{"id":24329,"date":"2026-04-22T10:00:02","date_gmt":"2026-04-22T15:00:02","guid":{"rendered":"https:\/\/hexagram.ca\/?p=24329"},"modified":"2026-05-21T12:00:37","modified_gmt":"2026-05-21T17:00:37","slug":"gaiai","status":"publish","type":"post","link":"https:\/\/hexagram.ca\/fr\/gaiai\/","title":{"rendered":"GAIAi\u00a0: Infantilisme artificiel et la po\u00e9sie des mots-cl\u00e9s bloqu\u00e9s"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Panel avec Ian Haig et Adam Zaretsky<\/h2>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Mercredi&nbsp;20&nbsp;mai 2026<\/strong><br>15&nbsp;h \u2013 17&nbsp;h<br>Gratuit<br>En anglais<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Common Room de Speculative Life<br><\/strong>Universit\u00e9 Concordia<br>Pavillon EV, local&nbsp;10.625<br>1515, rue Sainte\u2011Catherine O.Montr\u00e9al<br><a href=\"https:\/\/maps.app.goo.gl\/BDhHu8SbXweUCVsN6\" target=\"_blank\" rel=\"noreferrer noopener\">Directions<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Mettant en lumi\u00e8re la notion de \u00ab\u2009<strong>General Audience Iterations Artificial Infantilism<\/strong>\u2009\u00bb (GAIAi), ce panel examinera la mani\u00e8re dont les syst\u00e8mes contemporains d\u2019intelligences artificielles sont fa\u00e7onn\u00e9s par la mod\u00e9ration des contenus, la gouvernance des plateformes et les attentes culturelles en mati\u00e8re de s\u00e9curit\u00e9 et d\u2019accessibilit\u00e9.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La censure et l\u2019IA, les mod\u00e8les obsol\u00e8tes, l\u2019usage erron\u00e9 de l\u2019IA, l\u2019IA laide et le corps int\u00e9rieur comme antidote \u00e0 la perfection id\u00e9alis\u00e9e des corps ext\u00e9rieurs sur Instagram. L\u2019IA comme images hant\u00e9es, arrach\u00e9es \u00e0 l\u2019inconscient collectif, des images qui n\u2019appartiennent pas \u00e0 ce monde et n\u2019en sont pas issues. Le \u00ab\u202fslop\u202f\u00bb de l\u2019IA comme contamination abjecte, parasites algorithmiques, transhumanisme qui a mal tourn\u00e9, et l\u2019IA comme bruit et erreur dans le syst\u00e8me des suzerains de l\u2019IA de Palantir et de la grille de contr\u00f4le de l\u2019IA \u00e9mergente destin\u00e9e \u00e0 la classe des \u201cmangeurs inutiles\u201d. L\u2019IA comme technologie occulte invoquant les r\u00e9sidus de la culture, les restes et les morts.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Avec la participation d\u2019<strong>Ian Haig <\/strong>et d\u2019<strong>Adam Zaretsky<\/strong>, la discussion explorera comment ces forces influencent \u00e0 la fois la production et la r\u00e9ception des m\u00e9dias g\u00e9n\u00e9r\u00e9s par l\u2019IA. Les intervenants aborderont la fa\u00e7on dont le filtrage algorithmique, les mots\u2011cl\u00e9s bloqu\u00e9s et les politiques des plateformes conditionnent les r\u00e9sultats esth\u00e9tiques et le d\u00e9bat public. Parall\u00e8lement, ils s\u2019int\u00e9resseront aux formes visuelles inattendues produites par les syst\u00e8mes d\u2019IA \u2014 allant d\u2019images synth\u00e9tiques tr\u00e8s polies \u00e0 des productions d\u00e9form\u00e9es ou d\u00e9rangeantes qui remettent en question les normes esth\u00e9tiques \u00e9tablies.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cette activit\u00e9 est pr\u00e9sent\u00e9e dans le cadre des <a href=\"https:\/\/hexagram.ca\/fr\/rencontres-interdisciplinaires-2026\/\" target=\"_blank\" rel=\"noreferrer noopener\">Rencontres interdisciplinaires 2026<\/a>.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>\u00c0 propos des intervenants<\/strong><\/h2>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Ian Haig<\/h3>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/ianhaig.net\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Ian Haig<\/strong><\/a> est un artiste multidisciplinaire travaillant avec la vid\u00e9o, la sculpture, le dessin, l\u2019installation, les m\u00e9dias technologiques et l\u2019IA mutante. Sa pratique remet en question l\u2019id\u00e9e selon laquelle les formes culturelles dites basses ou triviales seraient d\u00e9pourvues de valeur. Depuis plus de trente ans, son travail s\u2019int\u00e9resse aux relations entre m\u00e9dias contemporains, technologies et corps humain, explorant l\u2019attraction et la r\u00e9pulsion, le fanatisme, le transhumanisme et les effets d\u00e9g\u00e9n\u00e9ratifs des technologies omnipr\u00e9sentes. Il a expos\u00e9 internationalement dans des institutions majeures, dont le Museum of Modern Art (New York), le Centre Georges Pompidou (Paris), l\u2019Australian Centre for Contemporary Art (Melbourne), l\u2019ACMI, le GOMA de Brisbane et la Biennale Artec (Nagoya). Ses \u0153uvres vid\u00e9o ont \u00e9t\u00e9 pr\u00e9sent\u00e9es dans plus de 200&nbsp;festivals \u00e0 travers le monde. Il est \u00e9galement commissaire d\u2019exposition, notamment des projets <em>Unco<\/em> et <em>Very Unco<\/em> au Torrance Art Museum (Los Angeles).<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/Ian_Haig_400x400.png\" alt=\"\" class=\"wp-image-24332\" style=\"width:250px\"\/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Adam Zaretsky<\/h3>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/inarts.eu\/en\/gr\/staff\/zaretsky\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Adam Zaretsky<\/strong>,<\/a> Ph.\u202fD., est un bioartiste exp\u00e9rimental et ancien chercheur au d\u00e9partement de biologie du MIT. Son travail examine de mani\u00e8re critique les dimensions juridiques, \u00e9thiques, sociales et libidinales des biotechnologies, avec un int\u00e9r\u00eat particulier pour les humains transg\u00e9niques. Reconnu pour ses laboratoires de bioart participatifs, il cr\u00e9e des espaces d\u2019exp\u00e9rimentation et de discussion autour du bioart. Il a enseign\u00e9 \u00e0 l\u2019\u00e9chelle internationale, notamment \u00e0 la San Francisco State University, \u00e0 SymbioticA (Universit\u00e9 d\u2019Australie\u2011Occidentale), au Rensselaer Polytechnic Institute, \u00e0 l\u2019Universit\u00e9 de Leyde et \u00e0 la Waag Society. Depuis 2016, il est responsable de la recherche chez Nadlinc et, depuis 2022, consultant en recherche chez BEAK \u00e0 New York. Depuis 2024, il est professeur invit\u00e9 \u00e0 l\u2019Universit\u00e9 ionienne, directeur cr\u00e9atif de TTTlabs et TTTfellows, et membre du projet <em>Rewilding Cultures<\/em> financ\u00e9 par l\u2019Union europ\u00e9enne.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"https:\/\/hexagram.ca\/wp-content\/uploads\/AZaretsky_400x400px.png\" alt=\"\" class=\"wp-image-24330\" style=\"width:250px\"\/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Image de couverture : \u24b8Ian Haig<\/p>\n\n\n\n<p class=\"has-text-align-right has-small-font-size wp-block-paragraph\">Publi\u00e9 le mercredi 22 avril 2026<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/hexagram.ca\/fr\/rencontres-interdisciplinaires-2026\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"350\" src=\"http:\/\/hexagram.ca\/wp-content\/uploads\/Vignette_Chantiers-cercle-performa.png\" alt=\"Chantier Performa\" class=\"wp-image-23405\" style=\"width:150px\"\/><\/a><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Chantier Performa<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Panel avec Ian Haig et Adam Zaretsky Mercredi&nbsp;20&nbsp;mai 202615&nbsp;h \u2013 17&nbsp;hGratuitEn anglais Common Room de Speculative LifeUniversit\u00e9 ConcordiaPavillon EV, local&nbsp;10.6251515, rue Sainte\u2011Catherine O.Montr\u00e9alDirections Mettant en lumi\u00e8re la notion de \u00ab\u2009General Audience Iterations Artificial Infantilism\u2009\u00bb (GAIAi), ce panel examinera la mani\u00e8re dont les syst\u00e8mes contemporains d\u2019intelligences artificielles sont fa\u00e7onn\u00e9s par la mod\u00e9ration des contenus, la gouvernance [&hellip;]<\/p>\n","protected":false},"author":95,"featured_media":24359,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[17],"tags":[473,448],"class_list":["post-24329","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-conferences","tag-chantier-performa-2","tag-ri2026"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.7 - 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