Four research centres and networks (matralab, CIRRMT, Hexagram) spanning three Montr\u00e9al universities (Concordia, McGill, UQAM) are co-hosting the 4th International Conference on Technologies of Notation and Representation (acronym: TENOR) from May 24-26.<\/p>\n
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The first three TENOR conferences (2015 Paris, 2016 Cambridge, 2017 A Coru\u00f1a) have established the growing relevance of emergent technologies of notation and representation for a wide range of musical practices: composers, performers, theoreticians, performance researchers, historians, ethnomusicologists, archivists etc.<\/p>\n
The term \u201cTechnologies of Notation and Representation\u201d encompasses the two principal modes of approaching performing arts by way of another medium: in order to either provide performers with a set of references or instructions that guide their performance (notation); or in order to de-ephemeralize (mostly: visualize) performance praxis for offline analysis or archiving (representation).<\/p>\n
The core conference will be three-days long, one day at each university. In keeping with methodologies of research-creation, we will issue a call for scores alongside the call for papers. Works selected will be presented in workshop concerts \/ readings by well-known local ensembles such as Ensemble Supermusique, Quatuor Bozzini, and CLOrk (Concordia Laptop Orchestra). We will also offer, in parallel, a 5 day Performers\u2019 Lab, for performers from all traditions interested in expanding their practice by performing scores that use new notational technologies.<\/p>\n