{"id":24159,"date":"2026-04-15T12:23:52","date_gmt":"2026-04-15T17:23:52","guid":{"rendered":"https:\/\/hexagram.ca\/?p=24159"},"modified":"2026-05-08T09:20:03","modified_gmt":"2026-05-08T14:20:03","slug":"spatialites-sonores-et-transduction-des-genres","status":"publish","type":"post","link":"https:\/\/hexagram.ca\/fr\/spatialites-sonores-et-transduction-des-genres\/","title":{"rendered":"Spatialit\u00e9s sonores et transduction des genres"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Concerts et table ronde<\/h2>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Jeudi\u00a07\u00a0mai 2026<\/strong><br>15\u00a0h \u2013 21\u00a0h\u00a030<br>Gratuit<br>En pr\u00e9sentiel ou<br><a href=\"https:\/\/www.youtube.com\/@reseauhexagram\">transmission en direct <\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Mezzanine de l\u2019Agora du C\u0153ur des sciences<\/strong><br>Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al<br>175, av. du Pr\u00e9sident-Kennedy<br>Montr\u00e9al<br><a href=\"https:\/\/maps.app.goo.gl\/6YuRATBpH4qPZsss8\" target=\"_blank\" rel=\"noreferrer noopener\">Directions<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>S\u2019inscrivant dans la continuit\u00e9 du projet <\/strong><a href=\"https:\/\/hexagram.ca\/fr\/arts-sonores-et-transduction-des-genres-iii\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><em>Arts sonores et transduction des genres<\/em><\/strong><\/a><strong>, cet \u00e9v\u00e9nement propose d\u2019ouvrir la r\u00e9flexion \u00e0 la question de la spatialit\u00e9 dans la cr\u00e9ation sonore, musicale et performative. Comment le son, dans sa mat\u00e9rialit\u00e9 vibratoire et sa propagation dans l\u2019espace, participe-t-il \u00e0 reconfigurer les rapports entre les corps, les identit\u00e9s et les formes artistiques\u202f?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La spatialit\u00e9, ici, ne se r\u00e9duit pas \u00e0 un simple cadre de diffusion ou \u00e0 une dimension technologique de la spatialisation sonore. Elle constitue un principe actif de relation, une dynamique de transduction o\u00f9 se rejouent continuellement les fronti\u00e8res entre int\u00e9rieur et ext\u00e9rieur, local et global, intime et collectif. Comme la transduction simondonienne, le son se d\u00e9ploie de proche en proche&nbsp;: il traverse, module, transforme les milieux et les subjectivit\u00e9s qu\u2019il rencontre.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dans cette perspective, l\u2019espace devient m\u00e9dium, mati\u00e8re et acteur de l\u2019\u0153uvre. La propagation sonore, ses interf\u00e9rences, ses r\u00e9sonances et ses silences, agissent comme autant d\u2019op\u00e9rations transductives qui reconfigurent les genres \u2014 au sens d\u2019identit\u00e9s de genre, de genres musicaux, mais aussi de genres de pr\u00e9sence et de relation. Explorer la spatialit\u00e9, c\u2019est d\u00e8s lors interroger la plasticit\u00e9 m\u00eame des cat\u00e9gories qui fondent nos mani\u00e8res d\u2019\u00e9couter, de performer, d\u2019habiter ensemble.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L\u2019\u00e9v\u00e9nement invite artistes, chercheurs et chercheuses, ainsi qu\u2019auditeurs et auditrices \u00e0 exp\u00e9rimenter des dispositifs o\u00f9 le son devient un agent de passage et de transformation&nbsp;: concerts immersifs et performatifs, cr\u00e9ations radiophoniques, installations multicanaux, exp\u00e9riences t\u00e9l\u00e9pr\u00e9sentielles ou in situ, croisements entre discours th\u00e9orique et acte sonore. Ces formes h\u00e9t\u00e9rog\u00e8nes cherchent \u00e0 activer des espaces d\u2019\u00e9coute transductifs, o\u00f9 le sensible, le politique et le po\u00e9tique s\u2019entrelacent sans hi\u00e9rarchie ni fixit\u00e9.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cette activit\u00e9 est pr\u00e9sent\u00e9e dans le cadre des <a href=\"https:\/\/hexagram.ca\/fr\/rencontres-interdisciplinaires-2026\/\" target=\"_blank\" rel=\"noreferrer noopener\">Rencontres interdisciplinaires&nbsp;2026<\/a>.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Programme<\/strong><\/h2>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>L\u2019\u00e9v\u00e9nement sera transmis en direct sur la <a href=\"https:\/\/www.youtube.com\/@reseauhexagram\" target=\"_blank\" rel=\"noreferrer noopener\">cha\u00eene YouTube du R\u00e9seau Hexagram<\/a> et sur <a href=\"https:\/\/www.radioblocoral.ca\/\" target=\"_blank\" rel=\"noreferrer noopener\">Radio Bloc Oral<\/a>.<\/strong><\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading\"><strong>15&nbsp;h \u2013<\/strong> <strong>17&nbsp;h \u2502 Premi\u00e8re s\u00e9rie de concerts<\/strong><\/h3>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Avec:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Fanny Pimpurniaux (Rouyn-Noranda)<\/li>\n\n\n\n<li>Chantal Dumas (Montr\u00e9al)<\/li>\n\n\n\n<li>Marsol (Soledad Coyoli et Marwan Sekkat, Montr\u00e9al)<\/li>\n\n\n\n<li>J\u00e9r\u00f4me Joy (Saint-Nazaire)<\/li>\n<\/ul>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>17&nbsp;h \u2013<\/strong> <strong>18&nbsp;h \u2502 Table ronde avec les compositeurs et compositrices<\/strong><\/h3>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Mod\u00e9ration&nbsp;: \u00c9ric L\u00e9tourneau<\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>18&nbsp;h \u2013<\/strong> <strong>19&nbsp;h \u2502 Pause<\/strong><\/h3>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading\"><strong>19&nbsp;h \u2013<\/strong> <strong>21&nbsp;h \u2502 Deuxi\u00e8me s\u00e9rie de concerts<\/strong><\/h3>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Avec:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Kasey Pocius (Montr\u00e9al)<\/li>\n\n\n\n<li>Jean-Ambroise Vesac (Rouyn-Noranda)<\/li>\n\n\n\n<li>Vagin Soleil (Saint-Alphonse-Rodriguez)<\/li>\n\n\n\n<li>Volkmar Klien* (Vienne)<\/li>\n\n\n\n<li>Simon-Pierre Gourd (Montr\u00e9al)<\/li>\n<\/ul>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>21&nbsp;h \u2013 21 h 30 \u2502 Performance LASER<\/strong><\/h3>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">par Augur\u2019s Wand (Montr\u00e9al)<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Pour toutes questions, contactez&nbsp;: letourneau.eric@uqam.ca<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">*La composition de Klien, <em>In Transit<\/em>, int\u00e8gre des enregistrements de Christine Gnigler, Lorina Vallaster, Joachim Rigler et Volkmar Klien chantant.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>\u00c0 propos des compositeur<\/strong>\u00b7<strong>ice<\/strong>\u00b7<strong>s<\/strong><\/h2>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Augur\u2019s Wand<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Membre \u00e9tudiant, Universit\u00e9 Concordia<\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.instagram.com\/augurswand\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Augur\u2019s Wand<\/strong><\/a> est un duo de musique visuelle compos\u00e9 du compositeur <a href=\"https:\/\/kristiannorth.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Kristian North<\/strong><\/a> et de l\u2019artiste-ing\u00e9nieur <strong>Mike Cassidy<\/strong>. \u00c0 l\u2019aide de <em>Phosphene<\/em>, leur synth\u00e9tiseur sur mesure, ils donnent vie \u00e0 des performances cin\u00e9tiques m\u00ealant son et laser, o\u00f9 le son, la couleur et la forme naissent d\u2019une impulsion \u00e9lectrique commune. Poursuivant la lign\u00e9e arch\u00e9ologique des m\u00e9dias bas\u00e9s sur les signaux, ils cherchent \u00e0 transcender les hi\u00e9rarchies audiovisuelles en privil\u00e9giant les atmosph\u00e8res ressenties et les constantes de forme synesth\u00e9siques.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/Augurs-wand_400x400.png\" alt=\"Augur's Wand\" class=\"wp-image-24634\" style=\"width:250px\"\/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Soledad Coyoli<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al<\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">Lx chanteur\u00b7euse et compositeur\u00b7ice, <a href=\"https:\/\/unasoledad.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Soledad Coyoli<\/strong><\/a> a grandi entre les peintures surr\u00e9alistes de Leonora Carrington et Remedios Varo, les sculptures de sa grand-m\u00e8re, la Malinche, la llorona, les pi\u00e8ces d\u00e9tach\u00e9es des robots de son oncle et la musique sacr\u00e9e que son p\u00e8re \u00e9coutait. Son travail sonore s\u2019inspire de la tradition de la chanson mexicaine, et s\u2019int\u00e9resse \u00e0 la rencontre entre diff\u00e9rentes voix\/langues\/cultures\/technologies, ainsi qu\u2019aux racines identitaires n\u00e1huatl (son nom signifie \u00ab\u2009clochette\u2009\u00bb en n\u00e1huatl). Sa musique, laur\u00e9ate de l\u2019UNESCO-ASCHBERG en 2014, a \u00e9t\u00e9 pr\u00e9sent\u00e9e dans certains des centres culturels les plus importants du Mexique, tels que le MUAC (Mus\u00e9e Universitaire d\u2019art Contemporain), le mus\u00e9e Franz Mayer et le Centre de Culture num\u00e9rique \u00e0 la ville de Mexique. Depuis son arriv\u00e9e \u00e0 Tiohti\u00e1&nbsp;: ke\/Mooniyang\/Montr\u00e9al, son travail a trouv\u00e9 une nouvelle orientation&nbsp;: la voix et le corps comme territoires uniques, propres et non r\u00e9p\u00e9tables, mais aussi comme mati\u00e8res fluides, myst\u00e9rieuses, mutantes et collaboratives.&nbsp;<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/SCoyolie_400x400.png\" alt=\"\" class=\"wp-image-24636\" style=\"width:250px\"\/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Chantal Dumas<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al<\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">Artiste sonore montr\u00e9alaise, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Chantal_Dumas\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Chantal Dumas<\/strong><\/a> explore le m\u00e9dium du son depuis plus de trente ans. Son travail donne forme \u00e0 une \u0153uvre personnelle et intimiste d\u00e9ploy\u00e9e en narration, paysages sonores, compositions, parcours d\u2019\u00e9coute et installations. Des th\u00e9matiques r\u00e9currentes \u2014 espace, temps et territoire \u2014 r\u00e9v\u00e8lent une conscience environnementale \u00e9troitement li\u00e9e \u00e0 une attention soutenue \u00e0 l\u2019\u00e9coute. Elle a \u00e9t\u00e9 r\u00e9cipiendaire du Studio du Qu\u00e9bec \u00e0 New York (CALQ) en 2011 et du Studio des R\u00e9collets \u00e0 Paris (CALQ) en 2016, et a r\u00e9alis\u00e9 de nombreuses r\u00e9sidences, notamment \u00e0 Banff, Sporobole, Oboro, Avatar, AdMare et NAISA. Laur\u00e9ate des prix Opus\u2011Concert en musique \u00e9lectroacoustique (2009) ainsi que des prix Bohemia et Phonurgia Nova en radio, son album <em>Oscillations plan\u00e9taires<\/em> fut finaliste au Prix Opus&nbsp;2019\u20112020. Son \u0153uvre est largement diffus\u00e9e \u00e0 la radio publique europ\u00e9enne et en festivals. Elle initie des projets de m\u00e9diation et collabore comme conceptrice sonore pour cr\u00e9ations contemporaines.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/CDumas_400x400.png\" alt=\"\" class=\"wp-image-24638\" style=\"width:250px\"\/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Simon-Pierre Gourd<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al<\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">Compositeur et professeur de cr\u00e9ation sonore aux programmes de <em>Cr\u00e9ation d&rsquo;exp\u00e9riences immersives_interactives<\/em> et <em>M\u00e9dia exp\u00e9rimental<\/em> ainsi qu\u2019en <em>Musique de film<\/em>, <a href=\"https:\/\/audiospace.soundingfuture.com\/artists\/simon-pierre-gourd?sort=bio\">Simon-Pierre Gourd <\/a>&nbsp;est cofondateur de l\u2019Institut Universitaire des Nouveaux M\u00e9dias, devenu Hexagram. Ses recherches portent sur le d\u00e9veloppement de dispositifs interactifs et immersifs, ainsi que sur l\u2019\u00e9tude des questions li\u00e9es au son dans le contexte de l\u2019utilisation des nouvelles technologies. Il s\u2019int\u00e9resse particuli\u00e8rement \u00e0 la perception du langage sonore et aux ph\u00e9nom\u00e8nes de repr\u00e9sentation \u00e9mergeant des pratiques actuelles, notamment l\u2019art audio immersif, mais aussi la conservation des \u0153uvres et des art\u00e9facts technologiques issues des pratiques artistiques et la m\u00e9thodologie de la recherche-cr\u00e9ation. Il est membre fondateur du GRMS. Il a cr\u00e9\u00e9 des \u0153uvres dans divers domaines : musique acousmatique, musique immersive, cr\u00e9ations sonores pour les nouveaux m\u00e9dias, cin\u00e9ma, radio, t\u00e9l\u00e9vision, th\u00e9\u00e2tre, arts visuels et danse. Ses \u0153uvres ont \u00e9t\u00e9 diffus\u00e9es en Europe, aux \u00c9tats-Unis, au Mexique et au Canada.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/SPGourd_400x400.png\" alt=\"\" class=\"wp-image-24640\" style=\"width:250px\"\/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>J\u00e9r\u00f4me Joy<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u00c9cole nationale sup\u00e9rieure d\u2019art de Bourges<\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">Artiste, musicien, compositeur, improvisateur, interpr\u00e8te, performeur et auteur, <a href=\"https:\/\/jeromejoy.org\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>J\u00e9r\u00f4me Joy<\/strong><\/a> d\u00e9veloppe une pratique radicalement tourn\u00e9e vers les musiques exp\u00e9rimentales, \u00e9lectroniques et instrumentales. Son travail se d\u00e9ploie \u00e0 travers performances, concerts, r\u00e9cits, partitions, vid\u00e9os et radio, en explorant les zones de crise, de limite et d\u2019instabilit\u00e9 propres au sonore. Il s\u2019int\u00e9resse particuli\u00e8rement aux registres encore peu investis de fabrication, de diffusion, de sensation, d\u2019\u00e9motion et de perception de la musique. Depuis une dizaine d\u2019ann\u00e9es, l\u2019\u00e9criture constitue un second milieu acoustique de sa pratique, \u00e0 travers les notions d\u2019\u0153uvre\u2011milieu, d\u2019\u00e9coute de fond et de texte\u2011partition. Initiateur de nombreux projets internationaux \u2014 dont <em>Sobralasolas\u2009!<\/em>, <em>Collective JukeBox<\/em>, <em>RadioMatic<\/em>, <em>nocinema.org<\/em> et <em>NMSAT<\/em> \u2014, il m\u00e8ne actuellement plusieurs initiatives autour de \u00ab\u202fl\u2019art et des contextes\u202f\u00bb issues des pratiques de musique \u00e9tendue. Il a co\u2011dirig\u00e9 le laboratoire Locus Sonus et est membre de plusieurs collectifs et ensembles de musique noise et exp\u00e9rimentale.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/JJoy_credit-eric-sneed_400x400.png\" alt=\"\" class=\"wp-image-24642\" style=\"width:250px\"\/><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">\u24b8Eric Sneed<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Volkmar Klien<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Anton Bruckner Privatuniversit\u00e4t<\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">D\u2019origine viennoise, <a href=\"https:\/\/www.volkmarklien.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Volkmar Klien<\/strong><\/a> a pass\u00e9 son enfance plong\u00e9 dans la vie musicale de la ville et ses grandes traditions. S\u2019appuyant sur cet h\u00e9ritage, il s\u2019efforce aujourd\u2019hui d\u2019\u00e9largir les pratiques traditionnelles de composition, de production et d\u2019\u00e9coute bien au-del\u00e0 du cadre \u00e9tabli de la musique de concert. Il travaille dans divers domaines des arts audibles \u2014 et parfois inaudibles \u2014, explorant les multiples liens entre les diff\u00e9rents modes de perception humaine, les sph\u00e8res de la repr\u00e9sentation et les r\u00f4les que celles-ci jouent dans la production collective de sens.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/VKlien_400x400.png\" alt=\"\" class=\"wp-image-24644\" style=\"width:250px\"\/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Fanny Pimpurniaux<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Membre \u00e9tudiante, Universit\u00e9 du Qu\u00e9bec en Abitibi-T\u00e9miscamingue<\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.instagram.com\/fannypimpp\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Fanny Pimpurniaux<\/strong><\/a> d\u00e9veloppe une pratique \u00e0 la crois\u00e9e de l\u2019art num\u00e9rique et des environnements immersifs. Dipl\u00f4m\u00e9e en cr\u00e9ation num\u00e9rique et nouveaux m\u00e9dias, elle con\u00e7oit des exp\u00e9riences qui articulent son, image et espace au sein de dispositifs sensibles et interactifs. Son travail ne se limite pas \u00e0 une recherche esth\u00e9tique&nbsp;: il s\u2019inscrit dans une r\u00e9flexion sur les limites des technologies et les syst\u00e8mes qui fa\u00e7onnent notre perception. \u00c0 travers des installations immersives, elle explore des processus de transformation o\u00f9 les m\u00e9diums se contaminent, se traduisent et se recomposent. En cr\u00e9ant des environnements instables et \u00e9volutifs, elle invite le public \u00e0 exp\u00e9rimenter une perception en constante mutation, et \u00e0 interroger sa mani\u00e8re d\u2019habiter et de comprendre le r\u00e9el.&nbsp;<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"240\" height=\"240\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/FPimpurniaux_240x240.png\" alt=\"\" class=\"wp-image-24646\" style=\"width:250px\"\/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Kasey Pocius<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Universit\u00e9 Concordia<\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/linktr.ee\/kaseypocius\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Kasey Pocius<\/strong><\/a> est un\u00b7e artiste interm\u00e9dia de genre fluide et chercheur\u00b7euse bas\u00e9\u00b7e \u00e0 Montr\u00e9al, enseignant\u00b7e \u00e0 Concordia et actif\u00b7ve au sein du CIRMMT, de l\u2019IDMIL, du LePARC et du GRMS. Iel cr\u00e9e des \u0153uvres \u00e9lectroacoustiques et audiovisuelles qui explorent l\u2019\u00e9lectronique interactive, le son spatial et l\u2019improvisation collaborative, avec des pi\u00e8ces programm\u00e9es \u00e0 l\u2019\u00e9chelle mondiale, des espaces DIY \u00e0 Harvard.&nbsp;<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/KPocius_CreditTommyDavis.png\" alt=\"\" class=\"wp-image-24648\" style=\"width:250px;height:auto\"\/><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">\u24b8Tommy Davis<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Marwan Sekkat<\/strong><\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/marwansekkat.art\/\">Marwan Sekkat<\/a><\/strong> est un artiste interdisciplinaire franco-marocain r\u00e9sident au Qu\u00e9bec. Apr\u00e8s une licence en science de l\u2019audiovisuel en France, il obtient, en 2018, une ma\u00eetrise en cr\u00e9ation num\u00e9rique \u00e0 l\u2019Universit\u00e9 du Qu\u00e9bec en Abitibi-T\u00e9miscamingue. Ses recherches artistiques ont b\u00e9n\u00e9fici\u00e9 du soutien de la galerie Jano Lapin et du MAI \u00e0 Montr\u00e9al, du centre Sagamie \u00e0 Alma et prochainement du centre Bang \u00e0 Chicoutimi. Son travail a \u00e9t\u00e9 expos\u00e9 \u00e0 l\u2019\u00c9cart, Eastern bloc, \u00e0 la Biosph\u00e8re, au Livart, au Centre d&rsquo;exposition L\u00e9o-Ayotte \u00e0 Shawinigan et dans des expositions d\u2019art public tel que REGARDE! ou M\u00e9moire de l\u2019avenir.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"250\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/MarwanSekkat_250x250.png\" alt=\"\" class=\"wp-image-24650\" style=\"width:250px\"\/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Vagin Soleil<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al<\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/vaginsoleil.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Vagin Soleil<\/strong><\/a> propose de d\u00e9truire toute vell\u00e9it\u00e9 conceptuelle consid\u00e9rer Diderot-Qu\u00e9bec comme un soubresaut de l\u2019histoire transbiographique de la Sainte-\u00c9thique. En alt\u00e9rant le bas du corps noir (ou, \u00ab\u2009le cas du bord noir\u2009\u00bb), la mat\u00e9rialit\u00e9 de l\u2019anti-mati\u00e8re et l\u2019impermanence de l\u2019\u00e9volution \u00e9conomique, ce collectif c\u00e9l\u00e8bre des moments fugitifs o\u00f9 la culture tente de souiller la marchandise. Vagin Soleil regroupe des&nbsp;musicien.ne.e, tangibles ou intangibles, notamment Karen Eliott Trudeau et Monty Cantsin Lehman, figures myst\u00e9rieuses et talentueuses de l\u2019underground et des musiques exploratoires au Qu\u00e9bec et en Pologne depuis les ann\u00e9es&nbsp;1980.&nbsp;<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/VAGIN-SOLEIL_400x400.png\" alt=\"\" class=\"wp-image-24652\" style=\"width:250px\"\/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Jean-Ambroise Vesac<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Membre cochercheur, Universit\u00e9 du Qu\u00e9bec en Abitibi-T\u00e9miscamingue<\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.uqat.ca\/services\/personnel\/fiche.asp?Fiche=160203\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Jean-Ambroise Vesac<\/strong><\/a> est chercheur, p\u00e9dagogue et artiste en cr\u00e9ation num\u00e9rique \u00e0 l\u2019 Universit\u00e9 du Qu\u00e9bec en Abitibi-T\u00e9miscamingue (UQAT). Son travail explore les r\u00e9alit\u00e9s mixtes, les dynamiques d\u2019interaction homme-machine et les formes d\u2019hybridation culturelle, notamment \u00e0 travers la performance audiovisuelle interactive en environnements virtuels.&nbsp;<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"406\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/Vesac_J-A_400x400.png\" alt=\"\" class=\"wp-image-24654\" style=\"width:250px\"\/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-right has-small-font-size wp-block-paragraph\">Publi\u00e9 le jeudi 16 avril 2026<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/hexagram.ca\/fr\/rencontres-interdisciplinaires-2026\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"350\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/Vignette_Chantiers-cercle-performa.png\" alt=\"logo Chantier Performa\" class=\"wp-image-23404\" style=\"width:150px\"\/><\/a><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Chantier Performa<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"14166\" height=\"5350\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/GRMS_Logo.jpg\" alt=\"Logo GRMS\" class=\"wp-image-23882\" style=\"object-fit:cover\"\/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/erasmus-plus.ec.europa.eu\/fr\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"366\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/Erasmus_Logo.svg_-1280x366.png\" alt=\"Logo Erasmus+\" class=\"wp-image-24160\" style=\"object-fit:cover\"\/><\/a><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/erasmus-plus.ec.europa.eu\/fr\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"495\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/UQAT_logotype_fondnoir-1-1280x495.png\" alt=\"Logo UQAT\" class=\"wp-image-24162\" style=\"object-fit:cover\" srcset=\"https:\/\/hexagram.ca\/wp-content\/uploads\/UQAT_logotype_fondnoir-1-1280x495.png 1280w, https:\/\/hexagram.ca\/wp-content\/uploads\/UQAT_logotype_fondnoir-1.png 1650w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/a><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/www.radioblocoral.ca\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"246\" height=\"215\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/logo-Radio-BLOC-ORAL-blanc-sans-formes.png\" alt=\"Logo Radio Bloc Oral\" class=\"wp-image-24114\" style=\"width:120px\"\/><\/a><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/soundcloud.com\/wikiradio-canada\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"240\" height=\"720\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/Logo-WRC-copie-240x720.png\" alt=\"Logo WRC\" class=\"wp-image-24118\" style=\"width:auto;height:250px\" srcset=\"https:\/\/hexagram.ca\/wp-content\/uploads\/Logo-WRC-copie-240x720.png 240w, https:\/\/hexagram.ca\/wp-content\/uploads\/Logo-WRC-copie.png 332w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/a><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Concerts et table ronde Jeudi\u00a07\u00a0mai 202615\u00a0h \u2013 21\u00a0h\u00a030GratuitEn pr\u00e9sentiel outransmission en direct Mezzanine de l\u2019Agora du C\u0153ur des sciencesUniversit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al175, av. du Pr\u00e9sident-KennedyMontr\u00e9alDirections S\u2019inscrivant dans la continuit\u00e9 du projet Arts sonores et transduction des genres, cet \u00e9v\u00e9nement propose d\u2019ouvrir la r\u00e9flexion \u00e0 la question de la spatialit\u00e9 dans la cr\u00e9ation sonore, musicale [&hellip;]<\/p>\n","protected":false},"author":95,"featured_media":24164,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[32],"tags":[473,448],"class_list":["post-24159","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exposition","tag-chantier-performa-2","tag-ri2026"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Spatialit\u00e9s sonores et transduction des genres - hexagram.ca<\/title>\n<meta name=\"description\" content=\"Assistez \u00e0 des concerts explorant la spatialit\u00e9 sonore comme force transformatrice des corps des identit\u00e9s et des formes artistiques.\" \/>\n<meta name=\"robots\" content=\"index, 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