{"version":"1.0","provider_name":"hexagram.ca","provider_url":"https:\/\/hexagram.ca\/fr\/","author_name":"Fanny Latreille-Beaumont","author_url":"https:\/\/hexagram.ca\/fr\/author\/communication\/","title":"DEMO68 Marcella Fran\u00e7a \u2501 Corpus\u00a0: m\u00e9moire, corps et technologie incarn\u00e9e - hexagram.ca","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"bWAIZqRyLm\"><a href=\"https:\/\/hexagram.ca\/fr\/demo68-marcella-franca\/\">DEMO68 Marcella Fran\u00e7a \u2501 Corpus\u00a0: m\u00e9moire, corps et technologie incarn\u00e9e<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/hexagram.ca\/fr\/demo68-marcella-franca\/embed\/#?secret=bWAIZqRyLm\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0DEMO68 Marcella Fran\u00e7a \u2501 Corpus\u00a0: m\u00e9moire, corps et technologie incarn\u00e9e\u00a0\u00bb &#8212; hexagram.ca\" data-secret=\"bWAIZqRyLm\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"http:\/\/hexagram.ca\/wp-content\/uploads\/DEMO68_00-cover-1.png","thumbnail_width":1280,"thumbnail_height":720,"description":"En reenactant les Parangol\u00e9s d\u2019H\u00e9lio Oitica, Marcella Fran\u00e7a interroge comment les principes performatifs peuvent activer une m\u00e9moire corporelle collective et g\u00e9n\u00e9rer de nouvelles formes de corpor\u00e9it\u00e9 engag\u00e9e par la r\u00e9alit\u00e9 \u00e9tendue (XR) et en r\u00e9alit\u00e9 augment\u00e9e spatiales (SAR)."}