{"id":1348,"date":"2021-04-06T18:16:23","date_gmt":"2021-04-06T18:16:23","guid":{"rendered":"https:\/\/hexagram.uqam.ca\/demo2-vanessa-mardirossian-the-culture-of-color-an-ecoliteracy-of-textile-design-2\/"},"modified":"2025-08-06T10:54:30","modified_gmt":"2025-08-06T15:54:30","slug":"demo2-vanessa-mardirossian-the-culture-of-color-an-ecoliteracy-of-textile-design-2","status":"publish","type":"post","link":"https:\/\/hexagram.ca\/fr\/demo2-vanessa-mardirossian-the-culture-of-color-an-ecoliteracy-of-textile-design-2\/","title":{"rendered":"DEMO2 Vanessa Mardirossian &#8211; Culture de la couleur : Une \u00e9colitt\u00e9ratie du design textile"},"content":{"rendered":"\n<p><style> .small-text{   font-size: 12px;   } <\/style><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><a href=\"https:\/\/theconversation.com\/textiles-toxiques-pour-lenvironnement-et-la-sante-les-designers-ont-un-role-a-jouer-214322\">LISEZ L&rsquo;ARTICLE DE VANESSA MARDIROSSIAN DANS LA CONVERSATION POUR EN SAVOIR PLUS SUR SES RECHERCHES EN 2023.<\/a><\/p>\n\n\n\n<hr>\n\n\n\n<p class=\"has-medium-font-size\"><i>F\u00e9vrier 2021 <\/i><\/p>\n\n\n\n<p>Quels sont les enjeux \u00e9cologiques du design textile? Cette question, qui oriente le processus de recherche-cr\u00e9ation de <a href=\"https:\/\/www.instagram.com\/vanessamardirossian\/\" target=\"_blank\" rel=\"noopener\">Vanessa Mardirossian<\/a> permet de r\u00e9fl\u00e9chir \u00e0 une approche critique de la mat\u00e9rialit\u00e9 gr\u00e2ce \u00e0 la conception de biomati\u00e8res \u00e0 porter. Ce deuxi\u00e8me DEMO porte sur l\u2019exposition <b>\u00ab Culture de la Couleur : Une \u00e9colitt\u00e9ratie du design textile \u00bb<\/b> qui pr\u00e9sente l\u2019exploration tinctoriale de Mardirossian. Pour cette derni\u00e8re, la documentation du processus a \u00e9t\u00e9 centrale. Ce travail de m\u00e9moire, autant \u00e9crit, que visuel et tactile, permet de m\u00fbrir sa r\u00e9flexion et sa production par l\u2019action. En laboratoire, le t\u00e2tonnement exp\u00e9rientiel et l\u2019essai-erreur font partie de sa m\u00e9thodologie.<\/p>\n\n\n\n<!--more-->\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"798\" height=\"600\" data-id=\"21545\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_001.jpg\" alt=\"\" class=\"wp-image-21545\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"796\" height=\"600\" data-id=\"21547\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_002.jpg\" alt=\"\" class=\"wp-image-21547\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"600\" data-id=\"21549\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_003.jpg\" alt=\"\" class=\"wp-image-21549\"\/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\"><meta charset=\"utf-8\">Fig. 1 \u00e0 3 : Explorations en laboratoire : cultures bact\u00e9riennes sur textiles et agars aromatis\u00e9s vari\u00e9s.<\/figcaption><\/figure>\n\n\n\n<p class=\"small-text\"><\/p>\n\n\n\n<p>Int\u00e9ress\u00e9e \u00e0 l\u2019aspect mol\u00e9culaire de la couleur, elle s\u2019inspire du travail de Janine Benyus sur le biomim\u00e9tisme afin de repenser nos m\u00e9thodes de production \u00e0 partir des modes op\u00e9ratoires du vivant, capable, entre autres, de produire des couleurs \u00e0 temp\u00e9rature ambiante et sans produits nocifs. Mixant des proc\u00e9d\u00e9s traditionnels et novateurs, issus du vivant, Mardirossian fait le pont entre le biomim\u00e9tisme et la biofabrication. Le vivant y devient une technologie en soi permettant la production de teintures et d\u2019imprim\u00e9s.<\/p>\n\n\n\n<p>L\u2019intensification de la production industrielle (notamment celle du v\u00eatement) et l\u2019appauvrissement des ressources contribuent \u00e0 la d\u00e9gradation des \u00e9cosyst\u00e8mes et nuisent \u00e0 la qualit\u00e9 de l\u2019air et de l\u2019eau. Ce sont ces enjeux qui stimulent son int\u00e9r\u00eat pour la revalorisation des d\u00e9chets alimentaires (Mc Donough, Braungart, 2002), qu\u2019elle utilise comme mati\u00e8res premi\u00e8res pour teindre les textiles. Cette approche critique de la mat\u00e9rialit\u00e9 contribue au d\u00e9veloppement d&rsquo;une m\u00e9thodologie collaborative soucieuse du vivant.<\/p>\n\n\n\n<p>Dans une premi\u00e8re phase de recherche (de 2018 \u00e0 2019) Mardirossian d\u00e9veloppe des pigments \u00e0 partir de d\u00e9chets d\u2019un c\u00f4t\u00e9 et de bact\u00e9ries de l\u2019autre. Il est int\u00e9ressant de noter que les peaux d\u2019oignons et d\u2019avocats contiennent un tannin naturel qui assure aux teintures une grande r\u00e9sistance \u00e0 la lumi\u00e8re et au lavage.<\/p>\n\n\n\n<p><strong>Teintures vari\u00e9es \u00e0 base de d\u00e9chets alimentaires :<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-4 is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_004.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" data-id=\"21552\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_004.jpg\" alt=\"\" class=\"wp-image-21552\"\/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_005.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"605\" height=\"600\" data-id=\"21554\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_005.jpg\" alt=\"\" class=\"wp-image-21554\"\/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_006.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"632\" height=\"600\" data-id=\"21556\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_006.jpg\" alt=\"\" class=\"wp-image-21556\"\/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_007.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"602\" height=\"600\" data-id=\"21558\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_007.jpg\" alt=\"\" class=\"wp-image-21558\"\/><\/a><\/figure>\n<\/figure>\n\n\n\n<p><strong> Et avec les bact\u00e9ries :<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"434\" data-id=\"21560\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_008-1280x434.jpg\" alt=\"\" class=\"wp-image-21560\" srcset=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_008-1280x434.jpg 1280w, https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_008.jpg 1771w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\"><meta charset=\"utf-8\">Serratia Marcescens sur agar et sur soie.<\/figcaption><\/figure>\n\n\n\n<p class=\"small-text\"><\/p>\n\n\n\n<p>Pour travailler en laboratoire avec des organismes vivants, il faut suivre les mesures de s\u00e9curit\u00e9. Cela demande beaucoup d\u2019attention et de soin, mais aussi de la patience, la croissance de ces organismes \u00e9tant bien s\u00fbr une question de temps!<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"553\" height=\"720\" data-id=\"21562\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_009-553x720.jpg\" alt=\"\" class=\"wp-image-21562\" srcset=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_009-553x720.jpg 553w, https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_009.jpg 600w\" sizes=\"(max-width: 553px) 100vw, 553px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"553\" height=\"720\" data-id=\"21564\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_010-553x720.jpg\" alt=\"\" class=\"wp-image-21564\" srcset=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_010-553x720.jpg 553w, https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_010.jpg 600w\" sizes=\"(max-width: 553px) 100vw, 553px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"552\" height=\"720\" data-id=\"21566\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_011-552x720.jpg\" alt=\"\" class=\"wp-image-21566\" srcset=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_011-552x720.jpg 552w, https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_011.jpg 600w\" sizes=\"(max-width: 552px) 100vw, 552px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\"><meta charset=\"utf-8\">Fig. 1 Serratia Marcescens sur soie apr\u00e8s 24 heures. <br>Fig. 2 Serratia Marcescens sur soie apr\u00e8s 48 heures. <br>Fig. 3 Serratia Marcescens sur soie apr\u00e8s 144 heures (6 jours).<\/figcaption><\/figure>\n\n\n\n<p class=\"small-text\"><\/p>\n\n\n\n<p>Avant tout vou\u00e9e \u00e0 la recherche d\u2019alternatives saines pour contrer la toxicit\u00e9 des teintures que nous portons, Mardirossian met donc sa recherche \u00e0 l\u2019\u00e9preuve en janvier 2020. Encadr\u00e9e par le chimiste <b>Yves G\u00e9linas<\/b>, elle compare la composition chimique de textiles imprim\u00e9s industriellement et celle de ses teintures naturelles. Les r\u00e9sultats sugg\u00e8rent que les secondes ne contiennent pas de compos\u00e9s toxiques, comme on en trouve dans les colorants de synth\u00e8ses issus du p\u00e9trole.<\/p>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"349\" data-id=\"21568\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_012.jpg\" alt=\"\" class=\"wp-image-21568\"\/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\"><meta charset=\"utf-8\">Analyse de textiles teints, en contact avec de la sueur artificielle. R\u00e9alis\u00e9e \u00e0 Loyola (Concordia) en janvier 2020.<\/figcaption><\/figure>\n\n\n\n<p class=\"small-text\"><\/p>\n\n\n\n<p>Elle d\u00e9cide ensuite de croiser ses deux premiers proc\u00e9d\u00e9s \u00e0 partir de f\u00e9vrier 2020. Les bact\u00e9ries se nourrissent maintenant de d\u00e9chets alimentaires, des peaux de fruits et l\u00e9gumes vari\u00e9es, qui stimulent la production de pigments et enrichissent la palette de couleur. Ces bact\u00e9ries sont mises en culture sur des agars aromatis\u00e9s, une gel\u00e9e extraite d\u2019algue, ou directement sur textiles.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-4 is-cropped wp-block-gallery-6 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_013.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"805\" height=\"600\" data-id=\"21570\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_013.jpg\" alt=\"\" class=\"wp-image-21570\"\/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_014.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"804\" height=\"600\" data-id=\"21572\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_014.jpg\" alt=\"\" class=\"wp-image-21572\"\/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_015.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"795\" height=\"600\" data-id=\"21574\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_015.jpg\" alt=\"\" class=\"wp-image-21574\"\/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_016.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"802\" height=\"600\" data-id=\"21576\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_016.jpg\" alt=\"\" class=\"wp-image-21576\"\/><\/a><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\"><meta charset=\"utf-8\">Fig. 1 et 2 : Serratia Marcescens sur agars aromatis\u00e9s de d\u00e9chets alimentaires vari\u00e9s.<br>Fig. 3 : Cultures bact\u00e9riennes sur textiles et agars aromatis\u00e9s vari\u00e9s.<br>Fig. 4 : Cultures liquides aromatis\u00e9es de d\u00e9chets alimentaires vari\u00e9s.<\/figcaption><\/figure>\n\n\n\n<p class=\"small-text\"><\/p>\n\n\n\n<p>Soucieuse de sa collaboration avec la bact\u00e9rie <i>Serratia Marcescens<\/i> qui adore les espaces confin\u00e9s, Mardirossian cr\u00e9e des pochoirs restreignant son espace de croissance, ce qui favorise une multiplication cellulaire et augmente la densit\u00e9 de la population. De cette mani\u00e8re l\u2019artiste est capable de produire un motif tr\u00e8s pigment\u00e9 avant de le transf\u00e9rer sur tissus.<\/p>\n\n\n\n<p>Voici un exemple du processus, de la croissance des bact\u00e9ries <i>Serratia Marcescens<\/i> sur agar au haricot noir, \u00e0 l\u2019impression sur coton teint \u00e0 l\u2019avocat, jusqu\u2019au tissu avant et apr\u00e8s un traitement \u00e0 la vapeur qui rehausse la palette de couleurs.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"617\" height=\"720\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_017-617x720.jpg\" alt=\"\" class=\"wp-image-21578\" style=\"width:390px;height:455px\" srcset=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_017-617x720.jpg 617w, https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_017.jpg 686w\" sizes=\"(max-width: 617px) 100vw, 617px\" \/><figcaption class=\"wp-element-caption\"><meta charset=\"utf-8\">Croissance de motifs bact\u00e9riens sur agar au haricot noir.<\/figcaption><\/figure><\/div>\n\n\n<p class=\"small-text\"><\/p>\n\n\n\n<p class=\"has-text-align-center\"><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/gdzBJfX9MVE\" width=\"890\" height=\"480\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n\n\n\n<p class=\"small-text\">Croissance de motifs bact\u00e9riens sur agar au haricot noir.<\/p>\n\n\n\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/OhbtvRK_q24\" width=\"890\" height=\"480\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n\n\n\n<p class=\"small-text\">Serratia Marcescens sur agar de haricot noir imprim\u00e9 sur coton teint \u00e0 l\u2019avocat, D\u00e9voilement par Gabriel Scott et Vanessa Mardirossian. Cr\u00e9dits : Jules Beauchamp Desbiens<\/p>\n\n\n\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/W75ENuowz9E\" width=\"890\" height=\"480\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n\n\n\n<p class=\"small-text\">Serratia Marcescens sur agar de haricot noir imprim\u00e9 sur coton teint \u00e0 l\u2019avocat, D\u00e9voilement par Vanessa Mardirossian. Cr\u00e9dits: Th\u00e9o Chauvirey<\/p>\n\n\n\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/CON5BK_-V5k\" width=\"890\" height=\"480\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n\n\n\n<p class=\"small-text\">Impression par Vanessa Mardirossian, Jules Beauchamp Desbiens et Th\u00e9o Chauviray. Cr\u00e9dits : Jules Beauchamp Desbiens<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-7 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"533\" height=\"720\" data-id=\"21580\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_018-533x720.jpg\" alt=\"\" class=\"wp-image-21580\" srcset=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_018-533x720.jpg 533w, https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_018.jpg 600w\" sizes=\"(max-width: 533px) 100vw, 533px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"536\" height=\"720\" data-id=\"21582\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_019-536x720.jpg\" alt=\"\" class=\"wp-image-21582\" srcset=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_019-536x720.jpg 536w, https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_019.jpg 600w\" sizes=\"(max-width: 536px) 100vw, 536px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\"><meta charset=\"utf-8\">Fig. 1 : Serratia vivante sur coton teint \u00e0 l&rsquo;avocat. <br>Fig. 2 : Serratia apr\u00e8s passage \u00e0 la vapeur sur coton teint \u00e0 l&rsquo;avocat.<\/figcaption><\/figure>\n\n\n\n<p class=\"small-text\"><\/p>\n\n\n\n<p>Mardirossian aspire \u00e9galement \u00e0 mettre de l\u2019avant l\u2019\u00e9cosyst\u00e8me montr\u00e9alais de la mode, afin de produire un v\u00eatement, de la fibre au placard, dans un rayon de 250 km (Burgess, 2019). Gr\u00e2ce \u00e0 sa collaboration avec des producteurs et designers locaux, elle r\u00e9unit des comp\u00e9tences vari\u00e9es autour de questionnements communs sur l\u2019\u00e9thique de la production vestimentaire. Dans le cadre de cette exposition, elle collabore aussi avec les designers <b>Lila Rousselet<\/b> de Montloup et <b>Anne-Marie Laflamme <\/b>et <b>Catherine M\u00e9tivier<\/b> de atelier b. La maison <b>Montloup<\/b> est une entreprise montr\u00e9alaise qui tricote ici m\u00eame des jerseys de coton organique de grande qualit\u00e9 labellis\u00e9s Oeko-Tex. Ils sont transform\u00e9s par les doigts de f\u00e9es d\u2019<b>atelier b<\/b>, avant d\u2019\u00eatre imprim\u00e9s par des micro-organismes.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-8 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1022\" height=\"720\" data-id=\"21584\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_020-1022x720.jpg\" alt=\"\" class=\"wp-image-21584\" srcset=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_020-1022x720.jpg 1022w, https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_020.jpg 1280w\" sizes=\"(max-width: 1022px) 100vw, 1022px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"851\" height=\"600\" data-id=\"21586\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_021.jpg\" alt=\"\" class=\"wp-image-21586\"\/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\"><meta charset=\"utf-8\">Fig. 1 Visite des designers de mode d\u2019atelier b. Anne-Marie Laflamme et Catherine M\u00e9tivier avec Vanessa Mardirossian, F\u00e9vrier 2020.<br>Fig. 2 Chez atelier b avec les tissus imprim\u00e9s<\/figcaption><\/figure>\n\n\n\n<hr>\n\n\n\n<p>Du <b>26 f\u00e9vrier au 7 mai<\/b>, visitez l\u2019exposition de <a rel=\"noopener\" href=\"https:\/\/www.instagram.com\/vanessamardirossian\/\" target=\"_blank\">Vanessa Mardirossian<\/a> \u00e0 l&rsquo;<b>\u00c9cole sup\u00e9rieure de mode de l&rsquo;UQAM(ESM)<\/b>, au 280 rue Sainte-Catherine Est, \u00e0 Montr\u00e9al.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"959\" height=\"720\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_022-959x720.jpg\" alt=\"\" class=\"wp-image-21588\" style=\"width:775px;height:581px\" srcset=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_022-959x720.jpg 959w, https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_022.jpg 1065w\" sizes=\"(max-width: 959px) 100vw, 959px\" \/><figcaption class=\"wp-element-caption\"><meta charset=\"utf-8\">L\u2019Exposition dans la vitrine de l\u2019ESM.<\/figcaption><\/figure><\/div>\n\n\n<p class=\"small-text\"><\/p>\n\n\n\n<p>Cette exposition est soutenue par Hexagram, le Conseil de Recherches en Sciences Humaines du Canada (CRSH) ainsi que par le Textile &amp; Materiality Cluster de Milieux (Concordia).<\/p>\n\n\n\n<hr class=\"uk-divider-small\">\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\">BIOGRAPHIE<\/h2>\n\n\n\n<div style=\"height:23px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Vanessa Mardirossian a \u00e9t\u00e9 designer textile pour la mode pendant 20 ans. D\u2019abord \u00e0 Paris pour <b>Christian Lacroix Couture<\/b> et le bureau de tendances <b>Nelly Rodi<\/b> puis \u00e0 Montr\u00e9al pour le <b>Groupe Dynamite<\/b>. Soucieuse de l\u2019aspect polluant de l\u2019industrie textile et de ses effets sur la sant\u00e9, elle a entrepris, il y a 4 ans, un doctorat \u00e0 l\u2019universit\u00e9 Concordia sous la direction d\u2019<b>Alice Jarry<\/b>, Ph.D. et artiste [co-chercheure Hexagram]. Elle travaille au d\u00e9veloppement d\u2019une \u00e9colitt\u00e9ratie du design, qui appelle \u00e0 r\u00e9fl\u00e9chir aux cons\u00e9quences de la cr\u00e9ation sur les \u00e9cosyst\u00e8mes et sur l\u2019humain. Son projet de recherche-cr\u00e9ation multidisciplinaire engage un dialogue it\u00e9ratif entre design, chimie et sant\u00e9 environnementale permettant de r\u00e9fl\u00e9chir \u00e0 une approche critique de la mat\u00e9rialit\u00e9 textile et d\u2019aborder des enjeux de soci\u00e9t\u00e9 complexes \u00e0 travers le prisme du graphisme et de la couleur. Elle enseigne \u00e9galement \u00e0 l\u2019\u00c9cole Sup\u00e9rieure de Mode de l\u2019UQAM depuis 5 ans o\u00f9 le d\u00e9veloppement durable est au c\u0153ur de sa p\u00e9dagogie.<\/p>\n\n\n\n<p>Vous pouvez suivre son processus cr\u00e9atif en jetant un coup d\u2019oeil \u00e0 son profil Instagram : <strong>@vanessamardirossian<\/strong><\/p>\n\n\n\n<p>Vous pouvez \u00e9galement lire deux articles \u00e0 propos de son travail et de l\u2019exposition en cours : <br><a href=\"https:\/\/www.actualites.uqam.ca\/2021\/rebuts-alimentaires-bacteries-design-textile-expo-pavillon-mode\" target=\"_blank\" rel=\"noopener\">l\u2019article que Val\u00e9rie Martin<\/a>, paru dans <a href=\"https:\/\/www.actualites.uqam.ca\" target=\"_blank\" rel=\"noopener\"><i>Actualit\u00e9s UQAM<\/i><\/a>; <br><a href=\"https:\/\/www.lapresse.ca\/societe\/mode-et-beaute\/2021-03-30\/quand-les-dechets-se-melent-de-la-mode.php\" target=\"_blank\" rel=\"noopener\">l\u2019article de Isabelle Morin<\/a>, paru dans La Presse.<\/p>\n\n\n\n<p>Cr\u00e9dits : Toutes les images sont de Vanessa Mardirossian, sauf l\u00e0 o\u00f9 indiqu\u00e9. <br>Pour toute question ou commentaire, n&rsquo;h\u00e9sitez pas \u00e0 la contacter \u00e0 l\u2019adresse suivante : vanessamardirossian@gmail.com<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1003\" height=\"600\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/DEMO2_023.jpg\" alt=\"\" class=\"wp-image-21590\" style=\"width:617px;height:369px\"\/><\/figure><\/div>","protected":false},"excerpt":{"rendered":"<p>LISEZ L&rsquo;ARTICLE DE VANESSA MARDIROSSIAN DANS LA CONVERSATION POUR EN SAVOIR PLUS SUR SES RECHERCHES EN 2023. F\u00e9vrier 2021 Quels sont les enjeux \u00e9cologiques du design textile? Cette question, qui oriente le processus de recherche-cr\u00e9ation de Vanessa Mardirossian permet de r\u00e9fl\u00e9chir \u00e0 une approche critique de la mat\u00e9rialit\u00e9 gr\u00e2ce \u00e0 la conception de biomati\u00e8res \u00e0 [&hellip;]<\/p>\n","protected":false},"author":50,"featured_media":2749,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[26],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>DEMO2 Vanessa Mardirossian - Culture de la couleur : Une \u00e9colitt\u00e9ratie du design textile - hexagram.ca<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hexagram.ca\/fr\/demo2-vanessa-mardirossian-the-culture-of-color-an-ecoliteracy-of-textile-design-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"DEMO2 Vanessa Mardirossian - Culture de la couleur : Une \u00e9colitt\u00e9ratie du design textile - hexagram.ca\" \/>\n<meta property=\"og:description\" content=\"LISEZ L&rsquo;ARTICLE DE VANESSA MARDIROSSIAN DANS LA CONVERSATION POUR EN SAVOIR PLUS SUR SES RECHERCHES EN 2023. F\u00e9vrier 2021 Quels sont les enjeux \u00e9cologiques du design textile? Cette question, qui oriente le processus de recherche-cr\u00e9ation de Vanessa Mardirossian permet de r\u00e9fl\u00e9chir \u00e0 une approche critique de la mat\u00e9rialit\u00e9 gr\u00e2ce \u00e0 la conception de biomati\u00e8res \u00e0 [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/hexagram.ca\/fr\/demo2-vanessa-mardirossian-the-culture-of-color-an-ecoliteracy-of-textile-design-2\/\" \/>\n<meta property=\"og:site_name\" content=\"hexagram.ca\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/HexagramNetwork\" \/>\n<meta property=\"article:published_time\" content=\"2021-04-06T18:16:23+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-08-06T15:54:30+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/hexagram.ca\/wp-content\/uploads\/demo2-banner.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"373\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Matt Halpenny\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@HexagramNetwork\" \/>\n<meta name=\"twitter:site\" content=\"@HexagramNetwork\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Matt Halpenny\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"10 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/hexagram.ca\/fr\/demo2-vanessa-mardirossian-the-culture-of-color-an-ecoliteracy-of-textile-design-2\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/hexagram.ca\/fr\/demo2-vanessa-mardirossian-the-culture-of-color-an-ecoliteracy-of-textile-design-2\/\"},\"author\":{\"name\":\"Matt Halpenny\",\"@id\":\"https:\/\/hexagram.ca\/fr\/#\/schema\/person\/042299703247bf2518922b65513ec641\"},\"headline\":\"DEMO2 Vanessa Mardirossian &#8211; 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