sensitive and interactive frameworks. Her work goes beyond aesthetic research; it engages with questions about the limits of technology and the systems that shape our perception. Through immersive installations, she explores processes of transformation in which media intersect, translate into one another, and recombine. By creating unstable and evolving environments, she invites audiences to experience perception as something in constant flux, and to question how they inhabit and understand reality.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"240\" height=\"240\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/FPimpurniaux_240x240.png\" alt=\"Fanny Pimpurniaux\" class=\"wp-image-24647\" style=\"width:250px\"\/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Kasey Pocius<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Concordia University<\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/linktr.ee\/kaseypocius\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Kasey Pocius<\/strong><\/a> is a gender-fluid intermedia artist and researcher based in Montreal, teaching at Concordia and active within CIRMMT, IDMIL, LePARC, and GRMS. They create electroacoustic and audiovisual works that explore interactive electronics, spatial sound, and collaborative improvisation, with pieces presented internationally, from DIY spaces to Harvard.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/KPocius_CreditTommyDavis.png\" alt=\"Kacey Pocius\" class=\"wp-image-24649\" style=\"width:250px\"\/><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">\u24b8Tommy Davis<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Marwan Sekkat<\/strong><\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/marwansekkat.art\/\">Marwan Sekkat<\/a><\/strong> is a French-Moroccan interdisciplinary artist based in Quebec. After earning a bachelor\u2019s degree in audiovisual science in France, he completed a master\u2019s degree in digital creation at the Universit\u00e9 du Qu\u00e9bec en Abitibi-T\u00e9miscamingue in 2018. His artistic research has been supported by Galerie Jano Lapin and the MAI (Montr\u00e9al, arts interculturels), as well as by the Sagamie Centre in Alma, and soon by the Bang Centre in Chicoutimi. His work has been exhibited at L\u2019\u00c9cart, Eastern Bloc, the Biosph\u00e8re, Livart, the Centre d\u2019exposition L\u00e9o-Ayotte in Shawinigan, and in public art events such as REGARDE! and M\u00e9moire de l\u2019avenir.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"250\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/MarwanSekkat_250x250.png\" alt=\"Marwan Sekkat\" class=\"wp-image-24651\" style=\"width:250px\"\/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Vagin Soleil<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al<\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/vaginsoleil.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Vagin Soleil<\/strong><\/a> proposes to dismantle any conceptual ambition and to regard Diderot-Qu\u00e9bec as a convulsion within the transbiographical history of the Holy-Ethic. By altering the lower black body (or \u201cthe case of the black edge\u201d), the materiality of antimatter, and the impermanence of economic evolution, the collective celebrates fleeting moments in which culture attempts to defile the commodity. Vagin Soleil brings together musicians\u2014tangible or intangible\u2014including Karen Eliott Trudeau and Monty Cantsin Lehman, mysterious and talented figures from the underground and exploratory music scenes in Quebec and Poland since the 1980s.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/VAGIN-SOLEIL_400x400.png\" alt=\"Vagin soleil\" class=\"wp-image-24653\" style=\"width:250px\"\/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Jean-Ambroise Vesac<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Co-investigator member, Universit\u00e9 du Qu\u00e9bec en Abitibi-T\u00e9miscamingue<\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.uqat.ca\/services\/personnel\/fiche.asp?Fiche=160203\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Jean-Ambroise Vesac<\/strong><\/a> is a researcher, educator, and digital creation artist at Universit\u00e9 du Qu\u00e9bec en Abitibi-T\u00e9miscamingue (UQAT). His work explores mixed realities, human-machine interaction dynamics, and forms of cultural hybridization, notably through interactive audiovisual performance in virtual environments.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"406\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/Vesac_J-A_400x400.png\" alt=\"Jean-Ambroise Vesac\" class=\"wp-image-24655\" style=\"width:250px\"\/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-right has-small-font-size wp-block-paragraph\">Published on April 16, 2026<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/hexagram.ca\/en\/rencontres-interdisciplinaires-2026\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"350\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/Vignette_Chantiers-cercle-performa.png\" alt=\"logo Chantier Performa\" class=\"wp-image-23404\" style=\"width:150px\"\/><\/a><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Chantier Performa<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"14166\" height=\"5350\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/GRMS_Logo.jpg\" alt=\"Logo GRMS\" class=\"wp-image-23882\" style=\"object-fit:cover\"\/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/erasmus-plus.ec.europa.eu\/fr\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"366\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/Erasmus_Logo.svg_-1280x366.png\" alt=\"Logo Erasmus+\" class=\"wp-image-24160\" style=\"object-fit:cover\"\/><\/a><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/erasmus-plus.ec.europa.eu\/fr\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"495\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/UQAT_logotype_fondnoir-1-1280x495.png\" alt=\"Logo UQAT\" class=\"wp-image-24162\" style=\"object-fit:cover\" srcset=\"https:\/\/hexagram.ca\/wp-content\/uploads\/UQAT_logotype_fondnoir-1-1280x495.png 1280w, https:\/\/hexagram.ca\/wp-content\/uploads\/UQAT_logotype_fondnoir-1.png 1650w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/a><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/www.radioblocoral.ca\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"246\" height=\"215\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/logo-Radio-BLOC-ORAL-blanc-sans-formes.png\" alt=\"Logo Radio Bloc Oral\" class=\"wp-image-24114\" style=\"width:120px\"\/><\/a><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/soundcloud.com\/wikiradio-canada\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"240\" height=\"720\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/\/Logo-WRC-copie-240x720.png\" alt=\"Logo WRC\" class=\"wp-image-24118\" style=\"width:auto;height:250px\" srcset=\"https:\/\/hexagram.ca\/wp-content\/uploads\/Logo-WRC-copie-240x720.png 240w, https:\/\/hexagram.ca\/wp-content\/uploads\/Logo-WRC-copie.png 332w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/a><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Concerts &amp; Roundtable Thursday, May 7, 20263 \u2013 9:30\u00a0p.m.FreeIn person orLive Streamed Mezzanine of the C\u0153ur des sciences AgoraUniversit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al175 Pr\u00e9sident-Kennedy aveMontrealDirections Following the project Arts sonores et transduction des genres, this event expands the reflection to the question of spatiality in sonic, musical, and performative creation. How does sound\u2014through its vibratory [&hellip;]<\/p>\n","protected":false},"author":95,"featured_media":24663,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[46],"tags":[468,449],"class_list":["post-24171","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition-en","tag-chantier-performa","tag-ri2026-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Spatialit\u00e9s Sonores et Transduction des Genres - hexagram.ca<\/title>\n<meta name=\"description\" content=\"Attend concerts that explore sound spatiality as a transformative force for bodies, identities, and artistic forms.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hexagram.ca\/en\/spatialites-sonores-et-transduction-des-genres\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Spatialit\u00e9s Sonores et Transduction des Genres - hexagram.ca\" \/>\n<meta property=\"og:description\" content=\"Attend concerts that explore sound spatiality as a transformative force for bodies, identities, and artistic forms.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/hexagram.ca\/en\/spatialites-sonores-et-transduction-des-genres\/\" \/>\n<meta property=\"og:site_name\" content=\"hexagram.ca\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/HexagramNetwork\" \/>\n<meta property=\"article:published_time\" content=\"2026-04-15T17:23:52+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-05-08T14:20:43+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/hexagram.ca\/wp-content\/uploads\/Header-transduction-GRMS-EN.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1280\" \/>\n\t<meta property=\"og:image:height\" content=\"720\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Fanny Latreille-Beaumont\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@HexagramNetwork\" \/>\n<meta name=\"twitter:site\" content=\"@HexagramNetwork\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Fanny Latreille-Beaumont\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"11 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/hexagram.ca\/en\/spatialites-sonores-et-transduction-des-genres\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/hexagram.ca\/en\/spatialites-sonores-et-transduction-des-genres\/\"},\"author\":{\"name\":\"Fanny Latreille-Beaumont\",\"@id\":\"https:\/\/hexagram.ca\/fr\/#\/schema\/person\/444717871abefabca4d04c7260b4a770\"},\"headline\":\"Spatialit\u00e9s Sonores et Transduction des Genres\",\"datePublished\":\"2026-04-15T17:23:52+00:00\",\"dateModified\":\"2026-05-08T14:20:43+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/hexagram.ca\/en\/spatialites-sonores-et-transduction-des-genres\/\"},\"wordCount\":1653,\"publisher\":{\"@id\":\"https:\/\/hexagram.ca\/fr\/#organization\"},\"image\":{\"@id\":\"https:\/\/hexagram.ca\/en\/spatialites-sonores-et-transduction-des-genres\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/hexagram.ca\/wp-content\/uploads\/Header-transduction-GRMS-EN.png\",\"keywords\":[\"chantier performa\",\"RI2026\"],\"articleSection\":[\"exhibition\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/hexagram.ca\/en\/spatialites-sonores-et-transduction-des-genres\/\",\"url\":\"https:\/\/hexagram.ca\/en\/spatialites-sonores-et-transduction-des-genres\/\",\"name\":\"Spatialit\u00e9s Sonores et Transduction des Genres - 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