{"id":88,"date":"2017-01-10T17:27:04","date_gmt":"2017-01-10T17:27:04","guid":{"rendered":"https:\/\/hexagram.uqam.ca\/hexa-wave\/"},"modified":"2026-02-12T17:18:36","modified_gmt":"2026-02-12T22:18:36","slug":"hexa-wave","status":"publish","type":"post","link":"https:\/\/hexagram.ca\/en\/hexa-wave\/","title":{"rendered":"Hexa_Wave"},"content":{"rendered":"<h1 class=\"uk-text-center remove-margin\">HEXA_WAVE<\/h1>\n<h5 class=\"uk-text-center\">Radio interview series with Hexagram members<\/h5>\n<p class=\"uk-margin-large-bottom\">\u00a0A radio series presenting Hexagram researchers in 1-hour interview format. Hexa_Wave objective is to promote Hexagram research within the scientific community and to the general public. Hexa_Wave will be available in podcast format directy on Hexagram website and will also be broadcast on wikiradio.ca and on CKUT.ca.<\/p>\n<h5 class=\"uk-text-center uk-text-bold\">Listen to all episodes<br \/>\n<ul uk-accordion>\n<li>\n<h5 class=\"uk-accordion-title uk-card uk-card-default uk-padding-small\">Episode 1 &#8211; Sandeep Bhagwati<\/h5>\n<div class=\"uk-section uk-section-muted uk-padding-large uk-accordion-content\">\n<div class=\"uk-column-1-2@m uk-text-justify uk-column-divider\">\n<audio class=\"wp-audio-shortcode\" id=\"audio-88-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E1_Sandeep_Bhagwati.mp3?_=1\" \/><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E1_Sandeep_Bhagwati.mp3\">http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E1_Sandeep_Bhagwati.mp3<\/a><\/audio>\n<p><b>PRESENTATION<\/b><br \/>Sandeep Bhagwati is a professor at Concordia University where he directs matralab, a space of inter-x arts dedicated to using interdisciplinary art practice to bridge the gap between emerging art forms and their aesthetic reflection. He is also a composer, conductor, performer, visual artist and writer.<\/p>\n<p>In this interview, he discusses the foundation of his interdisciplinary practice, the Native Alien comprovisation software, inter-traditional aesthetics in music (from Canada to India via Germany) and the Body Suit Score, a vibro-tactile suit for directing musicians.<\/p>\n<p><b>LINKS<\/b><br \/><a href=\"http:\/\/www.concordia.ca\/finearts\/music\/faculty.html?fpid=sandeep-bhagwati\" target=\"_blank\" rel=\"noopener\">Profil &#8211; Universit\u00e9 Concordia\u00a0<\/a><br \/><a href=\"\/\/matralab.hexagram.ca\/\" target=\"_blank\" rel=\"noopener\">Matralab\u00a0<\/a><br \/><a href=\"http:\/\/matralab.hexagram.ca\/projects\/native-alien\/\" target=\"_blank\" rel=\"noopener\">Native Alien<\/a><br \/><a href=\"http:\/\/matralab.hexagram.ca\/research\/ensembles\/extrakte\/\" target=\"_blank\" rel=\"noopener\">Ensemble Extrakte \u00a0<\/a><br \/><a href=\"http:\/\/matralab.hexagram.ca\/research\/ensembles\/sound-of-montreal\/\" target=\"_blank\" rel=\"noopener\">Ensemble Sound of Montreal\u00a0\u00a0<\/a><br \/><a href=\"http:\/\/matralab.hexagram.ca\/research\/ensembles\/sangeet-prayog\/\" target=\"_blank\" rel=\"noopener\">Ensemble Ensemble Sangeet Prayog\u00a0<\/a><br \/><a href=\"http:\/\/matralab.hexagram.ca\/research\/body-suit-score\/\" target=\"_blank\" rel=\"noopener\">Body Suit Score\u00a0<\/a><\/p>\n<p><b>SEGMENTS<\/b><br \/>00:35 \u2013 Presentation<br \/>01:15 \u2013 From composition to interdisciplinarity<br \/>07:00 \u2013 The human-machine relationship in comprovisation<br \/>12:30 \u2013 Creation : Native Alien<br \/>16:40 @ 20:45 \u2013 Musical excerpt : Native Alien<br \/>Trombone : Felix Del Fredici<br \/>Score : Julian Stein<br \/>Software operator : Navid Navad<br \/>27:00 \u2013 Marrying musical influences from Montreal to India via Berlin<br \/>40:00 \u2013 Intercultural reflection<br \/>47:00 \u2013 Ongoing project : Body Suit Score<br \/>56:00 @ 57:50 \u2013 Musical excerpt : Miyagi Haikus<br \/>Trumpet : Peter Evans<br \/>Trombone : Dave Taylor<br \/>Bass trombone : Felix Del Fredici<br \/>57:50 \u2013 Conclusion<\/p>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<h5 class=\"uk-accordion-title uk-card uk-card-default uk-padding-small\">Episode 2 &#8211; Paul Landon<\/h5>\n<div class=\"uk-section uk-section-muted uk-padding-large uk-accordion-content\">\n<div class=\"uk-column-1-2@m uk-text-justify uk-column-divider\">\n<audio class=\"wp-audio-shortcode\" id=\"audio-88-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E2_Paul_Landon.mp3?_=2\" \/><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E2_Paul_Landon.mp3\">http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E2_Paul_Landon.mp3<\/a><\/audio>\n<p><b>PRESENTATION<\/b><br \/>Paul Landon is a professor at UQAM\u2019s \u00c9cole des arts visuels et m\u00e9diatiques and an artist working with video, photography and installation. Through his artistic practice, he explores the places where his travels and steps take him. His work reflects upon the spatio-temporal structures of the modern city as they are experiences in everyday life.In this interview, he talks about his research-creation process, the tension between private and public spaces as an inspiration and exploring decay and the passage of time through creation.<\/p>\n<p><b>LINKS<\/b><br \/><a href=\"https:\/\/eavm.uqam.ca\/landon-paul.html\" target=\"_blank\" rel=\"noopener\">Profil &#8211; UQAM<\/a><\/p>\n<p><b>SEGMENTS<\/b><br \/>00:35 \u2013 Presentation<br \/>01:15 \u2013 The tension between private and public spaces as an inspiration<br \/>05:10 \u2013 Creation : Hof<br \/>10:10 \u2013 Walking and wandering as a creative process<br \/>13:50 \u2013 Reminiscing about an artistic residency in Buenos Aires, Argentina<br \/>19:30 \u2013 Exploring decay and the passage of time through creation<br \/>21:10 \u2013 Creation : Transcanadienne<br \/>23:40 @ 24:20 \u2013 Sound excerpt : Transcanadienne<br \/>25:30 \u2013 Creating ambience and spaces with sound<br \/>26:45 \u2013 Creation : Automat<br \/>27:00 @ 27:45 \u2013 Sound excerpt : Automat<br \/>32:50 \u2013 Theoretical and creative influences<br \/>43:45 \u2013 Theoretical research, sharing singular viewing experiences through storytelling<br \/>52:34 \u2013 Research-creation in the Nordic countries<br \/>55:00 \u2013 Conclusion<\/p>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<h5 class=\"uk-accordion-title uk-card uk-card-default uk-padding-small\">Episode 3 &#8211; Jason Lewis<\/h5>\n<div class=\"uk-section uk-section-muted uk-padding-large uk-accordion-content\">\n<div class=\"uk-column-1-2@m uk-text-justify uk-column-divider\">\n<audio class=\"wp-audio-shortcode\" id=\"audio-88-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E3_Jason_Lewis.mp3?_=3\" \/><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E3_Jason_Lewis.mp3\">http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E3_Jason_Lewis.mp3<\/a><\/audio>\n<p><b>PRESENTATION<\/b><br \/>Jason Lewis is a professor at Concordia University where he directs Obx Labs, a Laboratory for Experimental Media. He is also co-primary investigator of Aboriginal Territories in Cyberspace (AbTeC) and primary investigator of Initiative for Indigenous Futures, a partnership of universities and community organizations dedicated to developing multiple visions of Indigenous peoples tomorrow.<\/p>\n<p>In this interview, he discusses his journey towards Aboriginal community-based research-creation, promoting Aboriginal culture through video game design with Aboriginal youth and experimenting with digital poetry.<\/p>\n<p><b>LINKS<\/b><br \/><a href=\"http:\/\/www.obxlabs.net\/\" target=\"_blank\" rel=\"noopener\"><em>Obx Labs <\/em>&#8211; Laboratory for Experimental Media <\/a><br \/><a href=\"http:\/\/www.abtec.org\/people.html\" target=\"_blank\" rel=\"noopener\"><em>AbTeC <\/em>&#8211; Aboriginal Territories in Cyberspace<\/a><br \/><a href=\"http:\/\/abtec.org\/iif\/\" target=\"_blank\" rel=\"noopener\"><em>Initiative for Indigenous Futures<\/em>\u00a0<\/a><br \/><a href=\"http:\/\/www.timetravellertm.com\/\" target=\"_blank\" rel=\"noopener\"><em>TimeTraveller<sup>TM<\/sup><\/em>\u00a0<\/a><br \/><a href=\"http:\/\/www.abtec.org\/projects.html#skins\" target=\"_blank\" rel=\"noopener\"><em>Skins<\/em>\u00a0<\/a><br \/><a href=\"http:\/\/www.poemm.net\/\" target=\"_blank\" rel=\"noopener\"><em>PoEMMs<\/em> &#8211; Poetry for Excitable [Mobile] Media\u00a0<\/a><\/p>\n<p><b>SEGMENTS<\/b><br \/>00:35 \u2013 Presentation<br \/>02:20 \u2013 Promoting Aboriginal culture through video game design<br \/>02:20 \u2013 Creation : TimeTravellerTM<br \/>03:40 \u2013 Creation : Skins<br \/>11:40 \u2013 Dreaming of Indigenous peoples tomorrow with Initiative for Indigenous Futures<br \/>20:50 \u2013 Towards Aboriginal community-based research-creation<br \/>23:25 \u2013 From poetry to digital poetry<br \/>28:00 \u2013 Creation : PoEMMs<br \/>35:30 \u2013 Conclusion<\/p>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<h5 class=\"uk-accordion-title uk-card uk-card-default uk-padding-small\">Episode 4 &#8211; Fran\u00e7ois-Joseph Lapointe<\/h5>\n<div class=\"uk-section uk-section-muted uk-padding-large uk-accordion-content\">\n<div class=\"uk-column-1-2@m uk-text-justify uk-column-divider\">\n<audio class=\"wp-audio-shortcode\" id=\"audio-88-4\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E4_Francois_Joseph_Lapointe.mp3?_=4\" \/><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E4_Francois_Joseph_Lapointe.mp3\">http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E4_Francois_Joseph_Lapointe.mp3<\/a><\/audio>\n<p><b>PRESENTATION<\/b><br \/>Fran\u00e7ois-Joseph Lapointe is a professor at Universit\u00e9 de Montr\u00e9al where he directs the Laboratoire d\u2019\u00e9cologie mol\u00e9culaire et d\u2019\u00e9volution. A paradisciplinary artist-researcher, he also holds a PhD in \u00c9tudes et pratiques des arts (UQAM) through which he developed chor\u00e9og\u00e9n\u00e9tique, or the art of dancing DNA.In this interview, he discusses the elimination of the choreographer by dancing his own DNA, combining arts and sciences through paradisciplinarity and studying the human microbiome in a performative perspective.<\/p>\n<p><b>LINKS<\/b><br \/><a href=\"http:\/\/www.recherche.umontreal.ca\/la-recherche-a-ludem\/la-vitrine-des-professeurs\/informations\/chercheur\/529\/pid\/16\/\" target=\"_blank\" rel=\"noopener\">Profil &#8211; Universit\u00e9 de Montr\u00e9al<\/a><br \/><a href=\"http:\/\/fjlapointe.ca\/\" target=\"_blank\" rel=\"noopener\">Page personnelle\u00a0<\/a><br \/><a href=\"http:\/\/bio.umontreal.ca\/departement\/nouvelles\/une-nouvelle\/news\/le-chercheur-qui-fait-danser-ladn-5971\/\" target=\"_blank\" rel=\"noopener\"><em>Chor\u00e9og\u00e9n\u00e9tique <\/em>\u00a0<\/a><br \/><a href=\"http:\/\/bio.umontreal.ca\/departement\/nouvelles\/une-nouvelle\/news\/cinq-projets-de-recherche-creation-36228\/\" target=\"_blank\" rel=\"noopener\">\u00a0Recherche-cr\u00e9ation sur le microbiome \u00a0<\/a><\/p>\n<p><b>SEGMENTS<\/b><br \/>00:40 \u2013 Presentation : Biologist &amp; Interdisciplinary artist<br \/>01:15 \u2013 Eliminating the choreographer by using DNA, the chor\u00e9og\u00e9n\u00e9tique<br \/>10:30 \u2013 From biologist to dancer, switching from pure sciences to arts<br \/>18:10 \u2013 Towards a performative study of the human microbiome<br \/>24:40 \u2013 \u00c9goportraits m\u00e9tag\u00e9nomiques &amp; 1000 Handshakes performance<br \/>29:15 \u2013 Artistic influences &amp; Ethical considerations<br \/>36:25 \u2013 Combining arts and sciences through paradisciplinarity<br \/>42:20 \u2013 Conclusion<\/p>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<h5 class=\"uk-accordion-title uk-card uk-card-default uk-padding-small\">Episode 5 &#8211; Louise Poissant<\/h5>\n<div class=\"uk-section uk-section-muted uk-padding-large uk-accordion-content\">\n<div class=\"uk-column-1-2@m uk-text-justify uk-column-divider\">\n<audio class=\"wp-audio-shortcode\" id=\"audio-88-5\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E5_Louise_Poissant.mp3?_=5\" \/><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E5_Louise_Poissant.mp3\">http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E5_Louise_Poissant.mp3<\/a><\/audio>\n<p><b>PRESENTATION<\/b><br \/>Until recently, Louise Poissant was the Dean of Facult\u00e9 des arts at UQAM and a member of Hexagram. Since October 1, 2015, she is the Scientific Director of Fonds de recherche du Qu\u00e9bec \u2013 Soci\u00e9t\u00e9 et culture (FRQSC). She is also known for her theoretical contribution, especially in the field of media arts.In this interview, she discusses the origins of the Dictionnaire des arts m\u00e9diatiques, her transition into her new role and the many research-creation related reflexions currently underway at FRQSC.<\/p>\n<p><b>LINKS<\/b><br \/><a href=\"http:\/\/www.frqsc.gouv.qc.ca\/le-frqsc\/direction-scientifique\" target=\"_blank\" rel=\"noopener\">Direction scientifique &#8211; FRQSC\u00a0<\/a><br \/><a href=\"http:\/\/www.puq.ca\/catalogue\/livres\/dictionnaire-des-arts-mediatiques-719.html\" target=\"_blank\" rel=\"noopener\"><em>Dictionnaire des arts m\u00e9diatiques<\/em>\u00a0<\/a><br \/><a href=\"http:\/\/www.puq.ca\/auteurs\/louise-poissant-1633.html\" target=\"_blank\" rel=\"noopener\">Louise Poissant &#8211; Presses de l\u2019Universit\u00e9 du Qu\u00e9bec<\/a><br \/><a href=\"http:\/\/www.imagearts.ryerson.ca\/torontomontreallille\/\" target=\"_blank\" rel=\"noopener\"><em>Les inventions de la lumi\u00e8re \/ The Inventions of Light<\/em> &#8211; Biennale Toronto\/Montr\u00e9al\/Lille<\/a><\/p>\n<p><b>SEGMENTS<\/b><br \/>00:35 \u2013 Presentation<br \/>01:45 \u2013 The origins of the Dictionnaire des arts m\u00e9diatiques<br \/>12:45 \u2013 An amazed yet critical look on technological innovations<br \/>17:00 \u2013 From professor to FRQSC\u2019s Scientific Director<br \/>19:50 \u2013 FRQSC : Reflexion on transdisciplinary, transectoriality and integrating R-C<br \/>24:35 \u2013 FRQSC : Reviewing R-C programs<br \/>26:30 \u2013 FRQSC : Reflexion on responsible conduct of research applied to R-C<br \/>29:20 \u2013 Les inventions de la lumi\u00e8re \/ The Inventions of Light \u2013 Biennale Toronto\/Montr\u00e9al\/Lille<br \/>30:30 \u2013 Conclusion<\/p>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<h5 class=\"uk-accordion-title uk-card uk-card-default uk-padding-small\">Episode 6 &#8211; \u00c9ric Raymond<\/h5>\n<div class=\"uk-section uk-section-muted uk-padding-large uk-accordion-content\">\n<div class=\"uk-column-1-2@m uk-text-justify uk-column-divider\">\n<audio class=\"wp-audio-shortcode\" id=\"audio-88-6\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E6_Eric_Raymond.mp3?_=6\" \/><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E6_Eric_Raymond.mp3\">http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E6_Eric_Raymond.mp3<\/a><\/audio>\n<p><b>PRESENTATION<\/b><br \/>\u00c9ric Raymond is a professor and director at UQAM\u2019s \u00c9cole des arts visuels et m\u00e9diatiques. His work questions the genesis of visual and mental representations, most specifically in relation to electronic imaging.In this interview, he discusses his creative journey from visual to electronic arts, questioning the influence of technology on representations through robotic creations and the actual epistemological turn encouraging the use of technological and theoretical models rather than intuition.<\/p>\n<p><b>LINKS<\/b><br \/><a href=\"https:\/\/eavm.uqam.ca\/raymond-eric.html\" target=\"_blank\" rel=\"noopener\">Profil &#8211; UQAM<\/a><br \/><a href=\"http:\/\/www.eric-raymond.com\/\" target=\"_blank\" rel=\"noopener\">Page personnelle<\/a><br \/><em><a href=\"http:\/\/www.eric-raymond.uqam.ca\/maniere\/pont.html\" target=\"_blank\" rel=\"noopener\">\u00c0 la mani\u00e8re des romans &#8211; Pont roman<\/a><\/em><br \/><em><a href=\"http:\/\/www.eric-raymond.uqam.ca\/bestiaire\/naturemorte.html\" target=\"_blank\" rel=\"noopener\">Le bestiaire figur\u00e9 &#8211; Nature morte<\/a><\/em><br \/><em><a href=\"http:\/\/www.eric-raymond.com\/\" target=\"_blank\" rel=\"noopener\">Interiors<\/a><\/em><br \/><a href=\"http:\/\/www.eric-raymond.uqam.ca\/lanternes\/scanlines.html\" target=\"_blank\" rel=\"noopener\"><em>Scanlines<\/em><\/a><br \/><em><a href=\"http:\/\/www.eric-raymond.uqam.ca\/lanternes\/linescape.html\" target=\"_blank\" rel=\"noopener\">Linescape<\/a><\/em><br \/><a href=\"http:\/\/www.eric-raymond.uqam.ca\/lanternes\/scribes.html\" target=\"_blank\" rel=\"noopener\"><em>Scribes<\/em><\/a><\/p>\n<p><b>SEGMENTS<\/b><br \/>00:40 \u2013 Presentation<br \/>02:25 \u2013 Overview, from visual to electronic arts<br \/>03:00 \u2013 Creation : Nature morte<br \/>04:30 \u2013 Creation : \u00c0 la mani\u00e8re des romans<br \/>09:20 \u2013 The influence of becoming a professor on artistic practice<br \/>13:20 \u2013 Robotic creations questioning the influence of technology on representations<br \/>13:40 \u2013 Creation : Linescape<br \/>18:30 \u2013 Creation : Scanlines<br \/>26:00 \u2013 The conceptual dimension of creation and selecting titles<br \/>30:30 \u2013 Creation : Interiors<br \/>35:05 \u2013 Discussing the contemporary art market and the inclusion of art in society<br \/>42:35 \u2013 The electronic genesis of visual and mental representations<br \/>42:35 \u2013 Creation : Scribes<br \/>48:30 \u2013 Epistemological turn, neglecting intuition for technological and theoretical models<br \/>56:00 \u2013 Current projects<br \/>58:27 \u2013 Conclusion<\/p>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<h5 class=\"uk-accordion-title uk-card uk-card-default uk-padding-small\">Episode 7 &#8211; Patrick Leroux<\/h5>\n<div class=\"uk-section uk-section-muted uk-padding-large uk-accordion-content\">\n<div class=\"uk-column-1-2@m uk-text-justify uk-column-divider\">\n<audio class=\"wp-audio-shortcode\" id=\"audio-88-7\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E7_Patrick_Leroux.mp3?_=7\" \/><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E7_Patrick_Leroux.mp3\">http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E7_Patrick_Leroux.mp3<\/a><\/audio>\n<p><b>PRESENTATION<\/b><br \/>Louis Patrick Leroux is a playwright, director, and scholar who holds a joint appointment in both departments of English and French Studies at Concordia University. His academic research covers modern and contemporary theatre, self-representation in drama, and contemporary circus, among other themes.<\/p>\n<p>In this interview, he discusses his beginnings in the heart of Ottawa\u2019s theatre scene, his first steps in research-creation, engaging in a dialogue with source works through resonant responses and studying contemporary circus.<\/p>\n<p><b>LINKS<\/b><br \/><a href=\"https:\/\/www.concordia.ca\/artsci\/francais\/faculty.html?fpid=louis-patrick-leroux\" target=\"_blank\" rel=\"noopener\">Profil &#8211; Universit\u00e9 Concordia<\/a><br \/><a href=\"http:\/\/resonance.hexagram.ca\/\" target=\"_blank\" rel=\"noopener\">R\u00e9sonance &#8211; Portail pour la recherche-cr\u00e9ation<\/a><br \/><a href=\"http:\/\/resonance.hexagram.ca\/circus\/\" target=\"_blank\" rel=\"noopener\">The Montreal Working Group on Cirque\/Circus<\/a><br \/><a href=\"http:\/\/resonance.hexagram.ca\/witchcraft\/#\/home\" target=\"_blank\" rel=\"noopener\"><em>Witchcraft<\/em><\/a><br \/><em><a href=\"http:\/\/resonance.hexagram.ca\/cymbeline-materials\/\" target=\"_blank\" rel=\"noopener\">Milford Haven + Cymbeline<\/a><\/em><br \/><a href=\"http:\/\/resonance.hexagram.ca\/dialogues-fantasques\/\" target=\"_blank\" rel=\"noopener\">Dialogues fantasques pour causeurs \u00e9perdus<\/a><\/p>\n<p><b>SEGMENTS<\/b><br \/>00:35 \u2013 Presentation<br \/>02:25 \u2013 The beginnings in the heart of Ottawa\u2019s theatre scene<br \/>07:30 \u2013 Arriving in Montreal and redefining oneself, becoming a professor and creator<br \/>11:00 \u2013 First steps in research-creation<br \/>12:30 \u2013 Creation: Dialogues fantasques pour causeurs \u00e9perdus<br \/>16:45 @ 17:45 \u2013 Sound sonore : Dialogues fantasques pour causeurs \u00e9perdus<br \/>19:00 \u2013 Engaging in a dialogue with source works through resonant responses<br \/>20:30 \u2013 Creation : Witchcraft<br \/>24:45 \u2013 Creation : Milford Haven<br \/>31:15 \u2013 Towards the study of circus and its dramaturgy<br \/>48:40 \u2013 Reflecting upon performative research and apprenticeship<br \/>54:20 \u2013 Conclusion<\/p>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<h5 class=\"uk-accordion-title uk-card uk-card-default uk-padding-small\">Episode 8 &#8211; Barbara Clausen<\/h5>\n<div class=\"uk-section uk-section-muted uk-padding-large uk-accordion-content\">\n<audio class=\"wp-audio-shortcode\" id=\"audio-88-8\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E8_Barbara_Clausen.mp3?_=8\" \/><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E8_Barbara_Clausen.mp3\">http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E8_Barbara_Clausen.mp3<\/a><\/audio>\n<div class=\"uk-column-1-2@m uk-text-justify uk-column-divider\">\n<p><b>PRESENTATION<\/b><br \/>Barbara Clausen is a curator and professor of performance history and theory at UQAM. Since 2000, she has written extensively on the mediation and historization of performance art and curatorial practices. She has also curated numerous exhibitions and performance events in Canada, North America and Europe.<\/p>\n<p>In this interview, she talks about her journey towards performance study, the tension between performance and its documentation and her role as a curator for Joan Jonas\u2019s first Canadian retrospective at DHC\/ART in 2016.<\/p>\n<p><b>LINKS<\/b><br \/><a href=\"http:\/\/histoiredelart.uqam.ca\/personnel\/professeurs\/16-professeurs\/35-professeurs-barbara-clausen.html\" target=\"_blank\" rel=\"noopener\">Profil &#8211; UQAM<\/a><br \/><a href=\"http:\/\/dhc-art.org\/fr\/\" target=\"_blank\" rel=\"noopener\">R\u00e9trospective Joan Jonas \u00e0 DHC\/ART \u00a0<\/a><br \/><a href=\"http:\/\/artexte.ca\/une-bibliographie-commentee-en-temps-reel\/lang\/fr\/\" target=\"_blank\" rel=\"noopener\"><em>Une bibliographie comment\u00e9e\u00a0: l\u2019art de la performance au Qu\u00e9bec et au Canada &#8211; <\/em>Artexte\u00a0<em>:<\/em><\/a><\/p>\n<p><b>SEGMENTS<\/b><br \/>00:45 \u2013 Presentation<br \/>01:15 \u2013 Between Austria and New York, a journey towards performance study<br \/>07:45 \u2013 Back in Austria, studying the Viennese Actionism\u2019s archives<br \/>14:30 \u2013 The tension between performance and its documentation<br \/>24:15 \u2013 Landing in Montr\u00e9al, studying performance in Canada<br \/>27:00 \u2013 Une bibliographie comment\u00e9e : l\u2019art de la performance au Qu\u00e9bec et au Canada<br \/>35:00 \u2013 Curating Joan Jonas\u2019s first Canadian retrospective at DHC\/ART<br \/>39:00 \u2013 The cinematography and photography of Babette Mangolte<br \/>44:30 \u2013 Conclusion<\/p>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<h5 class=\"uk-accordion-title uk-card uk-card-default uk-padding-small\">Episode 9 &#8211; Jean Dubois<\/h5>\n<div class=\"uk-section uk-section-muted uk-padding-large uk-accordion-content\">\n<audio class=\"wp-audio-shortcode\" id=\"audio-88-9\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E9_Jean_Dubois.mp3?_=9\" \/><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E9_Jean_Dubois.mp3\">http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E9_Jean_Dubois.mp3<\/a><\/audio>\n<div class=\"uk-column-1-2@m uk-text-justify uk-column-divider\">\n<p><b>PRESENTATION<\/b><br \/>Jean Dubois is a professor at UQAM\u2019s \u00c9cole des arts visuels et m\u00e9diatiques, where he also served as associate dean for research-creation at the Facult\u00e9 des arts. His artistic practice integrates interactive media interfaces, intersubjectivity, textual spatialization and in situ approaches.<\/p>\n<p>In this interview, he talks about his research-creation process, using breath as an intersubjective medium through his creations and the challenges related to public space and digital creation.<\/p>\n<p><b>LINKS<\/b><br \/><a href=\"https:\/\/eavm.uqam.ca\/dubois-jean.html\" target=\"_blank\" rel=\"noopener\">Profil &#8211; UQAM<\/a><br \/><a href=\"http:\/\/www.jeandubois.info\/\" target=\"_blank\" rel=\"noopener\">Page personnelle<\/a><br \/><em><a href=\"http:\/\/www.jeandubois.info\/blog\/project\/a-portee-de-souffle\/\" target=\"_blank\" rel=\"noopener\">\u00c0 port\u00e9e de souffle<\/a><\/em><br \/><em><a href=\"http:\/\/www.jeandubois.info\/blog\/project\/le-circuit-de-bachelard\/\" target=\"_blank\" rel=\"noopener\">Le circuit de Bachelard<\/a><\/em><br \/><a href=\"http:\/\/interstices.uqam.ca\/\" target=\"_blank\" rel=\"noopener\"><em>Interstices<\/em><\/a><br \/><a href=\"http:\/\/www.jeandubois.info\/blog\/project\/lieu-commun\/\" target=\"_blank\" rel=\"noopener\"><em>Lieu commun<\/em><\/a><br \/><a href=\"http:\/\/www.jeandubois.info\/blog\/project\/tourmente\/\" target=\"_blank\" rel=\"noopener\"><em>Tourmente<\/em><\/a><br \/><a href=\"http:\/\/www.jeandubois.info\/blog\/project\/zones-franches\/\" target=\"_blank\" rel=\"noopener\"><em>Zones franches<\/em><\/a><\/p>\n<p><b>SEGMENTS<\/b><br \/>00:35 \u2013 Presentation<br \/>01:00 \u2013 Bringing together visual and digital arts, from concept to artwork<br \/>03:30 \u2013 Creation : Zones franches<br \/>05:15 @ 05:15 \u2013 Sound excerpt : Zones franches<br \/>05:45 \u2013 The integration of language<br \/>08:45 \u2013 Crystallizing an intuition, the process of research-creation<br \/>14:30 \u2013 The influence of becoming a professor on artistic practice<br \/>17:30 \u2013 Exploring breath as an intersubjective medium with AIR(E) LIBRE<br \/>17:30 \u2013 Creation : Tourmente<br \/>23:30 \u2013 A minimalist approach to interactive design<br \/>25:10 \u2013 Creation : Lieu commun<br \/>28:00 \u2013 Creation : \u00c0 port\u00e9e de souffle<br \/>35:00 \u2013 Crossing rather than controlling, the encounter through interactive media<br \/>38:00 \u2013 Feeding science through creation<br \/>40:00 \u2013 Back to the roots, questioning public space<br \/>47:00 \u2013 The challenges and ambiguities related to public spaces and digital creation<br \/>57:45 \u2013 Collaborative research-creation<br \/>57:45 \u2013 INTERSTICES<br \/>59:30 \u2013 Creation : Le circuit de Bachelard<br \/>01:04 :30 \u2013 Conclusion<\/p>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<h5 class=\"uk-accordion-title uk-card uk-card-default uk-padding-small\">Episode 10 &#8211; Gis\u00e8le Trudel<\/h5>\n<div class=\"uk-section uk-section-muted uk-padding-large uk-accordion-content\">\n<audio class=\"wp-audio-shortcode\" id=\"audio-88-10\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E10_Gisele_Trudel.mp3?_=10\" \/><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E10_Gisele_Trudel.mp3\">http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E10_Gisele_Trudel.mp3<\/a><\/audio>\n<div class=\"uk-column-1-2@m uk-text-justify uk-column-divider\">\n<p><b>PRESENTATION<\/b><br \/>Gis\u00e8le Trudel is a professor at UQAM\u2019s \u00c9cole des arts visuels et m\u00e9diatiques. She is also the cofounder of Grupmuv, a research-creation group on drawing in motion. She is also celebrating AElab\u2019s 20th anniversary with her artistic research unit partner, Stephane Claude.<\/p>\n<p>In this interview, she discusses her multifaceted creative practice, the genesis of a creation cycle inspired by waste material and Gilbert Simondon\u2019s theoretical influence on her work through the concept of milieu associ\u00e9.<\/p>\n<p><b>LINKS<\/b><br \/><a href=\"https:\/\/eavm.uqam.ca\/trudel-gisele.html\" target=\"_blank\" rel=\"noopener\">Profil &#8211; UQAM<\/a><br \/><em><a href=\"http:\/\/aelab.com\/\" target=\"_blank\" rel=\"noopener\">AElab<\/a><\/em><br \/><em><a href=\"http:\/\/aelab.com\/wp\/?portfolio=between-light-night\" target=\"_blank\" rel=\"noopener\">Between light &amp; night<\/a><\/em><br \/><em><a href=\"http:\/\/aelab.com\/wp\/?portfolio=forces-et-milieux\" target=\"_blank\" rel=\"noopener\">Forces et milieux<\/a><\/em><br \/><em><a href=\"http:\/\/aelab.com\/wp\/?portfolio=futur-au-present-2\" target=\"_blank\" rel=\"noopener\">Futur au pr\u00e9sent<\/a><\/em><br \/><em><a href=\"http:\/\/grupmuv.ca\/\" target=\"_blank\" rel=\"noopener\">Grupmuv<\/a><\/em><br \/><em><a href=\"http:\/\/aelab.com\/wp\/?portfolio=interfacing\" target=\"_blank\" rel=\"noopener\">Interfacing<\/a><\/em><br \/><em><a href=\"http:\/\/aelab.com\/wp\/?portfolio=irradier-irradiate\" target=\"_blank\" rel=\"noopener\">Irradier.Irradiate (v1)<\/a><\/em><br \/><em><a href=\"http:\/\/aelab.com\/wp\/?portfolio=irradier-irradiate-v2\" target=\"_blank\" rel=\"noopener\">Irradier.Irradiate (v2)<\/a><\/em><br \/><em><a href=\"http:\/\/aelab.com\/wp\/?portfolio=light-sweet-cold-dark-crude-lscdc\" target=\"_blank\" rel=\"noopener\">light, sweet, cold, dark, crude (LSCDC)<\/a><\/em><br \/><a href=\"http:\/\/aelab.com\/wp\/?portfolio=milieux-associes-2\" target=\"_blank\" rel=\"noopener\"><em>Milieux associ\u00e9s<\/em><\/a><\/p>\n<p><b>SEGMENTS<\/b><br \/>00:35 \u2013 Presentation<br \/>01:15 \u2013 AElab celebrating 20 years<br \/>04:00 \u2013 The genesis of a creation cycle inspired by waste material<br \/>07:00 \u2013 Creation : light, sweet, cold, dark, crude (LSCDC)<br \/>07:30 \u2013 Creation : Futur au pr\u00e9sent<br \/>11:00 \u2013 Experimenting with light atmospheres<br \/>11:00 \u2013 Creation : Between light &amp; night<br \/>13:00 \u2013 Creation : Interfacing<br \/>16:00 \u2013 Marrying technologies, materiality and places in creating sensations<br \/>20:00 \u2013 From video to performative installation<br \/>24:45 \u2013 Gilbert Simondon\u2019s theoretical influence<br \/>24:45 @ 31:00 \u2013 Musical excerpt : Milieux associ\u00e9s<br \/>Composer : St\u00e9phane Claude<br \/>37:30 \u2013 Creation : Milieux associ\u00e9s<br \/>41:00 \u2013 Exploring drawing in motion with Grupmuv<br \/>44:20 \u2013 Drawing inspiration from electromagnetic pollution in urban areas<br \/>45:00 \u2013 Creation : Irradier.Irradiate<br \/>48:30 \u2013 Conclusion<\/p>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<h5 class=\"uk-accordion-title uk-card uk-card-default uk-padding-small\">Episode 11 &#8211; Armando Menicacci<\/h5>\n<div class=\"uk-section uk-section-muted uk-padding-large uk-accordion-content\">\n<audio class=\"wp-audio-shortcode\" id=\"audio-88-11\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E11_Armando_Meniccaci.mp3?_=11\" \/><a href=\"http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E11_Armando_Meniccaci.mp3\">http:\/\/hexagram.ca\/wp-content\/uploads\/HW_S1-E11_Armando_Meniccaci.mp3<\/a><\/audio>\n<div class=\"uk-column-1-2@m uk-text-justify uk-column-divider\">\n<p><b>PRESENTATION<\/b><br \/>Armando Menicacci is a professor at UQAM\u2019s D\u00e9partement de danse. He is also a choreographer, musicologist, interdisciplinary artist and curator. Before settling in Montreal, he founded M\u00e9diadanse, which was then the technological centre of the D\u00e9partement de danse of Universit\u00e9 Paris 8.<\/p>\n<p>In this interview, he discusses his transition from music to dance, dancing corporeality, his first steps in research-creation through a combination of dance and digital and some of his significant creations so far.<\/p>\n<p><b>LINKS<\/b><br \/><a href=\"https:\/\/danse.uqam.ca\/departement\/personnel\/professeurs\/593-menicacci-armando.html\" target=\"_blank\" rel=\"noopener\">Profil &#8211; UQAM<\/a><br \/><em><a href=\"http:\/\/www.digitalflesh.org\/home.html\" target=\"_blank\" rel=\"noopener\">Digital Flesh<\/a><\/em><br \/><em><a href=\"http:\/\/www.digitalflesh.org\/projets.html\" target=\"_blank\" rel=\"noopener\">UNDERSCORE &#8211; Descriptif<\/a><\/em><br \/><em><a href=\"https:\/\/www.youtube.com\/watch?v=Dm1CTXxBzWE\" target=\"_blank\" rel=\"noopener\">UNDERSCORE 2008 (Vid\u00e9o)<\/a><\/em><br \/><em><a href=\"http:\/\/www.digitalflesh.org\/projets.html\" target=\"_blank\" rel=\"noopener\">Dans le noir<\/a><\/em><br \/><em><a href=\"https:\/\/www.youtube.com\/watch?v=ZOQAdHyafx8&amp;index=13&amp;list=PL433E868A4C3C7A7A\" target=\"_blank\" rel=\"noopener\">WW II (Vid\u00e9o)<\/a><\/em><\/p>\n<p><b>SEGMENTS<\/b><br \/>00:35 \u2013 Presentation<br \/>01:45 \u2013 From music to dance, the origins of a practice<br \/>04:20 \u2013 Dancing corporeality as a condition of possibility of the arts<br \/>10:50 \u2013 The transition from theory to research-creation combining dance and digital<br \/>15:45 \u2013 Creation \u2013 Under-score<br \/>19:45 \u2013 Creation experience within the Digital flesh collective<br \/>22:30 \u2013 Creation \u2013 Dans le noir<br \/>27:30 \u2013 Ongoing project \u2013 LAVI (Laboratoire des arts vivants et interdisciplinaires)<br \/>29:30 \u2013 Creation \u2013 WWII (World War II)<br \/>43:45 \u2013 Future Projects<br \/>45:01 \u2013 Question period \u2013 Becoming a professor at UQAM<br \/>48:40 \u2013 Conclusion and acknowledgments<\/p>\n<\/div>\n<\/div>\n<\/li>\n<\/ul>\n<div class=\"uk-text-center\"><b>CREDITS<\/b><br \/>Animation \u2013 Andr\u00e9 \u00c9ric L\u00e9tourneau &amp; Cynthia Noury<br \/>Research \u2013 Cynthia Noury<br \/>Technique \u2013 Odr\u00e9e Laperri\u00e8re<br \/>Editing \u2013 Andr\u00e9 \u00c9ric L\u00e9tourneau<br \/>Sound design \u2013 Andr\u00e9 \u00c9ric L\u00e9tourneau, Odr\u00e9e Laperri\u00e8re &amp; Cynthia Noury<br \/>Director \u2013 Andr\u00e9 \u00c9ric L\u00e9tourneau<br \/>Hexa_Wave was created by \u00c9ric L\u00e9tourneau.<br \/>The series is coproduced by and <a href=\"http:\/\/wfi.uqam.ca\/\" target=\"_blank\" rel=\"noopener\">wikiradio.ca<\/a>.<br \/>We would also like to thank \u00c9cole des m\u00e9dias de l\u2019UQAM.<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>HEXA_WAVE Radio interview series with Hexagram members \u00a0A radio series presenting Hexagram researchers in 1-hour interview format. Hexa_Wave objective is to promote Hexagram research within the scientific community and to the general public. Hexa_Wave will be available in podcast format directy on Hexagram website and will also be broadcast on wikiradio.ca and on CKUT.ca. Listen [&hellip;]<\/p>\n","protected":false},"author":47,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[51],"tags":[],"class_list":["post-88","post","type-post","status-publish","format-standard","hentry","category-pages-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Hexa_Wave - hexagram.ca<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hexagram.ca\/en\/hexa-wave\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hexa_Wave - hexagram.ca\" \/>\n<meta property=\"og:description\" content=\"HEXA_WAVE Radio interview series with Hexagram members \u00a0A radio series presenting Hexagram researchers in 1-hour interview format. Hexa_Wave objective is to promote Hexagram research within the scientific community and to the general public. Hexa_Wave will be available in podcast format directy on Hexagram website and will also be broadcast on wikiradio.ca and on CKUT.ca. 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