\t<\/p>\n
Volte<\/h2>\n <\/p>\n
Alliant la musique exp\u00e9rimental et l\u2019impr\u00e9visibilit\u00e9 d\u2019un art processuel, je souhaite sonder ces notions en lien avec le d\u00e9tournement de num\u00e9riseurs d\u00e9suets afin de prototyper un instrument de lutherie num\u00e9rique pour la performance sonore.<\/p>\n
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5Ws<\/h2>\n <\/p>\n
Nos donn\u00e9es personnelles sont aujourd’hui diss\u00e9min\u00e9es sur Internet et dans les r\u00e9seaux sociaux. L’exposition 5Ws tente de r\u00e9v\u00e9ler ces traces et faire parler nos informations \u00e0 partir d’une banque de donn\u00e9es qui a \u00e9t\u00e9 archiv\u00e9e en 2006.<\/p>\n
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HIATUS, UNE BR\u00c8VE INCURSION DANS L\u2019UNIVERS DU TOC<\/h2>\n <\/p>\n
HIATUS, UNE BR\u00c8VE INCURSION DANS L\u2019UNIVERS DU TOC, est une installation audiovisuelle \u00e0 composante immersive, visant \u00e0 faire conna\u00eetre les troubles obsessionnels compulsifs (TOC) par le ressenti, \u00e0 l\u2019aide de fragments audiovisuels qui d\u00e9filent en mode al\u00e9atoire et invitent le spectateur \u00e0 vivre une exp\u00e9rience sensorielle et impressionniste.<\/p>\n
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The leftovers of the sword<\/h2>\n <\/p>\n
This project is a wearable sculpture that reveals the hidden identity of an Armenian Genocide survivor living in disguise as a Turkish woman in Anatolia. Enhanced with fabric speakers, textiles act as a sonic and dialogical interface. Sound and narration transgress beyond the visible and expose the lingering cultural trauma and fragmentation.<\/p>\n
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Inter-Generational Generator: Transmitting Indigenous Knowledge and Energies Through Mobile Game Play<\/h2>\n <\/p>\n
Addressing the generational technological gaps between Indigenous youth and elders, the development of geo-locative mobile games, paired with deep engagement of Indigenous protocols, this game offers youth the opportunity to energize their characters by taking the game to elders.<\/p>\n
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Remediation of Pardeh-Khani<\/h2>\n <\/p>\n
Scale and its Affective Effects in VR<\/p>\n
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Light-scape formation<\/h2>\n <\/p>\n
Le projet Light-scape formation consiste dans une installation cin\u00e9tique, qui utilise l\u2019illusion comme technique, pour la construction des environnements paysag\u00e8re par l\u2019entre mise de la lumi\u00e8re et la mati\u00e8re. Le projet explore le rapport humain vers le paysage naturel en \u00e9voquant les notions du sublime dans l\u2019art.<\/p>\n
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Conjuring Optics<\/h2>\n <\/p>\n
Conjuring Optics is an audio\/visual installation and artist book looking at the cinematic apparatus of modernity and its relationship to the illusions produced by the stage magic of 19th century Europe, as well as the sociological impact of illusions on perception.<\/p>\n
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Grey Area<\/h2>\n <\/p>\n
Algorithmic real time musical composition based on unsupervised machine learning algorithms.<\/p>\n
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Mukojima Diorama<\/h2>\n <\/p>\n
Mukojima Diorama is a site-specific video-mapping event in the vacant lot of a demolished Nagaya rowhouse in Mukojima-ward Tokyo, Japan as part of the 39art festival in March 2019. The interactive film work uses archival photographs to portray the historical resonance of architecture, revealing how cities transform over time.<\/p>\n
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Autonomous Sensoria<\/h2>\n <\/p>\n
Investigating the sense of self by creating autonomous and symbiotic machines. Adaptive robots form the basis for developing a sense-altering wearable device. The device is then applied to artistic practice. Results include installation, prototype and performance, and positioning for workshops and publication opportunities in the following year.<\/p>\n
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Newmedia1861 (titre de travail)<\/h2>\n <\/p>\n
Mon projet consiste \u00e0 cr\u00e9er un dispositif cherchant \u00e0 r\u00e9actualiser un st\u00e9r\u00e9oscope de Holmes, un objet de visualisation 3D invent\u00e9 en 1861, en y incorporant de l\u2019image-en-mouvement abstraite, et un mini syst\u00e8me de spatialisation sonore.<\/p>\n
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Texturologie vibratoire<\/h2>\n <\/p>\n
\u00ab Texturologie vibratoire \u00bb est une transposition de la pratique du skateboard dans une installation vid\u00e9o, mat\u00e9rialis\u00e9e par l\u2019image des sols film\u00e9s par une cam\u00e9ra sportive fix\u00e9e sous une planche en mouvement et dont les vibrations sont capt\u00e9es et transpos\u00e9es dans l\u2019image projet\u00e9e de la texture des sols.<\/p>\n
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Passages<\/h2>\n <\/p>\n
Passages est une installation interactive qui met en image l\u2019in\u00e9luctable d\u00e9filement du temps dans le contexte d\u2019un lieu transitoire. En m\u00e9diant les corps qui traversent un espace public, elle spatialise le moment du passage gr\u00e2ce au slit-scan. Entrem\u00eal\u00e9 avec le souvenir d\u2019anciens passages, la repr\u00e9sentation oscille entre m\u00e9moire et oubli.<\/p>\n
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<\/p>\n
Aliens in the Lands of our Grandmothers<\/h2>\n <\/p>\n
This is a series of interactive sound sculptures investigating two gravitational attractions: the psychic force of land loss on the Indigenous mind and the physicist\u2019s vision of the gravitational field. This series of 3.5 foot wide sculptures are either wall-mounted or placed on the floor, presented in the EV Black Box.<\/p>\n
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Bonjour Madame\/Monsieur, avez-vous une minute?<\/h2>\n <\/p>\n
Recherche-cre\u0301ation compre\u0301hensive sur les pratiques d\u2019entrevue de rue me\u0301diatiques A\u0300 travers ce projet doctoral, je souhaite de\u0301velopper et documenter une re\u0301flexion critique sur les pratiques d\u2019entrevue faisant appel a\u0300 des passant-e-s dans la rue pour diffuser leurs propos dans les me\u0301dias (ex. \u200bvox pop\u200b). Ma de\u0301marche de RC allie: 1) une e\u0301tude ethnographique aupre\u0300s d\u2019autres praticien-ne-s d\u2019entrevue de rue reconnu-e-s, 2) la poursuite du de\u0301veloppement de ma propre pratique performative d\u2019entrevue de rue radiophonique expe\u0301rimentale et 3) une re\u0301flexion the\u0301orique et re\u0301flexive sur les enjeux lie\u0301s a\u0300 ces pratiques.<\/p>\n
<\/button><\/p>\n<\/div>\n<\/div>\n\n
<\/p>\n
Lumie\u0300re Performative<\/h2>\n <\/p>\n
Interpre\u0301ter la lumie\u0300re en temps re\u0301el a\u0300 partir de paradigmes sonores<\/p>\n
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<\/p>\n
MYRA<\/h2>\n <\/p>\n
\u201cMYRA\u201d, (ISLAND project) 360 video and soon a VR multimedia installation. I invite viewers to witness the totality of a spherical watery world by being given a double insight: the exterior view of the seams and peripheries of the image and the experience of being thrust into its regenerative interior.<\/p>\n
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<\/p>\n
College Art Association annual conference<\/h2>\n <\/p>\n
I will present my research-creation project at the College Art Association annual conference in New York City (Feb 13-16, 2019), the biggest conference in my field with over 4,000 attendees annually. My poster presentation will allow me to expose and discuss this project with art historians and arts professionals.<\/p>\n
<\/button><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"Avec le concours de bourses aux \u00e9tudiants, Hexagram souhaite apporter un soutien concret aux recherches de ses membres \u00e9tudiants. \u00c0 cela s\u2019ajoute l\u2019acc\u00e8s \u00e0 des infrastructures et des \u00e9quipements de pointe, l\u2019int\u00e9gration \u00e0 la gouvernance du r\u00e9seau et de la formation. Cette ann\u00e9e encore, une cinquantaine de projets ont \u00e9t\u00e9 analys\u00e9s par un jury de […]<\/p>\n","protected":false},"author":47,"featured_media":973,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[8],"tags":[],"yoast_head":"\n
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