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SOLASTALGIA<\/h2>\n \t\t\t\t \t<\/p>\n
\u00c0 la suite de l\u2019observation de certains sympt\u00f4mes psychologiques et selon le concept de Solastagia, le projet repose sur une r\u00e9flexion personnelle \u00e0 propos de l\u2019exp\u00e9rience v\u00e9cue des individus influenc\u00e9s par les cons\u00e9quences des changements climatiques. Le projet pr\u00e9sente donc un espace immersif permettant d\u2019exp\u00e9rimenter un probl\u00e8me li\u00e9 \u00e0 notre capacit\u00e9 d’adaptation environnementale.<\/p>\n
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Empathie narrative et avatar tangible pour casque de r\u00e9alit\u00e9 virtuelle<\/h2>\n \t<\/p>\n
Le projet Anna permet d\u2019interagir avec un personnage virtuel \u00e0 l\u2019aide d\u2019un mannequin servant d\u2019interface tangible. Le personnage raconte son histoire au spectateur. L\u2019objectif de l\u2019\u0153uvre est de cr\u00e9er une empathie narrative en relation avec un personnage virtuel par le biais d’une nouvelle forme d’interaction.<\/p>\n
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Ionesco Pixelis\u00e9 (librement inspir\u00e9 de la pi\u00e8ce D\u00e9lire \u00e0 deux de Ionesco)<\/h2>\n <\/p>\n
Mon projet de recherche cr\u00e9ation propose la conceptualisation et l\u2019exp\u00e9rimentation ludique d\u2019un dispositif interm\u00e9diatique dans lequel l’acteur devient, par les mouvements de son corps et de sa voix, le principal activateur \/ cr\u00e9ateur de son environnement num\u00e9rique.<\/p>\n
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D\u00e9construction\/Reconstruction : passage de la musique \u00e0 l’objet<\/h2>\n <\/p>\n
Comment cr\u00e9er un nouveau mode de composition? Comment contrer ma propre conception de la musique? Un projet qui tente de r\u00e9pondre \u00e0 ces questions gr\u00e2ce \u00e0 la notion de la traduction, passant de la musique \u00e0 l’objet. La musique devient alors mati\u00e8re, prend une autre forme, un autre langage gr\u00e2ce \u00e0 un syst\u00e8me de codage.<\/p>\n
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\u00ab NOS ABYSSES \u00bb<\/h2>\n <\/p>\n
\u00ab NOS ABYSSES \u00bb est un court-m\u00e9trage interactif explorant la fronti\u00e8re entre l’homme et la machine. Thomas, exasp\u00e9r\u00e9 par le monde qui l\u2019entoure, explore la nature profonde de l\u2019humain, \u00e0 travers la machine. En utilisant l\u2019ubiquit\u00e9 informatique ambiante, il tente de p\u00e9n\u00e9trer encore plus profond\u00e9ment dans les abysses de l\u2019\u00e2me humaine. <\/p>\n
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Combatting Rape Culture Through Design – A Research-Creation Project<\/h2>\n <\/p>\n
\u201cCombatting Rape Culture Through Design\u201d investigates how data visualization can contribute to raising awareness about complex social issues such as rape culture. With the goal of making visible people\u2019s experiences with rape culture the project explores how to constitute affective, singular experiences as data to be visualized. <\/p>\n
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The Fluid Alter-Cities<\/h2>\n <\/p>\n
My research explores mobility as the way of being, we experience through mobile devices. Ubiquitous portable screens have changed not only the way we understand our surroundings but also our interaction with these surroundings. The self is fragmented between here and there, between virtual and actual and between now and else-when. <\/p>\n
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Halo<\/h2>\n <\/p>\n
\u201cHalo\u201d is a series of sound chairs that explore the affect of visual perception on aural experiences. By harnessing the aesthetics of vintage salon hair-dryer chairs and deturning their architectural function with a three-dimensional ambisonic playback system, \u201cHalo\u201d unsettles visual expectations in order to solicit new aural experiences.<\/p>\n
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Drone 1<\/h2>\n <\/p>\n
Drone 1 is an interdisciplinary project that acknowledges both human and non-human entities as sites for sensorial investigation. Current scientific studies of the movement of bees and their robotic counterparts are explored through the sonification of image utilizing custom electronic sound synthesis in a multi-sensorial installation.<\/p>\n
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Le Son au th\u00e9\u00e2tre et en danse contemporaine : les principes conceptuels r\u00e9currents de ma pratique<\/h2>\n <\/p>\n
Transmettre mon approche de la conception sonore pour la sc\u00e8ne sous 2 formes: un texte th\u00e9orique (m\u00e9moire) et un livret po\u00e9tique (cr\u00e9ation).<\/p>\n
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Ruins Rider<\/h2>\n <\/p>\n
Ce projet d\u2019internationalisation vise \u00e0 la diffusion de mon projet de recherche-cr\u00e9ation Ruins Rider au Alchemy Film & Moving Image Festival et \u00e0 participer \u00e0 un masterclass au Artists\u2019 Filmmaking Symposium \u00e0 Hawick, \u00c9cosse du 2 au 6 mars 2017.<\/p>\n
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Our Transgenic Future<\/h2>\n <\/p>\n
Our Transgenic Future is an interactive gallery based exhibition featuring video, printed material and several sculptures. This speculative design project based on real scientific developments proposes an alternate reality in which people keep transgenic animals as pets which could one day save their lives through organ transplantation.<\/p>\n
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Robot Ludens<\/h2>\n <\/p>\n
This exploration of \u2018playing machines\u2019 across the lineages of artistic performances and gameplay focuses on machines as ambiguous characters, perceived by the audience as entities that operate between the realms of the living and non-living. This characteristic of machines will be connected to the concept of play itself.<\/p>\n
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Fermented Foods and Engaging with the Microbial Other<\/h2>\n <\/p>\n
Microbes are omnipresent: they live inside, on, and around us. How we relate to them impacts our genomes, guts, and environment. I study fermented foods as a means to investigate the human-microbe relationship and, ultimately, challenge current assumptions that privilege humans. <\/p>\n
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The Ghost Arcade (La Galer\u00eda de Fantasmas).<\/h2>\n <\/p>\n
The Ghost Arcade is a participatory exhibition project focusing on the material and social fabrics of localized articulations of global digital piracy cultures; through addressing critical gaps in discourses centered within the social and historical conditions of videogame exhibitions in museums and alternative spaces, across critical and vernacular digital cultures. <\/p>\n
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Po\u00e9ticaSonora: Towards a Digital Audio Repository of Sound Art and Sound Poetry in Latin America<\/h2>\n <\/p>\n
My participation in Po\u00e9ticaSonora, a research-creation program in Mexico City, is to coordinate the design and creation of a digital audio database from the fieldwork, selection, and tagging process a group at UNAM has done since May 2016. <\/p>\n
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THEY GREW ON ME: Human Attachment to Non Player Characters in Games<\/h2>\n <\/p>\n
\u00ab\u00a0THEY GREW ON ME: Human Attachment to Non Player Characters in Games\u00a0\u00bb will explore how humans form emotional attachments to non-player characters through (1) a series of experimental games and (2) a written thesis. Both will delve into how players connect to characters in games, considering the similarities and differences to characters in other mediums as well as how players connect to one another.<\/p>\n
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Loto-documentaire<\/h2>\n <\/p>\n
Loto-documentaire est un documentaire interactif qui remet en question les mod\u00e8les pr\u00e9dictifs de traitement de donn\u00e9es et de l’information, tr\u00e8s en vogue avec le Big Data. Le documentaire se construit \u00e0 partir des r\u00e9sultats de la loterie et aborde les th\u00e9matiques du hasard, de l’entropie et de l’information.<\/p>\n
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Picturing aid in Haiti: Writing and translating the script for a non-fiction graphic novel<\/h2>\n <\/p>\n
In order to assess the potential of an emerging media form known as \u00ab\u00a0comics reportage\u00a0\u00bb, I will write (the second draft of) the script for a book-length work of comics reportage based on my PhD fieldwork in Haiti. In order to make this project as accessible as possible to the displaced Haitians who participated in my research, I will also translate this textual component of my research-creation thesis project into Haitian Cr\u00e9ole.<\/p>\n
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Whimsical Bodies, Performative Machines and Networked Nonhumans: Exploring the Lively and Behavioural Qualities of Robotic Art<\/h2>\n <\/p>\n
This paper presentation is focused on human nonhuman engagements initiated by the human spectator’s experiences of robotic art. I also go on to consider the inherent characteristics of the medium, proposing that robotic art occupies the space of a specific aesthetic language and that it requires\/requests interactivity. The case studies of robotic art that I will present and unpack propose that the medium is characteristically whimsical, performative and lively and that it requires human engagement<\/p>\n
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laboratoire de cr\u00e9ation collective cin\u00e9matographique<\/h2>\n <\/p>\n
Pr\u00e9sentation de mes recherches sur le \u00ab\u00a0laboratoire de cr\u00e9ation collective cin\u00e9matographique\u00a0\u00bb (Kabaret Kino) au colloque international \u00ab Du \u00ab direct \u00bb au num\u00e9rique : arch\u00e9ologie et nouvelles perspectives des pratiques cin\u00e9matographiques l\u00e9g\u00e8res dans le monde. \u00bb \u00e0 l’Universit\u00e9 de Lausanne\/Universit\u00e9 de Picardie Jules-Verne, du 3 au 5 mai 2017.<\/p>\n
<\/button> <\/div>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"Depuis les d\u00e9buts, les chercheurs impliqu\u00e9s \u00e0 Hexagram ont souhait\u00e9 apporter un soutien concret aux membres \u00e9tudiants, que ce soit sous forme d\u2019acc\u00e8s aux infrastructures et \u00e9quipements de recherche, d\u2019int\u00e9gration \u00e0 la gouvernance et de formation ou de bourses. Annuellement, plus d\u2019une cinquantaine de projets de recherche-cr\u00e9ation et d\u2019internationalisation sont analys\u00e9s par un jury de […]<\/p>\n","protected":false},"author":47,"featured_media":635,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[49,8],"tags":[],"yoast_head":"\n
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