Hexagram Podcast

Listen to all Hexagram events on the go
Hexa_Wave

A radio series presenting Hexagram researchers in 1-hour interview format. Hexa_Wave objective is to promote Hexagram research within the scientific community and to the general public. Hexa_Wave will be available in podcast format directy on Hexagram website and will also be broadcast on wikiradio.ca and on CKUT.ca.

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Hexagram panels and lectures

Recordings of Hexagram network activities. Each episode presents a guest speaker, a round table or a discussion about research-creation in relation to Hexagram network's research axis. All Network activities are initiated by members and aim to promote research-creation and to share the knowledge developed in the partner institutions and throughout the world.

L.A.S.E.R. Series

Through its association with Leonardo / The International Society for the Arts, Science and Technology (Leonardo / ISAST), the Hexagram network organizes L.A.S.E.R. Hexagram-Montreal (Leonardo Art and Science Evening Meeting). Hexagram member Gisèle Trudel (Université du Québec à Montréal) and collaborator Nina Czegledy co-chair this event series.

Hexa_wave

A 48-episode radio series presenting 48 Hexagram researchers in 1-hour interview format. Hexa_Wave objective is to promote Hexagram research within the scientific community and to the general public. Hexa_Wave will be available in podcast format directy on Hexagram website and will also be broadcast on wikiradio.ca and on CKUT.ca.

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Hexagram panels and lectures

Recordings of Hexagram discussion panels and lectures presented in Montreal by Hexagram members and artist-researchers from around the world. All Hexagram activites are initiated by regular members and are covering various topics related to research axis.

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  • Curator and director of the NTU CCA Singapore, Ute Meta Bauer investigates the profession of the curator in Southeast Asia, a region experiencing a time of increased global visibility as well as nation and institution building. In the Philippines and Singapore, a wide range of excellent museums and collections function like similar infrastructures globally. At other locations, the space of the curatorial is where art gets produced in studios, in artist residency programmes - often run by artists for artists - or in smaller organisations, most often also created by artists due to the lack of spaces to show art, to meet and to discuss. The profession of the curator is fairly new, and time and again it is artists that undertake to present their own work and those of their peers. How do artists, curators and art historians engage with the intricacies of a particular place, and how do they respond to the specificities of the local under the expectations of the international? It is crucial to acknowledge the multitude of voices in this complex history of the region. What emerges is a highly diverse art system that shifts away from traditional formats to embrace new or alternative platforms-from symposia to fieldwork-with the aim of emphasizing producing and curating as a process of critical thinking that goes beyond presentations and representations.

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L.A.S.E.R. Series

Through its association with Leonardo / The International Society for the Arts, Science and Technology (Leonardo / ISAST), the Hexagram network organizes L.A.S.E.R. Hexagram-Montreal (Leonardo Art and Science Evening Meeting). Hexagram member Gisèle Trudel (Université du Québec à Montréal) and collaborator Nina Czegledy co-chair this event series.

Latest L.A.S.E.R event



  • Depuis les années 1970, les premiers synthétiseurs massifs et onéreux de même que les systèmes hautement spécialisés ont connu diverses transformations. En quatre décennies, les méthodes et usages se sont progressivement démocratisés pour devenir plus hybrides, et en intégrant des processus tactiles et collaboratifs. Les développements sociaux et technologiques entre humains et machines génèrent un large éventail d'approches en création musicale. Les présentateurs discuteront de leurs motivations à travailler avec des synthétiseurs dans des situations socialement chargées. From synthesizers' beginnings as massive, expensive and highly specialized systems in the 1970s, various transformations have occurred over four decades. Methods and access have gradually become democratic and hybrid, while integrating tactile and collaborative processes. Social and technological developments between humans and machines have contributed to a greater variety of approaches. The presenters will discuss their motivations to create with synthesizers in an array of socially charged situations.

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