{"id":828,"date":"2018-04-12T14:49:20","date_gmt":"2018-04-12T14:49:20","guid":{"rendered":"https:\/\/hexagram.uqam.ca\/grantees-of-the-2018-hexagram-competition\/"},"modified":"2025-12-10T15:48:06","modified_gmt":"2025-12-10T20:48:06","slug":"grantees-of-the-2018-hexagram-competition","status":"publish","type":"post","link":"https:\/\/hexagram.ca\/en\/grantees-of-the-2018-hexagram-competition\/","title":{"rendered":"Grantees of the 2018 Hexagram Grants Competition"},"content":{"rendered":"<p>   With the help of student grants, Hexagram wishes to provide concrete support to the research of its student members. Added to this is access to state-of-the-art infrastructure and equipment, integration into the governance of its network, and training.   <\/p>\n<p>   This year again, about fifty projects were analyzed by a jury of members-researchers and an external expert. <!--more-->  We thank the many candidates who submitted a project and we also thank the members of the 2018 jury: Louis-Claude Paquin, president, Rilla Khaled, Armando Menicacci and Katja Melzer, collaborating member and director of the Goethe Institute Montreal.  <\/p>\n<p>   It is therefore with pleasure that we present here the list of projects that will receive a scholarship from Hexagram this year. <\/p>\n<hr class=\"uk-grid-divider\">\n<div class=\"uk-grid-large\" uk-grid>\n<div class=\"uk-width-1-2@m\">\n<table class=\"uk-table\">\n<thead>\n<tr>\n<th>Research-creation Master<\/th>\n<th><\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>Marc-Andr\u00e9 Cossette<\/td>\n<td>UQAM<\/td>\n<td><button class=\"uk-button uk-button-secondary uk-button-small\" uk-toggle=\"target: #macossette\">Projet<\/button><\/td>\n<\/tr>\n<tr>\n<td>Sami Zenderoudi<\/td>\n<td>Concordia<\/td>\n<td><button class=\"uk-button uk-button-secondary uk-button-small\" uk-toggle=\"target: #szenderoudi\">Projet<\/button><\/td>\n<\/tr>\n<tr>\n<td>Peter van Haaften <\/td>\n<td>Universit\u00e9 de Montr\u00e9al<\/td>\n<td><button class=\"uk-button uk-button-secondary uk-button-small\" uk-toggle=\"target: #pvhaaften\">Projet<\/button><\/td>\n<\/tr>\n<tr>\n<td>Genevi\u00e8ve LeGuerrier-Aubry <\/td>\n<td>UQAM<\/td>\n<td><button class=\"uk-button uk-button-secondary uk-button-small\" uk-toggle=\"target: #gleguerrier\">Projet<\/button><\/td>\n<\/tr>\n<tr>\n<td>Maize Longboat<\/td>\n<td>Concordia<\/td>\n<td><button class=\"uk-button uk-button-secondary uk-button-small\" uk-toggle=\"target: #mlongboat\">Projet<\/button><\/td>\n<\/tr>\n<thead>\n<tr>\n<th>Internationalization Master<\/th>\n<th><\/th>\n<\/tr>\n<\/thead>\n<tr>\n<td>Agustina Isidori<\/td>\n<td>Concordia<\/td>\n<td><button class=\"uk-button uk-button-secondary uk-button-small\" uk-toggle=\"target: #aisidori\">Projet<\/button><\/td>\n<\/tr>\n<tr>\n<td>Ahreum Lee <\/td>\n<td>Concordia<\/td>\n<td><button class=\"uk-button uk-button-secondary uk-button-small\" uk-toggle=\"target: #alee\">Projet<\/button><\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n<div class=\"uk-width-1-2@m\">\n<table class=\"uk-table\">\n<thead>\n<tr>\n<th>Research-creation Ph.D. <\/th>\n<th><\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>Ida Toft <\/td>\n<td>Concordia<\/td>\n<td><button class=\"uk-button uk-button-secondary uk-button-small\" uk-toggle=\"target: #itoft\">Projet<\/button><\/td>\n<\/tr>\n<tr>\n<td>Alexandre Saunier <\/td>\n<td>Concordia<\/td>\n<td><button class=\"uk-button uk-button-secondary uk-button-small\" uk-toggle=\"target: #asaunier\">Projet<\/button><\/td>\n<\/tr>\n<tr>\n<td>Enric Granzotto Llagostera<\/td>\n<td>Concordia<\/td>\n<td><button class=\"uk-button uk-button-secondary uk-button-small\" uk-toggle=\"target: #egranzotto\">Projet<\/button><\/td>\n<\/tr>\n<tr>\n<td>Olivia McGilchrist<\/td>\n<td>Concordia<\/td>\n<td><button class=\"uk-button uk-button-secondary uk-button-small\" uk-toggle=\"target: #omcgilchrist\">Projet<\/button><\/td>\n<\/tr>\n<tr>\n<td>Gilles Tass\u00e9<\/td>\n<td>UQAM<\/td>\n<td><button class=\"uk-button uk-button-secondary uk-button-small\" uk-toggle=\"target: #gtasse\">Projet<\/button><\/td>\n<\/tr>\n<tr>\n<td>Darian Stahl<\/td>\n<td>Concordia<\/td>\n<td><button class=\"uk-button uk-button-secondary uk-button-small\" uk-toggle=\"target: #dstahl\">Projet<\/button><\/td>\n<\/tr>\n<thead>\n<tr>\n<th>Performative research Ph.D.<\/th>\n<th><\/th>\n<\/tr>\n<\/thead>\n<tr>\n<td>Antonia Hernandez<\/td>\n<td>Concordia<\/td>\n<td><button class=\"uk-button uk-button-secondary uk-button-small\" uk-toggle=\"target: #ahernandez\">Projet<\/button><\/td>\n<\/tr>\n<tr>\n<td>Agathe Fran\u00e7ois<\/td>\n<td>Universit\u00e9 de Montr\u00e9al<\/td>\n<td><button class=\"uk-button uk-button-secondary uk-button-small\" uk-toggle=\"target: #afrancois\">Projet<\/button><\/td>\n<\/tr>\n<tr>\n<td>\u00c9milie St-Hilaire<\/td>\n<td>Concordia<\/td>\n<td><button class=\"uk-button uk-button-secondary uk-button-small\" uk-toggle=\"target: #esthilaire\">Projet<\/button><\/td>\n<\/tr>\n<thead>\n<tr>\n<th>Internationalization Ph.D. <\/th>\n<th><\/th>\n<\/tr>\n<\/thead>\n<tr>\n<td>Aurelio Meza Valdez<\/td>\n<td>Concordia<\/td>\n<td><button class=\"uk-button uk-button-secondary uk-button-small\" uk-toggle=\"target: #ameza\">Projet<\/button><\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n<\/p><\/div>\n<p>  <!-- LES R\u00c9SUM\u00c9 DES \u00c9TUDIANTS -->   <\/p>\n<div id=\"macossette\" uk-modal>\n<div class=\"uk-modal-dialog uk-modal-body\">       \t<!-- TITRE DE RECHERCHE -->         <\/p>\n<h2 class=\"uk-modal-title\">L&#8217;AUTRE<\/h2>\n<p>       <!-- \u00c9CRIRE LE R\u00c9SUM\u00c9 -->   \t\t\t\t       \t<\/p>\n<p>Mon sujet de recherche comporte deux volets : l&#8217;embodiment dans le traitement de capture de mouvement et la compr\u00e9hension des qualias de mouvement et l&#8217;agentivit\u00e9 mat\u00e9riel dans la composition de son et de lumi\u00e8re par algorithmie g\u00e9n\u00e9rative.<\/p>\n<p>         Le projet vis\u00e9 par la bourse consiste \u00e0 la cr\u00e9ation d&#8217;une pi\u00e8ce de danse contemporaine improvis\u00e9e d&#8217;une dur\u00e9e d&#8217;environ 30 minutes avec une seule interpr\u00e8te sur sc\u00e8ne. L&#8217;interpr\u00e8te est \u00e9quip\u00e9e de capteurs qui envoient en temps r\u00e9el les donn\u00e9es de mouvement \u00e0 un ordinateur. Ces donn\u00e9es sont alors trait\u00e9es selon de fa\u00e7on \u00e0 les traduire en quantit\u00e9s et en qualit\u00e9 de mouvement. Le syst\u00e8me autonome d\u00e9cide ensuite, en fonction du type de mouvement reconnu dans la danse, de l&#8217;ambiance sonore et visuelle \u00e0 diffuser afin de cr\u00e9er des tableaux avec l&#8217;interpr\u00e8te.        <\/p>\n<p>         <a class=\"uk-button uk-button-secondary\" href=\"http:\/\/www.fortheloveofsound.ca\" target=\"_blank\" rel=\"noopener\">SITE WEB<\/a><button class=\"uk-modal-close\" type=\"button\"><\/button>     <\/div>\n<\/p><\/div>\n<div id=\"szenderoudi\" uk-modal>\n<div class=\"uk-modal-dialog uk-modal-body\">       <!-- TITRE DE RECHERCHE -->         <\/p>\n<h2 class=\"uk-modal-title\">&#8220;Absence&#8221;<\/h2>\n<p>       <!-- \u00c9CRIRE LE R\u00c9SUM\u00c9 --> \t<\/p>\n<p>Absence is short fiction film project to be shot digitally.  Surveying the metaphysical relationship between human and nonhuman lifeforms, Absence tells the parallel story of an old-growth forest undergoing climatic change and a young street artist mourning the loss of her close friend.  <\/p>\n<p>         My research\u2010creation conducts an ecocritical investigation of contemporary works that inform human-centered understandings of nature. Frame in the field of environmental phenomenology, which strives to uncover the ontological roots of our ethical and metaphysical understandings of the natural environment (Thompson, 2004), my thesis asks: how does cinematic language portray nature in contemporary examples of fictional ecocinema? What phenomenological constructs of nature can be drawn from these films? How may these perspectives inform consciousness of the natural world?       <\/p>\n<p>         <button class=\"uk-modal-close\" type=\"button\"><\/button>     <\/div>\n<\/p><\/div>\n<div id=\"pvhaaften\" uk-modal>\n<div class=\"uk-modal-dialog uk-modal-body\">       <!-- TITRE DE RECHERCHE -->         <\/p>\n<h2 class=\"uk-modal-title\">\u00ab Coil Cascade \u00bb <\/h2>\n<p>       <!-- \u00c9CRIRE LE R\u00c9SUM\u00c9 -->       <\/p>\n<p>\u00ab Coil Cascade \u00bb is a performance that exploits the potential of everyday vibrating matter as potential compositional process. Across 20 minutes, the common coil spring is transformed into an expressive and continuously responsive instrument. I give precedence to dynamic processes to deconstruct the relationships between human and non-human agency in performance.<\/p>\n<p>         Inspired by John Cages\u2019 and Iannis Xenakis\u2019 aleatoric compositions, I investigate how chance procedures can be derived from the stochastic nature of matter itself. How can movement influence compositional systems from a material-computation perspective? I build poly rhythmic forms that contort in time with the natural envelope of the spring. I shape sound through material process as it modulates to harmonic spring motion. Coil Cascade is a speculative vision of a possible future where matter is fundamentally intertwined with computation to create responsive and playful real-world environments disconnected from technical abstractions (screens and knobs).       <\/p>\n<p>         <a class=\"uk-button uk-button-secondary\" href=\"http:\/\/www.petervanhaaften.com\" target=\"_blank\" rel=\"noopener\">SITE WEB<\/a><button class=\"uk-modal-close\" type=\"button\"><\/button>     <\/div>\n<\/p><\/div>\n<div id=\"gleguerrier\" uk-modal>\n<div class=\"uk-modal-dialog uk-modal-body\">       <!-- TITRE DE RECHERCHE -->         <\/p>\n<h2 class=\"uk-modal-title\">\u00ab Aquaphonie \u00bb <\/h2>\n<p>       <!-- \u00c9CRIRE LE R\u00c9SUM\u00c9 -->       <\/p>\n<p>\u00ab Aquaphonie \u00bb est une installation interactive sonore o\u00f9 l\u2019\u00eatre humain, les plantes, les poissons, le son, l\u2019eau, l\u2019information, le mouvement, la musique et l\u2019interactivit\u00e9 sont en relation. Notre projet veut favoriser la cr\u00e9ation, l\u2019utilisation et la diffusion d\u2019une technologie qui int\u00e8gre la transmission des sons dans un syst\u00e8me aquaponique. L\u2019objet de cette recherche-cr\u00e9ation est d\u2019explorer les techniques et les influences de la musique \u00e9lectroacoustique dans un syst\u00e8me aquaponique : syst\u00e8me agricole hors-sol. Cette recherche-cr\u00e9ation a \u00e9t\u00e9 \u00e9mise gr\u00e2ce aux recherches et \u00e0 la lecture d\u2019une litt\u00e9rature scientifique et artistique publi\u00e9e ces derni\u00e8res ann\u00e9es sur l\u2019influence de l\u2019\u00e9lectricit\u00e9, des champs \u00e9lectromagn\u00e9tiques et des vibrations sonores sur diff\u00e9rents organismes vivants et dans l\u2019eau. Aujourd\u2019hui, les outils interactifs sonores pour les plantes sont inexistants, nous envisageons donc de concevoir et r\u00e9aliser un outil de design sonore interactif pour la culture aquaponique.<\/p>\n<p>         <a class=\"uk-button uk-button-secondary\" href=\"http:\/\/www.genleguerrier.com\" target=\"_blank\" rel=\"noopener\">SITE WEB<\/a><button class=\"uk-modal-close\" type=\"button\"><\/button>     <\/div>\n<\/p><\/div>\n<div id=\"mlongboat\" uk-modal>\n<div class=\"uk-modal-dialog uk-modal-body\">       <!-- TITRE DE RECHERCHE -->         <\/p>\n<h2 class=\"uk-modal-title\">Playing Indians: Indigenous Self-Representation and Videogame Development <\/h2>\n<p>       <!-- \u00c9CRIRE LE R\u00c9SUM\u00c9 -->       <\/p>\n<p>Increasingly, Indigenous peoples are utilizing videogames as a communicative medium to strengthen their communities. Game development practices that stem directly from Indigenous-led initiatives are foundational to the movement of Indigenous self-representation in visual media, in that they incorporate creative practices that uphold cultural traditions within a contemporary context while also affirming the vitality of Indigenous futures.<\/p>\n<p>         My research will assess the current state of Indigenous-determined videogame design and development to ground hypotheses on how it will develop over the coming decades. Conclusions from this research will then directly inform the development of my own independently published Indigenous-determined videogame as a robust contribution to the growing field. This study will provide guidance for Indigenous-identified media creators who are contemplating or already exploring videogame creation, while also supporting a future where Indigenous peoples can continue to make games on their own terms.       <\/p>\n<p>         <button class=\"uk-modal-close\" type=\"button\"><\/button>     <\/div>\n<\/p><\/div>\n<div id=\"aisidori\" uk-modal>\n<div class=\"uk-modal-dialog uk-modal-body\">       <!-- TITRE DE RECHERCHE -->         <\/p>\n<h2 class=\"uk-modal-title\">Conference \/ Exhibition Arsgames  &#8211; Barcelona<\/h2>\n<p>       <!-- \u00c9CRIRE LE R\u00c9SUM\u00c9 -->       <\/p>\n<p>I was invited to participate and exhibit my video game project \u00ab SOLA \u00bb within the context of an event hosted by Arsgames focused on \u201cGender and Video Games\u201d. Arsgames (https:\/\/arsgames.net\/) is a cultural association based in Barcelona that promotes creative projects related to video game culture. My Master of Design project is focused on an interdisciplinary approach to curate subjects related to violence against women, with special attention paid to the extreme case of feminicide in Latin America. Feminicide is the ultimate link of a long chain of violence entrenched in the mindset of a system that supports and perpetuates violence through omission and impunity. As researchers, designers and artists, we need to work collectively to unfold a new rhetoric able to reach the core of the problem and find the place in which these structures are being fed and reproduced. <\/p>\n<p>         <button class=\"uk-modal-close\" type=\"button\"><\/button>     <\/div>\n<\/p><\/div>\n<div id=\"alee\" uk-modal>\n<div class=\"uk-modal-dialog uk-modal-body\">       <!-- TITRE DE RECHERCHE -->         <\/p>\n<h2 class=\"uk-modal-title\">Tangled Words<\/h2>\n<p>       <!-- \u00c9CRIRE LE R\u00c9SUM\u00c9 -->       <\/p>\n<p>Tangled Words is a video series on the relationship of body, identities, and spaces. This project will be presented at \u201cIn Motion: Performance and Unsettling Borders\u201d conference and festival on April 27th to 29th. Northwestern University hosts the event. Exhibitions will be held at Axis Lab in downtown Chicago and exhibition spaces on campus.<\/p>\n<p>         My research and stiudio practice are rooted on writers such as Gisook Choi, Barbara Creed, and Jean-Paul Sartre.  Choi is a Korean philosopher who studies the representation of females in East Asian folklore and popular culture. Choi posits that ghosts are refugees. They live on the boundaries between life and death, displaced and voiceless. What we fear manifests itself in our ghost stories.  Creed has done similar work examining female representation within the western framework. Sartre&#8217;s concept of the gaze of others inspired me to explore how displaced people such as refugees are simultaneously invisible yet are constantly feel exposed to the gaze of people.        <\/p>\n<p>         <a class=\"uk-button uk-button-secondary\" href=\"http:\/\/www.ahreumlee.com\" target=\"_blank\" rel=\"noopener\">SITE WEB<\/a><button class=\"uk-modal-close\" type=\"button\"><\/button>     <\/div>\n<\/p><\/div>\n<div id=\"itoft\" uk-modal>\n<div class=\"uk-modal-dialog uk-modal-body\">       <!-- TITRE DE RECHERCHE -->         <\/p>\n<h2 class=\"uk-modal-title\"><\/h2>\n<p>       <!-- \u00c9CRIRE LE R\u00c9SUM\u00c9 -->       <\/p>\n<p>I study vibration patterns and tactile interfaces in a context of computational sculptures and interactive systems. In particular, I am exploring the space between multiplayer game systems and alien agents as a way of investigating aesthetic and social features of system behavior.<\/p>\n<p>         The distinction between game systems and alien agents comes from my research creation practice in which pure and impure technologies represent contrasting system characteristics. Pure technology covers, for instance, game systems where there is a clear and consistent connection between players behavior and the system&#8217;s behavior. In such systems, the presence of other players within a system can be felt across distributed locations (e.g. the online version of Journey, video game). On the other hand, I associate impure technology with alien agents, in which the system contains noise, bugs, mathematical probabilities or material inconsistencies which makes the system behavior indeterminate and unpredictable.        <\/p>\n<p>         <a class=\"uk-button uk-button-secondary\" href=\"http:\/\/idatoft.tumblr.com\" target=\"_blank\" rel=\"noopener\">SITE WEB<\/a><button class=\"uk-modal-close\" type=\"button\"><\/button>     <\/div>\n<\/p><\/div>\n<div id=\"asaunier\" uk-modal>\n<div class=\"uk-modal-dialog uk-modal-body\">       <!-- TITRE DE RECHERCHE -->         <\/p>\n<h2 class=\"uk-modal-title\">Lumi\u00e8re performative (LP) <\/h2>\n<p>       <!-- \u00c9CRIRE LE R\u00c9SUM\u00c9 -->       <\/p>\n<p>Lumi\u00e8re performative (LP) est un projet doctoral de recherche-cr\u00e9ation s\u2019int\u00e9ressant \u00e0 l&#8217;impact de l&#8217;innovation technologique r\u00e9cente sur les performances artistiques de lumi\u00e8re. Ces \u00e9volutions mat\u00e9rielles et logicielles ouvrent de nouvelles fa\u00e7ons de concevoir la lumi\u00e8re et son interpr\u00e9tation live. En permettant un contr\u00f4le temporel fin et rapide, des progressions dynamiques complexes, et en facilitant le contr\u00f4le en temps r\u00e9el, les nouvelles technologies d\u2019\u00e9clairage LED et de programmation informatique appellent de nouvelles conceptions th\u00e9oriques, esth\u00e9tiques, artistiques, et instrumentales de la lumi\u00e8re. Elles donnent en particulier \u00e0 en explorer les dimensions temporelles et performatives jusqu\u2019ici n\u00e9glig\u00e9es au profit de sa dimension spatiale.<\/p>\n<p>         <a class=\"uk-button uk-button-secondary\" href=\"http:\/\/www.alexandresaunier.com\" target=\"_blank\" rel=\"noopener\">SITE WEB<\/a><button class=\"uk-modal-close\" type=\"button\"><\/button>     <\/div>\n<\/p><\/div>\n<div id=\"egranzotto\" uk-modal>\n<div class=\"uk-modal-dialog uk-modal-body\">       <!-- TITRE DE RECHERCHE -->         <\/p>\n<h2 class=\"uk-modal-title\">\u00ab Cook Your Way \u00bb: political games, alternative controllers and player creation<\/h2>\n<p>       <!-- \u00c9CRIRE LE R\u00c9SUM\u00c9 -->       <\/p>\n<p>Cook Your Way is a game discussing the experience of migrants with oppressive immigration systems. The game features a custom controller aimed at provoking reflection and resources for players to create their own controllers and stories.<\/p>\n<p>         My approach to this research topic involves making alternative game controllers and games around them, with a focus on creating games as a form of political action against different forms of oppression. To achieve this goal, I explore a variety of design strategies for fostering reflectivity and critical thinking through game design and circulation. This research is based on thorough documentation and iterative methodologies for the design processes of the games created, including the consideration and elaboration of relevant circulation strategies for such games.       <\/p>\n<p>         <a class=\"uk-button uk-button-secondary\" href=\"http:\/\/enric.llagostera.com.br\" target=\"_blank\" rel=\"noopener\">SITE WEB<\/a><button class=\"uk-modal-close\" type=\"button\"><\/button>     <\/div>\n<\/p><\/div>\n<div id=\"omcgilchrist\" uk-modal>\n<div class=\"uk-modal-dialog uk-modal-body\">       <!-- TITRE DE RECHERCHE -->         <\/p>\n<h2 class=\"uk-modal-title\">\u2018 I (-S-) LAND\u2019<\/h2>\n<p>       <!-- \u00c9CRIRE LE R\u00c9SUM\u00c9 -->       <\/p>\n<p>\u2018 I (-S-) LAND\u2019 : a non-linear sequence of real and virtual encounters between users and a cast of hybridcharacters, living across an archipelago of imaginary islands. The characters appear on the islands as composite sequences blending 360 video and a 3D landscape created using photogrammetry or videogrammetry.<\/p>\n<p>         Visually and thematically, I\u2019m looking at submersion and performance art as immersive platforms on the threshold of contemplative experience and embodied interaction, at the intersection of spaces for high art and popular entertainment. Conceptually and theoretically I\u2019m concerned with new forms of performed and enacted storytelling and how these can subvert racial, social and gender-based categorization, classification and discrimination from non-Western spaces like the contemporary Caribbean and its global diaspora.       <\/p>\n<p>         <a class=\"uk-button uk-button-secondary\" href=\"http:\/\/www.oliviamcgilchrist.com\" target=\"_blank\" rel=\"noopener\">SITE WEB<\/a><button class=\"uk-modal-close\" type=\"button\"><\/button>     <\/div>\n<\/p><\/div>\n<div id=\"gtasse\" uk-modal>\n<div class=\"uk-modal-dialog uk-modal-body\">       <!-- TITRE DE RECHERCHE -->         <\/p>\n<h2 class=\"uk-modal-title\">Visite virtuelle du Vieux S\u00e9minaire de Saint-Sulpice. <\/h2>\n<p>       <!-- \u00c9CRIRE LE R\u00c9SUM\u00c9 -->       <\/p>\n<p>Production d&#8217;un film immersif en 3D sur l&#8217;\u00e9difice historique du Vieux-Montr\u00e9al. Le film sera navigable \u00e0 l&#8217;aide d&#8217;une interface r\u00e9pondant au regard du spectateur. Huit points d&#8217;observation permettront l&#8217;exploration virtuelle et la perception enactive du Vieux S\u00e9minaires.<\/p>\n<p>         Les capacit\u00e9s audiovisuelles et interactives des nouveaux casques de r\u00e9alit\u00e9 virtuelle soutiennent une production croissante et vari\u00e9e d\u2019\u0153uvres immersives. Des documentaires immersifs sont maintenant pr\u00e9sent\u00e9s \u00e0 la fois par les plus importantes institutions m\u00e9diatiques traditionnelles (The New York Times, Le Monde, CNN, BBC News, etc.) et par les plateformes de partage de vid\u00e9o sur le Web (YouTube, Facebook, Vimeo, etc.). En tant que chercheur et documentariste, je d\u00e9sire \u00e9valuer les capacit\u00e9s d\u2019engagement et de communication de ce nouveau dispositif documentaire qui place le spectateur au centre de l\u2019espace m\u00e9diatis\u00e9       <\/p>\n<p>         <a class=\"uk-button uk-button-secondary\" href=\"http:\/\/www.interferencepositive.com\" target=\"_blank\" rel=\"noopener\">SITE WEB<\/a><button class=\"uk-modal-close\" type=\"button\"><\/button>     <\/div>\n<\/p><\/div>\n<div id=\"dstahl\" uk-modal>\n<div class=\"uk-modal-dialog uk-modal-body\">       <!-- TITRE DE RECHERCHE -->         <\/p>\n<h2 class=\"uk-modal-title\">Healing Houses<\/h2>\n<p>       <!-- \u00c9CRIRE LE R\u00c9SUM\u00c9 -->       <\/p>\n<p>\u201cHealing Houses\u201d The \u201cHealing Houses\u201d are multi-sensory architectural structures that will be installed in the waiting rooms of medical clinics. The purpose of these fine art homes is to better communicate and embody the patient experience and create an opportunity for wellness and wonder in the normative hospital setting.<\/p>\n<p>         My research is motivated by the desire to understand how our sense of self has been transformed as a result of our entanglements with biomedical imaging technologies. It is also guided by the ethical desire to instigate meaningful collaborations with those whose subjectivities are being shaped by the experience of illness; and finally, to see what role aesthetics can play to foster collaborations between art and medicine in the clinic. Finally, I aim to show how interdisciplinary research-creation can allow for an empathetic exchange between an ableist society and those who live with bodily unease or impairment.       <\/p>\n<p>         <a class=\"uk-button uk-button-secondary\" href=\"http:\/\/www.dariangoldinstahl.com\" target=\"_blank\" rel=\"noopener\">SITE WEB<\/a><button class=\"uk-modal-close\" type=\"button\"><\/button>     <\/div>\n<\/p><\/div>\n<div id=\"ahernandez\" uk-modal>\n<div class=\"uk-modal-dialog uk-modal-body\">       <!-- TITRE DE RECHERCHE -->         <\/p>\n<h2 class=\"uk-modal-title\">Maintenance Class <\/h2>\n<p>       <!-- \u00c9CRIRE LE R\u00c9SUM\u00c9 -->       <\/p>\n<p>\u00ab Maintenance Class \u00bb is a performative-research project and an crucial component of my PhD investigation. It investigates work in the context of a platform economy by looking into an online commercial sex platform. One hypothesis that drives this investigation is that techno-capitalist structures are embodied through maintenance practices, which are overlooked by definition. This research will explore maintenance practices on the aforementioned platform that are constantly interweaved with sexual spectacles. The stress on these practices, my research argues, will give a new insight into the life of the precarious worker. To explore the maintenance practices of the precarious worker, I have been invited as a fellow researcher at the Institute of Network Cultures (INC), in Amsterdam (Fall 2018), under the supervision of Geert Lovink.<\/p>\n<p>         <a class=\"uk-button uk-button-secondary\" href=\"http:\/\/artwork.cordltx.org\" target=\"_blank\" rel=\"noopener\">SITE WEB<\/a><button class=\"uk-modal-close\" type=\"button\"><\/button>     <\/div>\n<\/p><\/div>\n<div id=\"afrancois\" uk-modal>\n<div class=\"uk-modal-dialog uk-modal-body\">       <!-- TITRE DE RECHERCHE -->         <\/p>\n<h2 class=\"uk-modal-title\">Des corps post-humains : une exp\u00e9rimentation trans-individuelle et machinique. <\/h2>\n<p>       <!-- \u00c9CRIRE LE R\u00c9SUM\u00c9 -->       <\/p>\n<p>Partant du constat que la majorit\u00e9 de la litt\u00e9rature sur le post-humain se cantonne en effet \u00e0 des analyses \u00e9manant d\u2019un prisme humain individu\u00e9, je compte plut\u00f4t me demander ce que seraient les corps post-humains s\u2019ils \u00e9taient envisag\u00e9s de mani\u00e8re trans-individuelle et du point de vue de la machine. <\/p>\n<p>         Le r\u00e9sultat sera une \u00e9criture cr\u00e9ative sur les corps post-humains, gr\u00e2ce \u00e0 une recherche trans-individuelle et \u00e0 la g\u00e9n\u00e9ration de textes du point de vue de la machine. Cette cr\u00e9ation sera incluse dans ma th\u00e8se et publi\u00e9e.       <\/p>\n<p>         <button class=\"uk-modal-close\" type=\"button\"><\/button>     <\/div>\n<\/p><\/div>\n<div id=\"esthilaire\" uk-modal>\n<div class=\"uk-modal-dialog uk-modal-body\">       <!-- TITRE DE RECHERCHE -->         <\/p>\n<h2 class=\"uk-modal-title\">Self-Representation in the Reborn Community <\/h2>\n<p>       <!-- \u00c9CRIRE LE R\u00c9SUM\u00c9 -->       <\/p>\n<p>For this portion of my doctoral research I will work with participants attending a doll show for reborn dolls &#8211; they are hyper-realistic representations of babies. My approach will employ community-based participatory research with photography (\u201cphotovoice\u201d) and writing. This research will provide a thorough analysis of reborns, a phenomenon which currently lacks both quantitative and qualitative data (Nakamura 2007; White 2015). I am combining ethnographic research methods with performance studies, to create a framework with an emphasis on embodiment, enactment, and community. This research will enable me to gain insight into performances of motherhood amid an active group of reborn enthusiasts.<\/p>\n<p>         <a class=\"uk-button uk-button-secondary\" href=\"http:\/\/www.emiliest.com\" target=\"_blank\" rel=\"noopener\">SITE WEB<\/a><button class=\"uk-modal-close\" type=\"button\"><\/button>     <\/div>\n<\/p><\/div>\n<div id=\"ameza\" uk-modal>\n<div class=\"uk-modal-dialog uk-modal-body\">       <!-- TITRE DE RECHERCHE -->         <\/p>\n<h2 class=\"uk-modal-title\">Writing Sound: Building a Digital Repository for Latin American Sound Art <\/h2>\n<p>       <!-- \u00c9CRIRE LE R\u00c9SUM\u00c9 -->       <\/p>\n<p>\u00ab Writing Sound: Building a Digital Repository for Latin American Sound Art \u00bb will be presented at the 2018 Annual Meeting of the American Comparative Literatura Association at the University of California, Los Angeles (https:\/\/www.acla.org\/annual\u2010meeting) from March 29 to April 1st. <\/p>\n<p>         In this paper I will focus on the intersections of sound and legibility, one of Po\u00e9ticaSonora&#8217;s (https:\/\/poeticasonora.me\/searchhome) many research topics, to discuss the sound poetics behind Voz Viva de M\u00e9xico, one the longest-running literary audio collections in Latin America.       <\/p>\n<p>         <a class=\"uk-button uk-button-secondary\" href=\"http:\/\/aureliomexa.wordpress.com\" target=\"_blank\" rel=\"noopener\">SITE WEB<\/a><button class=\"uk-modal-close\" type=\"button\"><\/button>     <\/div>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>With the help of student grants, Hexagram wishes to provide concrete support to the research of its student members. 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